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"C-MARC represents their finest most important and accessible work yet." "A Whale of a performer."

May, 2017, author: Srajan Ebaen
"Though coin is always relative, considering this build's complexity even cynics should find that one's hifi dollar meets real substance. This includes a 3-day cryogenic treatment in an offsite facility."

"It's highly flexible and easy to dress."

"It didn't take long to conclude that, in my book at least, this was their best yet: most universally applicable, most easily demonstrated."

"The C-MARC wires were indeed speechless... er, quiet. As promised by their propaganda, they truly were exceptionally revealing. Unlike hyper-stiff wires can with their layers upon layers of solid shielding, the super-slinky self-cancelling Lithuanians didn't make the sound dry. Music didn't occur in a sterile vacuum. It was properly juicy and elastic."

"The coppery Litz's magnification power of musical plankton didn't happen under a hospital's stark white neon glare. Its combination of the spatially teased out, energetically relaxed but room-fillingly grand made the C-MARC loom a whale of a performer."

"Back to fair pricing, really no Las Vegas gambling is involved to bag this whale."

"With the LessLoss C-MARC loom, one buys into small-diameter super flexible non-springy cables in demure black cotton sleeving. They have quality connectors-the power inlet plugs grip like a wrestling champ!-dress easily and don't shout with their appearance."

"More importantly, one gets a supremely balanced natural sound that's fluidic not choppy, relaxed not wiry. It's also very intelligible down into the minuscule to be the cable equivalent of hi-rez."

"Best of all, it's capable of getting the music out of the boxes and the virtual zone behind them and bridge it into the room. If you believe you already have that... you're either quite lucky; or still misguided about what you think is actually possible."

"Having reviewed a number of LessLoss items over the years, I'll close out by repeating that I think their latest C-MARC, from concept to execution, represents their finest most important and accessible work yet."
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"Easy to use and does the job without a negative impact on dynamics."

May, 2017, author: George Sallit
"With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing."

"With the filter in place, the sound was far more musical."

"The 3D soundstage was much bigger and made it easier to differentiate who was doing what."

"I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music."

"Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes."

"All the advantages of mains filters but no loss of dynamics."

"The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter."

"It sounded as though the worse the mix the better the effect."

"On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding."

"The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned about the loss of dynamics. With the Lessloss filters there was no real change to the dynamics but the brightness had gone and the tonal colours had increased."

"So, at the end of all this I had to conclude that these filters do work and they do so particularly well with DACs and a Class D amplifier."

"But are they worth it? Given what most of the serious mains conditioning units cost and the fact that some do impact the dynamics (not all of them) then my answer is yes. Is the 5x worth the extra? In a high-resolution system, the answer is positive. A really interesting product that is easy to use and does the job without a negative impact on dynamics."
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"The new LessLoss DAC should be on your list."

February, 2017, author: Srajan Ebaen
"The Echo's End had the most distinctive easily grasped gestalt ..."

"Whilst it didn't sound like tubes, it felt like them. Whilst I fed it pure PCM, it behaved like deep DSD."

"Not sounding but feeling like tubes meant textural fluidity with plenty of connective tissue but no response liberties or THD seasoning. Behaving like DSD meant sweeter, more elastic and texturally softer than standard CD sound, with more overt ambient recovery."

"Deep DSD indicates that the LessLoss went beyond the Lindemann's actual resampling. It expressed the same flavour but did so at categorically higher potency; in pure PCM no less."

"Longest ever decays from digital?"

"What the listener can tell regardless is that it works; and very plainly so."

"A vital qualifier was how such pervasive gentility–that softer more organic approach–didn't come at the expense of vividness. ... The musical gestalt didn't collapse."

"Muscle tone was that of an upright not supine body. This was key. Its softness was more on the surface. It didn't impact the core of musical tension. Incidentally, that's been a personal complaint with DSD converters of the über-alles or resampling kind. They all bled out some caffeine and put a minor damper on the musical adrenaline. The Echo's End did not. It did all the other DSD things and at a very good clip but not that one."

"Should your own tastes overlap–of wanting the pretty, nubile and spacious aspects of DSD but not its reduced verve– this LessLoss just might have your number. In an ocean of generics, having such a distinctive calling card is a useful advantage."

"I feel privileged to have experienced the Laminar Streamer's sonic achievements."

"Streaming the laminar way, music felt juicier and calmer at the same time. This was particularly keen on overcooked nervous jittery productions with their tense hype and sizzle. Now those had elegance and mellifluousness. They were on song according to the bel canto definition."

"The primary taste is of greater calm; as though time ran slower. This makes the listener more settled and poised."

"Intermixed aspects are a removal of very fine metallic grit in transients and overtones; and wetter ambiance."

"It's only by going back and forth, with/without, that one inspects why the experience differs. That's when the disappearance of faint glittery upper-mid/treble grit gets checked off; when more specific spatial sensations get translated into heightened contrast; and as a result of that and intangibles, why the overriding quality is greater calm. Here team LessLoss are undeniably on to something. DACs seem to be even more susceptible to how their digital data arrive than we suspected. Many of the gestalt-based complaints which audiophiles try to address with sundry hardware changes seem to have their roots here, at the very beginning."

"True, the Laminar Streamer did sit at this peak with the finest resolve of ambiance and focus for spatial mapping."

"The combination of Laminar Streamer and Echo's End spelled o-r-g-a-n-i-c and l-e-g-a-t-o in capital letters. Without losing any substance, music manifested less solid, staid and straight-jacketed. It felt more suspended, afloat and breathing. To visualize, think blooming ink blots on wet watercolour paper, albeit in 3D. That's your counterpoint for edge-limned silhouettes in a shadow play. That and the silky textural 'suede' softness were key. They walked hand in hand with greater calm."

"This calm had a very different living oxygenated quality to it."

"If what I described tracks your taste, the new LessLoss DAC should be on your list."

"Someone in Lithuania burns the midnight oil; at the very extreme high-end, in the middle and below; and not on the same old same old. Innovation rules!"
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Laminar Streamer wins Upper Echelon Class Award

January, 2017, author: Matej Isak
"The difference when comparing my computer server/streamer to the LessLoss Laminar Streamer is not small by any means. When I first connected the Laminar Streamer to the MSB Select DAC II, the first thing I wrote down in my listening notes was "analog-like easiness, fuller and more vivid projection of the sound," as well as "prolonged sense of the scale."

"I took a direct hit from the LessLoss Laminar Streamer Direct Drive SD card player, but even after that hit, it continued to grow on me subtly."

"This is where it becomes most obvious that we are concerned here with the topmost echelon of ultra high-end audio reproduction. A convincing recreation of acoustical space and the instruments being played within this space is the most demanding challenge for both analog and digital front ends. In this regard, while analog comes with impressive mileage, the digital competition has now obviously gained headway to such an extent that, today, with the Laminar Streamer, it has little in common with state-of-the-art digital playback of only a few years ago."

"revealed a new reference point overall."

"The LessLoss Laminar Streamer Direct Drive SD card player operates at such a high level that it is difficult or impossible to assemble and balance a system which would reveal any of its own flaws."

"Louis Motek's vision pushes the known horizon of uncompromising digital audio playback to a completely new plane. The Laminar defines this new plane like no other device."

"In a very real way, the Laminar Streamer frees us and our machines from this sort of activity and allows us to fully engage in an emotionally charged state and completely personal process. The sabbatical (vacation) from commercial activity I alluded to before is the establishment of a private space where one can freely dedicate his own private time and senses for the pure enjoyment and experience of music. This reminds me of a concert going experience, or taking time to explore gourmet food. These moments are only ever special because we charge them with that special condition ourselves, often times by disengaging ourselves from our usual state of struggle within a commercial or careerist environment. That special rest we experience through the purposeful establishment of such conditions is exactly what I experienced in music through use of the Laminar Streamer."

"The Laminar Streamer continues to shake my inner core through the huge impact it has had on me, and this feeling remains with me and is not fading away."

"The real luxury is the level of realism, drama and emotional impact that these products bring to our experience. The LessLoss Laminar Streamer Direct Drive SD card player pushes the boundaries of this type of luxury further by no small margin. Once experienced, a whole new world opens up. In absence of iPad's, Wi-Fi, IP based devices, internet streaming devices, etc., you simply melt into the music."

"The Laminar Streamer "beamed" me into a different universe, where my digital audio rites were constitutionally changed not only by the mere ritual, but most importantly with the experience of stressless, direct, pure audio intake. I do not think it will happen any time again soon in the digital realm. That is how far ahead the Laminar is."

"The LessLoss Laminar Streamer Direct Drive SD card player represents an early dawn of a new era and acts like a Time Machine that suspiciously changes the facet of time and space.

"I've travelled far and deep into the digital audio universe, but never as far and as sublime as with the Laminar Streamer."

"For what it accomplishes and embodies, I'm wholeheartedly giving the LessLoss Laminar Streamer Direct Drive SD card player Mono & Stereo's Upper Echelon Award. In addition, it takes a new place in the Uber Audio throne at Mono & Stereo."

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