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The Audio Beat reviews the Tunnelbridge distortionless interconnect system

June, 2012, author: Tim Aucremann
"The market churns out new models on a regular basis, requiring differentiation from all the other cables, and feasts us with a diversity of coloration."

"I can't help wondering if cable design has been stuck in a bubble, waiting for a breakthrough. Louis Motek, the director and chief designer for LessLoss Audio, thinks recalcitrant problems could just as easily be characterized as questions asked in the wrong way, while the mere fact that there are so many different-sounding cables strongly suggests that many of the right questions have not yet been asked."

"I have listened to this LP for almost 25 years and heard hints of these effects, but nothing prepared me for the sonic carnival I experienced through the LessLoss loom."

"I sensed performers fleshed out with body and movement. Steve Gadd's work on the hi-hat was exquisite, as I easily heard the tonal and dynamic difference between his touches on the cymbal's bell and its edge. Wherever I cast my ears, they reveled in fine-spun detail."

"With the orchestral depth clearly laid out before me, my ears could roam easily across contributions from sections and soloists, and then pull back to the whole -- just as I find myself doing in the concert hall."

"The psycho-acoustic sense of presence coupled with musical vibrancy and performance virtuosity delivered the kind of concert-hall experience that makes all the equipment fuss and bother worthwhile."

"With no further distraction from equipment, I put down pen and notepad to revel once again in this vibrant symphony. Here was what it's all about -- when the music made the stereo go away."

"Not expecting cables to do what the LessLoss did, I was surprised at the overall increase in detail."

"Overall, the LessLoss presentation was more palpable and dimensional, with better separation of instruments and an overall heightened sense of 'you are there' in the performance space."

"If it makes sense to imagine the elimination of cable variables from the menu of sonic choices that confront the modern audiophile, LessLoss has laid a path to that end."

"It redefined my expectations for audio signal cables."

"I am confident that the LessLoss loom will bring your system a step closer to its capacity for musical truth."
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Stereo Times publishes three-reviewer investigation on the Blackbody

March, 2012, author: Clement Perry, Dan Secula, Mitch Moreno
After an entire year of investigation in various systems, three independent reviewers at Stereo Times publish their long-term findings in a three-part review titled "Life with the LessLoss Blackbodys."

"Via the Blackbodys, the music just came through with a new sense of harmonic wholesomeness I had not experienced from any other tweak."

"I sat in amazement for hours listening into the wee hours of the morning."

"The music was at once purer: totally devoid of grain or strain."

"I noticed Kaplan expected to hear something positive. What he didn't expect was anything this powerful and resoundingly obvious. The look on his face within seconds of playing a familiar track was all I needed to know about the Blackbodys' effectiveness here in this highly tweaked setup. "...what the f*%@ is going on?"

"Bass sounded quicker and lower than it had any right to be via this old pair of Apogees."

"The music took on greater contrast and appeared more lively."

"The Blackbodys impart purer tones and harmonics: qualities the single-ended lovers and vinyl enthusiasts claim their wares are most prolific at, while hitherto was near impossible to yield from solid-state and digital devices."

"You do not have to own the best of everything in order to achieve state of the art performance. The LessLoss Blackbodys are a testimony to that. Though not cheap they do as advertised and have taken my listening pleasure to a level I could not have believed prior to their installation."

"Once you get a grasp of its power, it will challenge everything you thought you previously knew regarding noises and other contaminations in and around components."

"I'm now convinced beyond a shadow of a doubt that capturing the ultimate sound may be in our grasp by virtue of tweaks and not that shiny new $80k amplifier or loudspeaker."
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Mono and Stereo publishes LessLoss Firewall review

April 2012, author: Matej Isak
"What surprised me most upon using the LessLoss Firewall was the change. With the Firewall inserted before the passive power distributor, it felt more like adding a preamplifier rather than a power conditioner. Gain, fluidity, a blacker ground, dynamics, and a sense of space all seemed added. Something natural happened. Everything had more to do with the sense of an analog feeling of reproduction."

"The sense of space and depth of the music entered into a new positive realm."

"What avidly stood out was the grain-less sense of music and event. Articulation, timbre, pace... Everything worked and clicked more realistically."

"I can authoritatively sum up that the addition of the LessLoss Firewall to my reference system has been a prolonged study in neutrality."

"Dynamics, a natural timbre, and a prolonged sense of space were as they should be, and as a scholar and classical musician himself, he confirmed my impression that the bloom, articulation and liveliness were distinct merits and not mere colorations."
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AVShowrooms.com publishes Video Review of LessLoss Cables

March, 2012, author: Robert Grossman
In a series of five edited videos, Robert Grossman, principle librarian for the Philadelphia Orchestra, bassoon player, and lifelong audiophile, shows us how his system evolved and how the LessLoss DFPC Signatures and Anchorwave cables helped him achieve the best sound he's ever heard.

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Mono and Stereo publishes preview of the LessLoss Firewall

February, 2012, author: Matej Isak
"The impact from the LessLoss Firewall is far beyond from what I expected."

"It feels like adding a new preamp to the system, rather than dealing with "just" a power filtering product."

"Music entered into the room with a huge pace and a pompous step, knocking down the doors of perception. It is bigger and better, but not in typical Hollywood style."
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Hi-Fi Choice and Home Cinema Recommended Components Award

February, 2012, author: Marek Dyba
Hi-Fi Choice and Home Cinema awards Recommended Components Award to the LessLoss DFPC Signature and Anchorwave Interconnects and Speaker Cables
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LessLoss DFPC Signature and Anchorwave Interconnects and Speaker Cables review

February, 2012, author: Marek Dyba
This review is in the Polish language. We will have an English translation available shortly.
Page two is here.
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Polish online magazine Audiostereo publishes review of Anchorwave Interconnect, Speaker Cable, and DFPC Signature Power Cable

December, 2011, author: Marcin Olszewski
"The longer I listen to my system with the LessLoss cables in place, the more I realize that what I am hearing is not the result of a sound signature of these cables. This cannot possibly be so. It cannot be so because one cannot pinpoint the sound of the cables at all. What one can assert that one is not hearing is all that, pardon my language, crap, which always surrounds us. All the radio garbage from Wi-Fi transmitters, mobile phones, energy-saving light bulbs, and other so-called "advances of modern civilization." The listener is met with just clean pure sound, without the dirt and hash which we have now grown accustomed to hearing."

Polish version is here.
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Mono and Stereo reviews the LesssLoss Anchorwave interconnect and speaker cable

November, 2011, author: Matej Isak
"These are more than just well thought-out cables. They are contemporary arrays of harmoniously carved products from a designer that deeply respects and obviously understands both technology and music."

"A few of my colleagues who own Shunyata Research, MIT, Argento and Nordost were surprised by the capability of pure music flow that these LessLoss Anchorwaves provide."

"These days we have to admit we are on the verge of history where the old giants are being questioned. What is the real value...?"

"I'm happily reporting having gone through a definite upgrade path when adding them into my system chain. My critical demand for unaltered signal transmission was more than amply addressed. Being more then picky, when I'm deep into my late night sole analogue listening, they become more than just my best friends. LessLoss becomes a clear audio window into my favorite music recordings."

"Do not make the mistake of passing up on these two. They are more of a necessity than an option if you ask me. For my most demanding listening I can freely speak out and name them as my highest recommendation among the few."
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Stereo Times reviews the LessLoss XLR Anchorwave

October, 2011, author: Russell Lichter
"...The Anchorwave is very detailed, and talk about nuances: even the nuances have nuances. I have the impression I am sensing details that may not even be fully conscious.."

"...The Anchorwave presents a striking image, very solid and palpable. The ambience of the piano interior, it's mechanism and materials are incisively portrayed."

"It has great weight and authority."

"...impressive for fullness of tone and accuracy of image and soundstage...

"There is an appealing naturalness of timbre in the singing, nothing etched or harmonically excessive. There is a compelling sense of pace and drive, a liveliness and vitality."

"...presented with spatial precision and realistic dynamics."

"The Anchorwaves bring out the real goods here, the richness and delicacy of the tone, the snap and rumble of the bass strings, and the clear image of a piano some fifteen or twenty feet behind the loudspeakers. This is the best sound and the most finely traced image from this CD I have heard. It is singularly thrilling."

"Highly recommended."
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