Photon Spectrum ConversionSo how does the Blackbody work?The LessLoss Blackbody acts upon the electromagnetic radiation, specifically the “fingerprint” of the statistical photon emission produced by audio equipment. It converts this photon radiation into a harmless photon gas without spectral content. No spectral content means no fingerprint, no coloration: there is nothing left with which the emission source can intermodulate. Remember that photon shower?
When the local environment contains no original spectral re-emittance, the gear can work without ambient electromagnetic spectral reflection. In other words, the reflection no longer resembles the original, and does not parasitically intermodulate it. By spreading the photonic energy over an infinite bandwidth, converting this spectral-specific photonic energy into blackbody radiation, we thus achieve the conditions in which we stop the reflection of the ambient particles. The gear's photon energy enters the Blackbody and is transformed by the Blackbody into a flat spectral image of the same energy. The Blackbody flattens out the statistical spikes and peaks, leaving no curve of resemblance to the original. Remember, these are all electron-photon interactions, the result of billions and billions of quantum electrodynamic actions. In the end, with these particles, it is all about statistics. With the LessLoss Blackbody in play, your audio gear—be it a high-end mega-bucks system or your PC playing Warcraft sound effects over that lousy Soundblaster--no longer sees its ambient reflectors. It is no longer aware of any junk noise. And this means that the noise cannot be played back: much like a magic mirror that only shows you what you want to see—your audio gear will only play what you wish to hear. No noise. No clutter. Magic? No. Illusion? No. Science.We are not coloring the ambient field black. That would represent an ambient spectrum, and would therefore impose a spectral signature onto the audio. Over time, we'd hear the obvious coloration of the sound, and would come to the conclusion that the effect was not natural. Instead, we remove the ambient field's spectral interactions altogether. Not by removing the ambient field, but by removing the gear's ability to see it. Where does it go? It turns into cosmic blackbody radiation. The gear is, if you don't mind the expression, "tricked into believing" that there is nothing there, not even molecules of air. We are left not with ambient blackness, but with void.
For the first time in audio history, with the LessLoss Blackbody we can now convert the junk noise of spectral photon interaction into the ambient, cosmic blackbody radiation which was there before the signal arrived and will continue to be there after the signal wanes. The result in terms of sound: pure musicality. We have achieved the closest thing to the ideal "signal in a vacuum" as possible. And it’s perfectly real. With the complete LessLoss sound filtering system, beginning with the highly effective skin effect filtering method employed in the DFPC, taking this to the extreme with the addition of the Firewall, and finally broadening the spectrum of coverage from the radio bandwidths all the way up to ultraviolet rays, you can now finally say goodbye to the traditional noisiness and artificial electronic sound of hi-fi gear. Working with ambient photon-electron interactions and canceling out the interplay between photon emission and the spectral reflection of the ambient surroundings, we have created quasi utopian ambient conditions for the gear to function in. The musicians we love were once inspired to convey their exceptional messages through sound, and through the extraordinary means of recording and playback, we are invited to once again partake in their original vision. With the LessLoss Blackbody as a powerful enhancement tool, it is as though we train a finely-tuned telescope into the past to allow us to share in the cosmic light of the musical greats, finally hearing their message exactly as it was meant to be heard. This article continues on the Next Page |
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This is rather like the art of Aikido: No aggressive additional energy confronts the aggressive photon emission from the gear in order to attempt to subdue or change its energy. Instead, the photon emission is allowed and even encouraged to go on, to lose its spectral aspect, as though it has traveled for eons and has become naturally random once again. The gear emits photons and the Blackbody is the eyeball which forever observes these occurrences, changing the nature of them from radiation with spectral content resembling music signals to radiation without spectral content, resembling cosmic blackbody radiation.




