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The Khaleej Times LessLoss DFPC Signature article continues

June, 2011, author: Malcolm J. Gomes
"It seemed like each musical note had been scrubbed clean, the silence between the notes were quieter and the music sounded so much more like the real thing. The difference was astounding."

"I never realised that there was so much of grunge in the sound of my audio system till I started using the LessLoss power cable. After a few hours of listening I realised that it also reduced the fatigue factor that comes from listening to distorted music."

"The next day I invited a few audiophile friends over for an audition just to see if they could detect the same difference that I'd heard. All of them heard a positive difference."
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The Khaleej Times reviews the LessLoss DFPC Signature

June, 2011, author: Malcolm J. Gomes
"It delighted me, when I finally got an opportunity to review a power cord made by LessLoss, that although not cheap, made a significant difference and offered good value."

"A simple and elegant solution that is surprisingly effective."
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Mono & Stereo reviews the DFPC Signature

September, 2011, author: Matej Isak
"The LessLoss power cable made more than a subtle difference, more of a breakthrough and shift of paradigms."

"What happend was a major change in favour of music and the musical event."

"The LessLoss DFPC brought something fresh and natural to the experience. Everything musically related gained in perspective of fine live energy, that is shaped by music impact."

"LessLoss managed to incorporate their imprint, or the lack of it, in the flow of the audio reproduction."
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Polish online magazine Audiostereo publishes review of Anchorwave Interconnect, Speaker Cable, and DFPC Signature Power Cable

December, 2011, author: Marcin Olszewski
"The longer I listen to my system with the LessLoss cables in place, the more I realize that what I am hearing is not the result of a sound signature of these cables. This cannot possibly be so. It cannot be so because one cannot pinpoint the sound of the cables at all. What one can assert that one is not hearing is all that, pardon my language, crap, which always surrounds us. All the radio garbage from Wi-Fi transmitters, mobile phones, energy-saving light bulbs, and other so-called "advances of modern civilization." The listener is met with just clean pure sound, without the dirt and hash which we have now grown accustomed to hearing."

Polish version is here.
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LessLoss DFPC Signature and Anchorwave Interconnects and Speaker Cables review

February, 2012, author: Marek Dyba
This review is in the Polish language. We will have an English translation available shortly.
Page two is here.
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AVShowrooms.com publishes Video Review of LessLoss Cables

March, 2012, author: Robert Grossman
In a series of five edited videos, Robert Grossman, principle librarian for the Philadelphia Orchestra, bassoon player, and lifelong audiophile, shows us how his system evolved and how the LessLoss DFPC Signatures and Anchorwave cables helped him achieve the best sound he's ever heard.

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pf (Positive-Feedback) magazine reviews the DFPC Signature

June, 2013, author: Danny Kaey
"DFPC Signature inserted a sense of calm to the system that was quite a bit more than just ordinary."

"Most of the times that I have heard a component do that, however, it achieved said results by taming just about everything else too, thus whilst offering a benefit on one end, it introduced a new set of problems elsewhere. Apparently the DFPC Signature cables don't have that effect."

"More dynamic, more palpable, more fantastic."

"A more quiet background produced a more relaxed, more open sound while at the same time not adversely affecting any other musical patterns."

"I was immediately struck by the newly discovered peace, calm, and calamity that I simply don't recall from previous listening sessions of this grand performance."

"The price of each DFPC cable is still what I consider to be a bargain, given the auditory results it produces."

"Ridiculously good performance that is absolutely a value add to your system."

"I think investing in these power cables is at least as recommended as some sort of power filtration system."
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pf (Positive-Feedback) magazine reviews the Blackbody and DFPC

June, 2013, author: Jeremy Kipnis
"The following depicts my personal experience with the Blackbodies over the course of one year. I did not want to rush publishing my observations because of the novel nature of the matter, and my initial cautious skepticism."

"Virtually grain-free presentation."

"Expanded and explosive dynamics with intricate low level details."

"Much more spacious sound staging with more stable and seemingly larger presentation size."

"Increased focus and weight of imaging featuring correct tembral presentation."

"Quieter background leading to a blacker black–perceivably longer reverb tails."

"More visceral and palpable (sound "freed from the confines" of the electronics)."

"The harmonic structure of instruments and the acoustic space itself all show a new (inter)related connection amongst themselves along with a wholeness of sonic presentation within the hall which was simply not audible before."

"The sense of strain that was present above a certain volume level during playback of known materials is no longer as present."

"Inner details of the recorded acoustic venue and the placement of individual instruments within that space has become vastly more solid and life-like, tangible and palpable."

"In spite of hearing this performance many hundreds of times, I now find myself hearing YET NEW things I have never heard, before."

"Inner harmonies are now clear during both the most massive and the most silent moments. And the degree to which the soundstage hangs free from the speakers is now palpable and visceral, very much the way the best analog discs and tapes sound!"

"There is a new level of detail present in the playback, which has been completely obscured until now."

"The tonal quality of the instruments (and even voices) became fuller in the bass registers, while the treble became both smoother and more open and extended."

"The presentation exhibited a much greater degree of bloom with much tighter dynamics."

"This made everything I played sound more realistic and less like listening to a recording."

"I hear much more space being delineated along with great textural information about the individual instruments and the people playing them."

"More explosive dynamics with wider soundstage dimensions and clearer anchoring of the individual acoustic elements within it. I would call the difference substantial!"

"If your audio system has teeth and nails, then the DFPC power cords will deliver all the power and music, but remove the artificial bite and scratch that affect most every playback system."

"Find some seriously hidden wonders that have been lurking behind the HF noise and distortion. It will wake up your entire system and make your music library sound new; they are that caliber of an investment."

"Together, the Blackbody and DFPC power cord provide a reliable method of absorbing and deflecting both wire-bound and airborne electronic garbage from getting into your sound (and video) system; much for the better, as you will soon hear."

"DFPCs and Blackbody units confer a progressively more focused, holographic, and dynamic sound."

"Makes almost any priced system sound more like listening past the recording technology and feeling like you are listening to the real thing!"

"The DFPC power cords strip away further grit, grain, hash, and haze from the sound, resulting in a far less electronic sounding stereophonic reproduction."

"These two different approaches to EM field management and containment offer one of the few scientifically based audio (and video) tweaks to have crossed my path in my four plus decades as a professional audio engineer."

"Highly recommended!"
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Audio Excursions tests DFPC Signature with extreme headphone system

January, 2014, author: Austin Morrow
"The LessLoss DFPC power cables aren't warm, meaty, or colored in any way, shape or form. Nor are they bright, sterile, or top-heavy. In fact, they are extremely neutral and transparent."

"The LessLoss DFPC's were able to extract more detail and show the tiniest nuances in a recording, even through both the HE-500's and the LCD-2's."

"The lower octaves were tighter, more accurate, and had an extremely fast transient response. The midrange wasn't forward or laid back, but sat right in line with the rest of the frequency band, and had extreme clarity and fantastic vocality presence, but wasn't edgy in anyway whatsoever."

"The DFPC's were able to image very, very well."

"I felt like instrumental separation was simply unparalleled, and imaging was spot on."
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HiFi Pig magazine recommends the DFPC Signature

January, 2014, author: Danny Worth
"The flexibility of the cable is fantastic."

"The upper registers had a quality of control that gripped me into the performance."

"Ambient harmonics and dynamics were great."

"The cable also seems to extract a certain magic from the ambiance of the recording, helping to give a natural nature and almost lifelike take on the music."

"The cleanliness, pace and kick of those upper bass registers were fantastic."

"Complexity of rhythm and structure is a key accomplishment of the LessLoss cables."

"The LessLoss DFPC Signature power cables have a sonic signature of ease and stability; they open a window to individual portions of the music yet still remain locked on to the performance as a whole. The midrange has a sense of liquidity, the upper frequencies are fleshed out and controlled, with good insight into a layered performance and there's good extension to the bass leaving me to conclude that these are indeed an extremely well accomplished cable."

"There is a wonderful sense of musicality as a whole and a great sense of connection to the music."

"The cables look and feel great, are very well made, and you do feel that pride of ownership when you have one in your hand."

"All in all I personally thoroughly enjoyed them and would recommend them for their natural ease of presentation, musical insight and build quality."

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