See the attached pictures of the Bindbreakers under my turntable. The perfect match!

The turntable is my own work in progress since the last 10 years. Completed with a top platter (black on top) and record clamp of Acoustical Systems. The tonearm is the Terminator arm from Transfi Audio. Cartridge is ZYX R1000 Airy II Cosmos silver base, and cabling is Audio Note pure silver. Battery supply for the motor and air supply for the arm. Very natural sounding analog front end. Belt is Kapton, endless tape.

Base, support table and arm base are made out of granite. Platter base is 40kg, total weight is approx 175kg. Burglar proof!

You're happily invited to visit and listen, whenever you are in The Netherlands. I have to thank you for the innovative Bindbreaker. It took me more than three years to get the right footers under this table! Your innovative thinking and explanation made me jump in and buy them, very happy I did!

Very nice results, much better flow. Enjoying great music!

I have to thank you sir!

Best regards,
Saffier Brull
The Netherlands

Happy Birthday!

With my 50th birthday present from my kind wife Jane arriving in early August, but my birthday not being until 26th September, I waited patiently and did not even sneak a peak at the Echo’s End.

The new DAC replaces a Musical Fidelity Tri Vista which has served me well over the years. The source starts with Tidal through an iPhone 6, Wadia 170i with Audiocom level 3 mods and a Teddy Pardo power supply.

I am well aware from owning LessLoss power cords that the sound benefits substantially from a long burn in. However, I had waited long enough.

On first connecting the Echo’s End, I could immediately hear greater breadth, detail, separation and rhythm although with an evident harshness to the sound. Within an hour of listening the harshness had largely disappeared. With a further week of 24/7 burn in the sound can only be described as being incredibly musical. Particular highlights for me have been the dramatic reduction in sibilance, the musicality at every level and the way in which it draws listeners in. Everything becomes more distinct. Instruments and voices are separated from each other. The layers in the music are unravelled.

Also worthy of mention is that the wood case is aesthetically very pleasing. I now have a box of electronics to visually match my Sonus Faber Electa Amator speakers. Finally, it may come as a surprise to some, but lower quality source material such as BBC iplayer radio is now pleasing to listen to. OK, I am not getting the full experience described above with the iplayer, but the Echo’s End makes a huge difference in quality, removing most of the harshness.

The bottom line is that there has been a steep change in our musical enjoyment since the Echo’s End arrived. Jane even called me at work one day to ask me how to turn the HiFi on!

Thank you Jane and thank you Louis.

Just got my Bindbreakers yesterday. Once again LessLoss has done it! I have a very thick maple board and points from Mapleshade under my Meridian C-D player. Very fine improvement with these several years ago. But taking out the points and replacing them with Bindbreakers over the maple board showed a small but absolutely clear improvement in clarity and presence in my C-Ds. I've been listening these past two days to several C-Ds thatI I know well. It is a joy to hear them again! That much more real, clean and present. I've never been disappointed with a LessLoss product. Still true!

Echo's End DAC Update & 5X Firewall Module.

The DAC is truly burned-in and has since been further enhanced with the addition of the 5X Firewall module to the integrated amp and a standard Firewall Module to the CD player used as a transport. All components are powered by LessLoss Signature power cables and the IC used is the Homage to Time. Since my last review, the sound volume output appears to have returned to original levels.

The addition of the 5X Firewall module has brought about an unexpectedly large boost in performance - much greater than using just the standard module - separation of instruments and voices is not only startling but the background is really dark. Music sounds fluid and natural while voices have slightly more clarity. Bass is more 'musical' and the high frequencies are relaxed and well-defined. The high registers of the piano sound like crystal - a great example is Liszt's "La Campanella" (Yundi Li _ A portrait). The virtual absence of listening fatigue is greatly appreciated. Some audiophile friends have been similarly impressed when these components were tested on one of their systems.

I have also had the experience of using the LessLoss USB firewall module which has lifted sound from USB sources to a new level.

I have found that upgrading a decent system with super components from LessLoss like power and IC cables, the DAC and firewall modules have brought about greater sonic improvement than rushing out to buy the latest models of system equipment every year or so.

Thank you Louis for producing products that live up to their claims of excellence. As they say, the proof is in the pudding.

Echo's End DAC Update & 5X Firewall Module.

The DAC is truly burned-in and has since been further enhanced with the addition of the 5X Firewall module to the integrated amp and a standard Firewall Module to the CD player used as a transport. All components are powered by LessLoss Signature power cables and the IC used is the Homage to Time. Since my last review, the sound volume output appears to have returned to original levels.

The addition of the 5X Firewall module has brought about an unexpectedly large boost in performance - much greater than using just the standard module - separation of instruments and voices is not only startling but the background is really dark. Music sounds fluid and natural while voices have slightly more clarity. Bass is more 'musical' and the high frequencies are relaxed and well-defined. The high registers of the piano sound like crystal - a great example is Liszt's "La Campanella" (Yundi Li _ A portrait). The virtual absence of listening fatigue is greatly appreciated. Some audiophile friends have been similarly impressed when these components were tested on one of their systems.

I have also had the experience of using the LessLoss USB firewall module which has lifted sound from USB sources to a new level.

I have found that upgrading a decent system with super components from LessLoss like power and IC cables, the DAC and firewall modules have brought about greater sonic improvement than rushing out to buy the latest models of system equipment every year or so.

Thank you Louis for producing products that live up to their claims of excellence. As they say, the proof is in the pudding.

Echo's End DAC Update & 5X Firewall Module.

The DAC is truly burned-in and has since been further enhanced with the addition of the 5X Firewall module to the integrated amp and a standard Firewall Module to the CD player used as a transport. All components are powered by LessLoss Signature power cables and the IC used is the Homage to Time. Since my last review, the sound volume output appears to have returned to original levels.

The addition of the 5X Firewall module has brought about an unexpectedly large boost in performance - much greater than using just the standard module - separation of instruments and voices is not only startling but the background is really dark. Music sounds fluid and natural while voices have slightly more clarity. Bass is more 'musical' and the high frequencies are relaxed and well-defined. The high registers of the piano sound like crystal - a great example is Liszt's "La Campanella" (Yundi Li _ A portrait). The virtual absence of listening fatigue is greatly appreciated. Some audiophile friends have been similarly impressed when these components were tested on one of their systems.

I have also had the experience of using the LessLoss USB firewall module which has lifted sound from USB sources to a new level.

I have found that upgrading a decent system with super components from LessLoss like power and IC cables, the DAC and firewall modules have brought about greater sonic improvement than rushing out to buy the latest models of system equipment every year or so.

Thank you Louis for producing products that live up to their claims of excellence. As they say, the proof is in the pudding.

Echo's End DAC Update & 5X Firewall Module.

The DAC is truly burned-in and has since been further enhanced with the addition of the 5X Firewall module to the integrated amp and a standard Firewall Module to the CD player used as a transport. All components are powered by LessLoss Signature power cables and the IC used is the Homage to Time. Since my last review, the sound volume output appears to have returned to original levels.

The addition of the 5X Firewall module has brought about an unexpectedly large boost in performance - much greater than using just the standard module - separation of instruments and voices is not only startling but the background is really dark. Music sounds fluid and natural while voices have slightly more clarity. Bass is more 'musical' and the high frequencies are relaxed and well-defined. The high registers of the piano sound like crystal - a great example is Liszt's "La Campanella" (Yundi Li _ A portrait). The virtual absence of listening fatigue is greatly appreciated. Some audiophile friends have been similarly impressed when these components were tested on one of their systems.

I have also had the experience of using the LessLoss USB firewall module which has lifted sound from USB sources to a new level.

I have found that upgrading a decent system with super components from LessLoss like power and IC cables, the DAC and firewall modules have brought about greater sonic improvement than rushing out to buy the latest models of system equipment every year or so.

Thank you Louis for producing products that live up to their claims of excellence. As they say, the proof is in the pudding.

Last winter Louis built me a distributor with 8 Firewall Modules, 4 wired in parallel to one outlet used for another distributor and 4 wired in series to the other 7 outlets. It is the black one pictured in his blog.

After the usual tedious 250 hours of burn-in my system started to shine like never before. Everything became clearer and smoother. Dynamics increased and the soundstage widened and got deeper. Even my power hungry Pioneer Kuro plasma TV became more luminous and colorful. Lovely to watch.

So, when Louis launched the single modules in the wooden box, I ordered another 8 and inserted them before my most important components - DAC, preamp and monoamps, two on each. This time the improvement was threefold and I felt I was in audio heaven - until he launched the 5xFW Modules. Now I new even heaven could be bettered after my experience with the single units, and bought 4 of them to get a system containing 36 single Firewall Modules.

Today I removed them from their burn-in position before the 8xFW distributor and inserted them into the crucial components. WOW! What a Giant Leap kind of improvement. Bigger, larger better. Incredible soundstage with precisely pinpointed instruments. Vivid but smooth highs, clear and transparent midrange and a deep, powerfull bass. Absolutely wonderful and the best sound I have ever heard, not only in my own system, but anywhere including shows, demos and in the systems of my audiophile friends. What can I say except agree to the concept of "A truely triumph". I´m as close you could come to being awestruck by these Firewall modules.

Thanks Louis, all your promises came true!

My system:

-Auralic Aries LE on Paul Hynes SR7EHD LPS with Intona and W4S RUR connected by Curious Cable Regen Link.
-Metrum Pavane NOS DAC
-PS Audio BHK Signature preamp with Mullard 12V NOS tubes from 1958
-McIntosh MC601 monoamps
-Magico S3 speakers
-2 x JL Audio Fathom f112 subwoofers
-Cabling by LessLoss and Synergistic Research
-Stillpoints Ultra SS

First and foremost, I wanted to inform you that the recent upgrade from 3 Originals to 3 Signatures is bringing very, very, very nice results!

The difference between the two models within the LessLoss range is almost as high and obvious as the original upgrade from my Audioplan power cables to LessLoss DFPC Original cables.
The improvement is general and on the entire spectre of the music; there is no range that receives a ‘better treatment', the improvement is clear and audible, strong and subtle at the same time.

My system:

-Ayon cd1sc
-Oyaide AR-910 XLR
-Ayon Spirit III
-Sonus Faber Venere 2.5

All LessLoss power cables connected to and from Oyaide MTS-4e

This is top of my list for power cables and I have tested or owned everything, Audience, Shunyata, JPS Aluminata, etc. I use this cable in my dedicated room reference system on a Devialet 200. Just perfect. Power, space, impact, but most importantly, neutrality. No hype, no sheen, no bloated bass, just the music.

I placed several Firewall modules in series inside my Pioneer PDP-LX5090H TV (also known as 'Elite') as well as inside my Blu-ray player Pioneer BDP-LX88K. The TV is considered one of the, if not the, very best ever made.

The resulting performance is so overwhelmingly good, I simply cannot get enough watching and listening. Fantastic! I wholeheartedly recommend integrating Firewall modules into any system. They are definitely worth much more than their meager price would suggest. They offer much more performance than you'd think! I cannot imagine any product out there that offers a better price/performance ratio.

I am listening to all my albums and watching all my films again, as if for the first time! It's very hard to express in words how effective the changes are. I am more than satisfied with the results. So much so that I plan to put Firewall modules into my tube amp and on my speaker cables, as well as putting a DFPC on the amp.

The picture quality of the Pioneer PDP-LX5090H 'Elite' TV is now simply phenomenal. At first I was a little bit skeptical and was afraid to be disappointed because I thought that for sure is would be far fetched to further better the picture quality of this very fine TV, but adding the modules has definitely boosted the picture quality! The picture has become cleaner, more natural. I even walked right up to the TV at one point, such was my disbelief in the quality of what I was seeing. I was simply spellbound.

Now that some time has passed I can set my initial emotions aside and try to put it more plainly. In the colors I am noticing more naturalness, more richness, more real-to-life, and the black is incredibly deep and dark (this is one of the most important aspects). The image detail is fantastically clean with no high frequency interference (normally tiny details in images give away the fact that the power is 'dirty' because they becomes smeared and hard to perceive).

In a word, these little 'black boxes' are simply miraculous!

I am really enjoying what I see now. With every film I watch, it seems the image and sound quality are getting better and better. It is simply unbelievable. I don't even want to turn it off.

Thank you, LessLoss. I wish you the very best success with this product and more superb ideas from your genius minds.

I am a customer at Best Buy Magnolia in North America.

I'm using the LessLoss cables for an HTPC (a computer), and my setup is as follows:

- bowers & wilkins CM1 and CMC
- bowers & wilkins sub
- pioneer VSX-42

I wasn't able to purchase the Reference Series because of the limited room of my setup, but it was absolutely amazing how connecting the cable to the source (e.g. the computer) was able to dynamically increase my bass by 2x; the sound is softer, but clearer. Other brands who sell power cables focus on Rhodium, and Palladium for their power connectors without paying attention to the tonal characteristic of the sound. Other brands also over-hype Silver in their audio cables. I haven't compared the burn-in characteristic since I recently got them, but I know that I used to have a problem with my subwoofer because it would sound muddy despite having a reasonably good setup. Just by connecting it to the source, the bass, and the entire range of sound became more audibly better as an objective term, and I'm just using the standard power cable for the sub.

I highly recommend these cables for everyone. I'll be interested in the Reference Series in the future.

Hi Liudas,

I got the cable yesterday in the evening, and it has only around 5hrs of burning-in, but I already can say: this cable is superb! Without any questions or doubt. Even if in the very first beginning (first half hour, maybe a bit more) I was almost disappointed - the sound was thin, 'shy', with limited dynamics, very very smooth (smothness is not a bad thing), but so smooth that all transients were too much 'rounded', that I coulnd't enjoy the music at all. BUT, surprinsingly, after at least 1hr or 2hrs I couldn't recognize the initial 'signature' of the sound! The cable even without being breaked-in is a super cable, in all areas, and I like it so much already! It amplifies greatly all the sounds qualities we (audiophiles) are searching and talking about: naturalness, true timbres, resolution, low level noise, dynamics, soundstage, speed, bass control and so on , but above all musicality without sacrificing neutrality, and all these and many more without any audible drawback! I can say really this is a top cable among the best cables ever. It brought my system to new level and I want to emphasize one more thing: that I never heard from any cable I personally tested (even the very expensive ones costing many times the Anchorwave's price) - the texture, realism, timbre, definition and resolution of the bass- this is amazing!
​ ​
I hope you're still having these cables, cause I'm looking forward to replace the other XLR cable I currently have between the pre and amp (the Anchorwave is now between the source and pre) - which is a MIT Shotgun 330. I'm sure it willl bring my system to an even higher level!
That's it for the moment and many thanks!

Wish you all the best and success in all your projects!

Regards,
Florin

Today I use the LessLoss Reference power cord, and to be quite honest, I do not think this product has serious competition. I'm using it with Devialet. It is so much better than anything else I've tried!

As a user of the Devialet D Premier dac/amp, I am pleased I purchased the DFPC reference cable.

It wasn't that I set out to make a general system upgrade - but that's what I got, I'm glad to report.
I had originally sought to cure certain treble distortions and thinness of sound by introducing some tone control for added warmth through cabling changes. I had a headache about what to do for the best.

Happily Mr Motek stepped in with some gentle 're-education' on the difficulties of putting our perceptions into words in any meaningful way - and the absurdity of tone controls. So I flashed the plastic.

Ever-sceptical, I confess it was more in trepidation than excitement [oh what fun we have] that I hooked up the Reference PC. I needn't have worried. The result was wonderfully portrayed music - just so much better in every aspect than I heard [even] on the £500 cable I had in my system.

As to the aforementioned treble issues, it didn't disappear, but at least I know where to look for the cure.
I am taking a long, hard look at the source, [MacBook Pro SSD] and the good news is the Mr Motek with his vast experience has offered to assist. Can't say any fairer than that! Anthony C.

I am totally stunned ​how unbelievabl​y​ good the DFPC Reference power cord is.

I installed a 2m sample to connect my Thrax Dionysos preamp and could not believe it. Everything sounds as if it​ ha​d​ more power, more dynamics​ and especially more speed and pace. On the other hand,​ also​ the tone colours are massively improved - it sounds so right!

I did not expect so much improvement on the tone colours but it must be due to less power line interference and modulation with the music.

The staging is deeper and more 3D and the clarity on the stage extremes (back and sides) is hugely better. Now you can easily identify what is going on on the very far end (side and back).

I can not ​​higher​​ recommend a cable like this one and will try to swap more cables into my system.

PS:
My old cable (which was outperfo​​r​med by the DPFC Ref​erence​) is in the price​ ​range of 7000 Euro. ​​​DPFC Ref​erence​ is a real deal.

All the best​,​

Rainer Weber
Techn​i​cal Director Kaiser Acoustics

Addendum to my review of 12/03/2013.

I now have all my equipment powered by DFPC Reference power cords. They were burned-in for nearly 300 hours prior to connecting them to the monoblocks. I have had two Reference feeding the CD player and preamp for several months now. Knowing what they do for the music I VERY anxiously awaited the arrival of these additional two Reference power cords. I am not disappointed. This is a real treat. I love them.

I had not expected a significant improvement because my monoblocks have always worked better without any line conditioning. From what I am hearing the DFPC Reference seem to be acting like very powerful line conditioners and not just simple power cords. I have finally found something that helps my amps............actually helps them a lot. I would say what impresses me the most is the significantly improved air, sustain and decay which of course contribute a great deal to musicality. It should be noted that bass and mids are notably improved as well.

I must admit these results were quite unexpected. What I am hearing is the kind of improvement I have previously experienced when upgrading caps in the system........not what I have heard with previous power cord changes. To my ears the improvement with everything fed by the Reference power cords is something like going from really good caps to "approaching-magical-caps". A wonderful surprise............"astonishing" would actually be a better description. I delayed sending this feedback a week or so because I wanted to be sure............and yes this really is what I am hearing. Louis and his team have come up with something quite extraordinary here.

We all know that just like building your house on a good foundation, each element of an audio system is built on the stages before it and the AC powering a system is right there in the foundation. The DFPC Reference appear to establish an astonishingly solid foundation for everything else. I would definitely encourage others to try the Reference DFPC. I felt really quite guilty about ordering these last two Reference.........especially when my wife saw the bill. I bravely defended my purchase all the while feeling that in truth I was being over-the-top extravagant. After all wasn't I likely getting 90% of the benefit of the Reference by using them on the CD Player and preamp? Well, at least in this system I would say it was more like 60% of the possible benefit. Let me repeat that and underscore it...............even though I was very impressed with the first two DFPC Reference.........."I would say it was more like 60% of the possible benefit." with only two Reference in the system. Definitely don't feel guilty now.

I also love video and editing pictures. After trying a Reference on both the TV as well as my picture editing computer monitor I had to order two more.

Karl

All of us seek a better sound. And that means upgrades. I live in a small country and selling used upmarket hi-fi components brings with it a huge cash loss. However the wish to find out what the limit is for the components and the speakers is bigger than fearing to break the family budget. And despite the fact that nine months ago I swore to no more upgrades, I dared to address LessLoss once again, this time asking for the DFPC Signature. I was prepared to lose a lot selling off the Originals I already used to power my components.

True, I read on the LessLoss webpage that a "friendly upgrade option" exists. However, I didn't expect much from this. And when I got the upgrade proposal from LessLoss, I said to myself "wow, that is really a friendly option", and placed the order without any doubt about my wife's reaction.

Actually, my wife's concern was not even about the financial side of the transaction. She said to me immediately upon hearing about my intentions to upgrade the cables: "Don't do this, the sound the current setup delivers is perfect." But the DFPC Signatures arrived despite my wife's concern.

I plugged the Signatures into my Marantz NA11-S1 and PM11-S3 set, listened to a few favorite tracks and had to realize I was wrong. The Originals are very nice cables that brought life into my system and peace into our home. But the Signatures are a completely different story. I should say that the LessLoss website describes the difference between the Signatures over Originals too conservatively. If the Originals are salt and pepper you use every day, then the Signatures bring you an experience of the whole cuisine.

From time from time I received various suggestions to upgrade my amp to a more powerful one in order to unleash the full potential of my Mordaunt-Short Performance 6LE speakers. After my experience with the Signatures I may advise others: if you know that the components you've bought should sound nice but still the sound is tiny and lifeless, order the LessLoss Signatures before selling components for a higher amount of watts. The Signatures will reveal what your components are really capable for.

Moreover, the week after I got the Signatures, I got a proper Beyerdynamic A1 headphone amp for my T1. I tried out plugging the Signature into the A1 and just couldn't bring myself to remove it after that. This made me place an order for a third Signature.

Summarizing, I have to say that I refuse to listen to crunched sound. I want to listen to pure music, delivering the best my nice components have to offer. And I'm sure that next year I'll be contacting LessLoss again, checking for a friendly upgrade option for the DFPC Reference.

Now that both the DFPC Originals used between my cd player and amplifier are probably fully burned-in and that the Furutech eTP-60E and the third DFPC Original are giving excellent result, I wanted to inform you that I am indeed very pleased with these products.

I wanted to thank you for excellent cables but also, for a great customer’s service.

As a customer, this (and a very interesting and informative website) was part of the pleasure of discovering your products.

Your availability and knowledge and in my case, your patience with probably very silly questions, make it a pleasure to purchase and use your products.

I will not attempt to paraphrase what other reviewers, professional of customers, have written about your cables.

These are a major improvement over what I had used before. It is clear, audible, obvious, affecting positively the entire range, from top to bottom.

I simply don’t understand these endless debates with people pretending cables don’t make a difference. They do and yours are better than the ones I used before. Period.

Furthermore, and as stated, the combination of Lessloss and Furutech eTP-60E is indeed working extremely well, in fact much better than the combination of your cables and an expensive power conditioner (Audience) or any other combination of expensive cables and a power conditioner that I have tried with my system.

Thank you.

Lately I got the DFPC Original power cord to go with my DIY Belden/IeGo cords.

I put the power cord on a FirstWatt F4 amp I have had on loan for a while. Well... I have to admit Louis was right. ;) I was a little skeptical as many times things have been claimed for this and that power cord, but in the end what I now have is at least as good as those claims.

I think the biggest difference is that the soundstage cleared up - and with that the voices, the delicacy of instruments, took a leap forward. This may sound like small improvements, but the whole entirety was quite a bit more natural and life-like. Very nice. =) Only one thing that maybe could have some more is the bass slam/weight. But jury is still out on that one, and of course with heavier bass the other spectrum may suffer. But the cable is still running in, so things may still change a little.

Great! - I may have to buy one or two more... ;)

Tested Headphone system:

Computer
Digital Coax
Audio - GD Reference 7.1 DAC
Zana Deux Pre-headphone AMP with Mullard 195X ECC35/6SL7 (Brown Base)
Audio Technica ATH-W3000ANV
Sennheiser HD800
AKG Acoustics K-701
Audio Technica AD2000

Describing the sound from a headphone system as a "dramatic change" is often an overstatement when dealing with marginal upgrades, and quantifying it is even harder. But I would be pressed by my experience so far with the DFPC Original to say (switching from another similar priced cable) I was not disappointed by it at all. Even if it did not give me as much acute sound characteristic "shock" or "instant wow factor" as I perceived from other cables, it does address greater depth in dimension, transparency and smooth listening experience in a balanced way rather than bumping a certain perspective in the big picture, without a specific "wow" factor.

If you really want one word, it's more - Natural.

For those who want to just sit back and listen to their music, I would find it hard for you to miss its overall fluid dynamics without even needing to perform any "audiophiliac eye-popping scrutiny". The magic naturally plays itself the longer you listen, and I'm sure one would greatly appreciate its relaxed presentation in extended listening sessions. I found focusing on imaging to be really comfortable to my ears with this power cord.

There are several qualities adding up here in these cables. Bottom line? In a nut shell, it's a great cable for the price.

I am pretty impressed and satisfied with purchase of DFPC Original.

It does exactly what it says on the tin! Coupled with my Einstein integrated amp, I am able to hear enhancement with a more relaxed, natural listening experience while occasional harshness in tembre seems to be disappeared.

Well done in creating such an amazing product and effort in customizing the 90deg IEC end to suit my need.

Thank you

After spending over three years upgrading components, cables, and furniture, constantly adjusting speaker position (and loosing quite a significant amount of cash) I finally dared to approach LessLoss for their products. Step by step, I got the full range of LessLoss basic level cables: DFPC Originals for power, Anchorwave XLR for interconnect between components and the same Anchorwave to connect the speakers to my solid state amplifier.

The result is obvious: I could have saved a lot of time and cash if I had gotten familiar with LessLoss in the beginning of my relationship with real hi-fi. The sonic experience I got installing the LessLoss cables brought me one simple realization: that’s the end, no more efforts for further upgrades, it is time for listening.

I’m happy now: my wife doesn't complain to me of a headache when I put DSD files on, my friends (who are quite skeptic towards hi-fi ideas) don’t consider my system of lacking deep low range anymore. But the most important thing is that I want to sit and to listen to my beloved records over and over again.

The LessLoss cables upgrade lets me listen at lower sound levels than before, I can spend hours listening and hearing everything, and afterwards I still feel fresh. I don’t want to talk about sound stage, instrument positioning, etc. because it’s not important any more. Now I have one simple criteria for hi-fi: the pleasure.

I could give one piece of advice for persons continuously seeking better sound and starting to forget just listening to the music: log onto the LessLoss web shop, give it a try and you won’t look back at other options.

For those who are curious for details: I use demanding Mordaunt-Short Performance 6 LE speakers with the last incarnation of Marantz NA/PM 11 set.

After many years chasing the holy grail in cabling I tried 1 of the Lessloss dynamic filtering power cables and that led me to replacing every other one in my system with them and then 6 Blackbodies. For interconnects and speaker cables I went through Kimber, Straightwire, Nordost, Anti-Cables and then the gamut of Cardas wire finally feeling comfortable with Neutral Reference for phono and speaker cable and Golden Reference for everything else.

When I became aware of the Anchorwave line I contacted Louis and after consideration of my system he suggested that his product could improve on lowering the noise floor and increasing resolution without giving up the rich texture of the Golden Reference. I went all in based on my trust of him and I was not mislead. It was all of what he said with the addition of natural harmonics that are on the recording that I find very involving when listening to music. They are so quiet and engaging. I worked with him to build the phono interconnect with grounding wires that makes his cable dead quiet and eliminating the usual residual hum that I had become used to at high volume levels. So much for the theory that phono cables need only be minimal strands of wire; this huge amount of copper does the job well!!

I am writing this review because after 18 months of getting used to the Anchorwaves I got the upgrade bug again so ordered the full suite of Morrow Audio's top of the line cables, SP-7, PH-6, etc. and burned them in for 600 hours. I now have a deeper appreciation for the Lessloss products and confirmed for myself that they allow the harmonic structure to shine through so that the desperation in a vocalist's voice or the bowed string on a cello or a tenor sax that I treasure so much is clearly evident.

If the Anchorwave is this good how good is the Tunnelbridge?!

When I read about the power conditioner in a review, I got more interested about this power conditioner and in general about power cables. The debates about cables, you can read them all over the internet. One side says it's a waste of money, and the other says it's worth the money and you can get a small, or even a big improvement.

On my system until now, all the big upgrades I have done with cables have brought good improvements. So I wanted to first try 2 DFPC cables and then, eventually, 4 more cables. Louis Motek in fact recommended me to take more DFPC cables instead of the Firewall.

*I have to point out, Louis was a great help; he took a lot of time to answer my questions.*

My system has 2 amps: one for Home Cinema (the NAD M15 HD2 / M25) and for Stereo, the T+A V10-2.

All speakers are from Piega, the big Front speakers are the C40.

The first impression was, I got more bass. My subwoofers, I had to readjust, they got too much bass. Minus 3 dB. Now they are perfect.

After 2 weeks of burning in the cables, the music got more clear and to me it sounds more analog. When I watch a movie, the sound is more around, deeper, and with better details than before.

I am glad I bought these DFPC cables and I recommend them to improve your system.

The cable finally arrived at my home after one week.

I carried out initial tests with it, and indeed your cable is an astonishing one! It is a true performer, and it is exactly what I was looking for, for years!! It gave me better dynamics, better resolution, better control, a quieter background, an improved soundstage and imaging, naturalness (natural timbres) and correct tonality, musicality and equilibrium. This cable improved the sound in all the areas that I could think of. It was like an important component upgrade and I'm looking forward to replace all my other current power cables with your cables.

This is indeed a truly wonderful cable and your vision/philosophy of the sound coincide with my own from what I'm hearing. I was looking for something like this for some years, not being satisfied in my search, blaming sometimes the 'active' components (speakers, amps, players etc.) and/or sometimes cables, or the lack of synergy. But now, for the first time I'm in the right direction, and it is amazing to see how close to natural and close to the correct sound an electronic component can sound - but a decent one of course - with the proper and the right power cable (the LessLoss), and how the equilibrium between performance (translated in terms like resolution, dynamics, soundstage etc.) and musicality (so not mere 'signals' or just sounds) emerge in a natural way. For sure, there is still a lot of room for improvement in my system, but now I find that the electronics themselves are quite OK if they were made with a decent conceptual design, implementation and components and proper attention to details, in trying to replicate the true, natural sound and not a colored one. Thanks again and keep it up, making outstanding and valuable audio products!

This is my system at the moment:

- speakers - Sonus Faber Cremona M
- source (player) - Simaudio Moon CD3.3 with XLR
- preamp - Sugden Masterclass LA-4
- power amp - Pass Labs X150
- cables: Kimber Monocle X (speakers), Kimber Select 1111 and Neotech NEI3101 (interconnects),
- power cables - DFPC Original, PS Audio Statement SC, PS Audio Statement and Vincent Audio.
- passive filter - PS Audio Quintessence (used only for the player).

I just would like to give you a quick update. Your DFPC Original power cable is absolutely amazing. I think it's beginning to properly burn in. With every song I'm just blinking how amazing and big and clean and musical everything sounds.

Thank you once again!

My system from the wall to the speakers:

LessLoss DFPC Original power cable - Furutech e-TP60 on Brightstar Isonodes - Airport Express - Chord TOSLINK - Musical Fideliy V-DAC II with V-PSU II on Brightstar Isonodes with a half kilo brass weight on each - Cardas Quadlink interconnect - Creek Evo 2 integrated on an SSC Evolution isolation platform and two kilos of brass weights on top - Chord Carnival speaker cables on Cardas Golden Cubiods (to be replaced with Cardas Quadlink) - Totem Rainmakers on custom designed RS300 stands.

Music is streamed from a MacBook Pro running iTunes and Pure Music.

I received the specially made rectangle-shaped IEC ending on the DFPC Signature, plugged it into the Linn data streamer and DAC "KDS/1" (it fit perfectly) and had my stereo playing music for more than a week. I can already tell you that your second power cord added further refinement to the already clear improvement I noticed by powering the GamuT amplifier (which drives a pair of Avalon Ascendent loudspeakers) with the first DFPC signature cable. Namely, the Linn KDS/1 delivers now music with more detail and a better stereo image which is also more stable. There is also something more: the music is more convincing. For instance the voices are clearer, meaning that the sung words, when difficult to copy if you do not know the lyrics by heart, are more intelligible.

Had someone blindfolded me and made me listening to my stereo with the two new power cords and told that it was a new stereo, I would have reacted by saying that the sound was really better and that that stereo set was necessarily a more sophisticated that mine.

My stereo set equipped with 2 of your DFPC Signature power cords is now performing significantly better.

The DFPC Signature is a surprisingly good product which is sold at a very reasonable price.

My system:
Speakers: Focal 816V
Speaker Cables: LessLoss Anchorwave (3m)
Amp: Yamaha RX-A 3010
Interconnects: Kimber PBJ
Source: Cambridge Audio 650C
Power cords: LessLoss DFPC Original; LessLoss DFPC Signature
Power conditioner: LessLoss Firewall
Power distributor: Furutech e-TP60

Before the Anchorwave I used the Kimber PBJ interconnects ($150 for a 1m pair). I've been quite pleased with their performance. I don't like incremental upgrades (who does?), and so where the PBJs have been known to play ball with much more costly interconnects, I knew this was going to be an expensive endeavour. The nice thing about LessLoss is that, since you're buying straight from the company, you know you're probably paying nearly 2-3 times less than had they made the product available by importing, distributing, and then finally selling it to you through a dealer. So, even though the Anchorwaves cost 5 times what the Kimber does, there's consolation in the fact that you're probably getting what would otherwise be a $2000-plus interconnect, but for under a grand. Of course, the question comes to mind, "well, does the Anchorwave offer 5x better performance than the PBJ?" No. Of course not. But for me, the differences don't have to be 5x greater for them to be significant.

There were many significant reasons I chose the Anchorwave interconnects over others. First, I already have the Anchorwave loudspeaker cables, and I've been exceptionally pleased with their performance. Second, (and maybe this is the same as the first), for system synergy. Since I was already having excellent results with the Anchorwave speaker cables, and since I couldn't afford what seemed like the Holy Grail of interconnects (the LessLoss Tunnelbridge), it only made sense to completely employ this cable technology from the source to my loudspeakers. Third, the cost. I know from experience (also inferring from press and user reviews) that the loudspeaker cables perform very well among much more expensive cables. So it seemed reasonable to expect the same from the matching interconnects. Lastly, I knew that if by some chance this interconnect was a disaster, I would have no trouble getting my money back. All my previous experience with LessLoss suggests that Louis Motek makes great efforts to make customers happy. I don't know how he does it: runs the business and still finds time to quickly offer generous replies.

When I first listened to the cable, the thing that immediately struck me was the drop in noise. I expected that from the LessLoss power cables, but I didn't expect it like this from the interconnect. I mean, yes, I heard this kind of thing with the Anchorwave loudspeaker cables; I think it caught me off guard because I was now hearing that enhancement at the next level so-to-speak. I've recently placed my speakers even farther from the back wall. While it gave me a much better soundstage, I lost a lot of low end (no matter from where I evaluated in the room). With the Anchorwave interconnects I was very pleased to hear some of this bass restored. I also experienced something totally unexpected. I was listening to a song where the instrument positioning just sounded lop-sided on stage (like the right speaker was imaging the musicians lower than than the left). I'd always just written this off as a quirk in the recording. But when I heard the song through my new interconnects, the sound stage was balanced. That was a shocker. The other things I noticed were subtle improvements, probably from the drop in noise: I noticed an all around enhanced clarity and detail. I can say that some things sounded identical to the Kimber, particularly with sounds when you pay attention to the pronunciation of words in male and female vocals. Nevertheless, I haven't yet found anything that sounds worse. In the end, I must say, there certainly were notable differences from switching to the Anchorwave interconnects. It makes me want to listen to all my favourite tracks all over again, just to hear what I've been missing.

One thing I love about the interconnects is the locking connectors. I really appreciate having control over how tightly the connectors mate with my gear. Nothing feels cheap about this cable. From end to end, everything looks and feels as if it was very well built. The cable is reasonably flexible, so I had no problems installing it. Despite its simple external appearance, it has a certain element of beauty. It's nice to trot behind the components and admire it from time to time, especially if you become familiar with the technology inside.

I feel immensely fortunate to have a LessLoss Firewall in my system. Even if I were a man of unlimited means, I think this would still be the case. The best way for me to describe the Firewall in my system is in terms of the DFPC Signatures. Below is a compilation of improvements I noted while listening (one Signature on my CD player, the other on the amp). (Some comments apply to specific tracks).

- Clearer, crisper
- Higher fine detail resolution
- Vocals more realistic
- Fuller sound
- Deeper bass
- Bass more articulate
- Starting to hear the recorded room now
- Instantly more realistic as a whole
- Lower noise floor: sounds like instruments used to sound through a veil.
- Smoother vocal

The improvements provided by the signatures were very significant and easily noticable. With just two Signatures in my system, I've achieved more improvement than had I spent more than double the amount of two Signatures on an amp upgrade, or, even a source upgrade (this, based on auditioning such products). By comparison I'd describe the Firewall's performance to be about 1.5x augmented beyond the improvements provided by two Signatures working together. The most general and wide-reaching improvement provided by the Signatures was realism. This is what I loved most. So, with the Firewall, for realism to be enhanced yet again and to this degree, this was truly special.

As for aesthetics, I love the look of the tankwood casing. It looks seamless, and the aluminum end pieces integrate very elegantly with the tankwood. When you get to handle one of these in person, after you get over how heavy it is, you immediately get the sense that this is something very hi-end, a refined piece of high performance equipment—something very special.

I've had the Firewall for nearly half a year now, and I'm every bit as satisfied as when I first heard it.

My system:
Speakers: Focal 816V
Speaker Cables: LessLoss Anchorwave (3m)
Amp: Yamaha RX-A 3010
Interconnects: Kimber PBJ
Source: Cambridge Audio 650C
Power cords: LessLoss DFPC Original; LessLoss DFPC Signature
Power conditioner: LessLoss Firewall
Power distributor: Furutech e-TP60

Blackbody (1st version)

I purchased 4 units this summer after reading the great reviews. Initially I was skeptical that MY system could be improved by the field conditioner. I have been piecing together my system for over 20 years and tried all the tricks of the trade. I set these all near my components (my Zune, dac, pre-amp, power amp) and after putting on my favorite Chick Corea album I WAS BLOWN AWAY. I consider these a great bargain and worth it at twice the price. The sound-stage was improved dramatically, there was a certain lightness to the sound and the presence of the sounds I was hearing was unreal. The only issue I have with these is that I have to keep them away from my Orgone generators, also I noticed that my Himalayan salt power crystals weren't repelling as much bad energy, but that was easily fixed by moving them to another room.

I like playing with cables, in fact so much so I used to be in the business of making and selling them. I have not lost that fascination at all even now, so when the opportunity arose to evaluate some LessLoss Anchorwave RCA interconnects from Scott Nangle Audio [located in Scotland, UK], it piqued my curiosity and simply couldn't be missed.

I am told these are hand built with in-house materials and you can without any doubt see the quality and workmanship that has gone into these cables. The Anchorwave interconnects sent to me are oval in cross-section, are no lightweights either and have a large curious rectangular tag of faux leather "butterfly wing" near each connector that looks strange at best and makes connecting them up no easy task with vertically aligned RCA sockets, because they obscure the bottom socket if the topmost one is connected first. My tip is to connect to the bottom RCA socket first and aligning these "wings" out of the way to make connecting up the top set easier. I tried to slide them up the cable but they seem firmly attached to the connector. They do though give the cables a clear identity so they are unlikely to be confused with any other brand of cable.

Whenever I have a new set of interconnects to evaluate, I do my level best to ignore them during any burn-in period and will have the system on as background music only while I am busy doing other things, so it came as a surprise to me that this cable somehow DEMANDED my immediate attention. It wasn't drawing attention to itself by having luscious bass, or crisp treble, or fireworks a-plenty with vivid dynamics, but it was none of those in isolation that drew me into the sublime sounds these cables were producing, most unlike any other cable heard to date. There wasn't soaringly high treble definition to grab you, there wasn't a bottomless bass to beguile you, there wasn't a seamless midrange to enchant either, and yet there I was being drawn inexorably into the music I was hearing because of it's sheer involvement and taken well beyond the proverbial toe tapping stage, into the murky realms of me singing along with the music too. Gosh and yeuk too.

Many a time in the past while auditioning cables I will have had the "Crikey, not heard that before" moments as isolated events, but this cable turned those moments into an endless joined up procession of musical joy, so CD after CD went into the player long into the nights and time simply stood still for me. Even the CDs I would normally dread playing took on a whole new musical character, one of those being George Michaels "Older" album which has some awful stings in the treble registers and no shortage of sibilance that can be painful enough to keep the volume turned down low. The Anchorwave managed to untangle this recording and lose the sting, yet still present the fine treble, reverb and ambience details this CD has tucked away, so it isn't just masking or attenuating the treble either. When it comes to the bass registers, this cable had to beat my own all time favourite bass communicator from Virtual Dynamics in the shape of their Genesis interconnects - now sadly no more. The Anchorwave easily outperformed the Genesis in every respect, because while the Genesis was always bass articulate, coherent and never shy of the lowermost octaves, it sacrificed the topmost registers and midband accuracy to achieve that, whereas the Anchorwave has no such traits and reproduced the entire audible band with accuracy, neutrality and sheer musicality.

To sum up then, these cables don't "do hi-fi" and to me that sets them well apart from the herd which will have degrees of that trait in their make-up. What they do do, is transmit the music in a way that not too many folks are familiar with and if you have owned high end cables like Nordost and Chord it will come as a shock that a cable can be so MUSICAL and you can listen for many hours and then some. In value for money terms they are not cheap but I would see that as an investment rather than anyone continue on a journey for a long time trying cable after cable to find one with equal musicality. Would I buy them myself? Of course I would ;-)

Associated equipment:

Eastsound E5 CD player, XTZ Desire A-1000D3 amp, Focal Chorus 706V SE, Randall Research silver interconnects, Tellurium TQ Black speaker cables, Belkin conditioner

I love my new Anchorwave speaker cables. Like most, I only have so much money for hi-fi, so I try to make upgrades in as few steps as possible. I just might stick with these cables for the rest of my life.

Since owning the Anchorwave speaker cables, I've had chance to compare them against two very different cables: expensive Siltech cables, and relatively inexpensive Kimber 4TC. I'll discuss the Siltech comparison at length since it's more interesting.

The Siltech (model 770L) costs more than $4,000 more than the Anchorwave. The system belonged to a local hi-fi shop. It consisted of:

Moon 700i amp ($12,000)
Moon 750 DAC ($12,000)
Siltech 770i ($3,000)
Siltech 770L ($6,200)
Focal Electra 1028 Be ($9,000)
LessLoss DFPC Signatures / Firewall (provided by me)

What differences would I hear (if any)? Would they even be significant? Would I walk away disappointed with my Anchorwaves? I really didn't know what to expect. My dealer was quite clear (a very experienced fellow, but never heard of LessLoss) he said he'd tried high-end cables from Nordost and Cardas, (among other loudspeaker cables brands), but that for years, nothing has been able to compare to the Siltech. So, before I even finished unpacking the Anchorwaves, he laughed and told me that I was about to be seriously disappointed. I came in not knowing what to expect, but it seemed he already had it figured out before we even hit play.

This isn't about to be one of those glorious conversion stories. No, in fact my dealer is still determined to think the Anchowaves are an overpriced hi-performance cable. He said he'd prefer Kimber 4TC at $200 for 2m. Of course, I think that's bloody insane. Let me explain why.

We began listening to with the Siltech cables in place. This was yet without any LessLoss power cables or Firewall (just some low cost Shunyata power cables). When we switched to the Anchorwaves, as soon as I hit the stop button, he chimed in, "Yup! Just what I thought: poorly balanced; too much bass and too much treble…" Now, I was actually disappointed at this point, too. The differences between the cables were like night and day—nothing subtle about it. I heard some nasty highs that were painfully obvious, and the bass levels had increased as well. (Keep in mind, this is with the Siltech interconnect, not the LessLoss Anchorwave interconnects). I heard lots of "I told you so" at this point. But this is where it gets interesting.

I then used two LessLoss DFPC Signatures, with a LessLoss Firewall between them, to power the Moon 750 CD player. Then I used the remaining DFPC Signature to power the amp. With this setup, we then sat back to listen. Immediately there was a radical improvement: all that nasty treble was gone! I was blown away. The cable's balance was much more settled. This time, as soon as I hit stop, I said, "Wow! All that rubbish in the treble range is now gone." After a few moments of silence, he then remarked how there was much too much bass. I proceeded to ask genuinely just how one can determine whether that's just the way it was meant to be: perhaps that's what the recording just sounds like. He suggested that after more than two decades of listening, you just know. I really didn't think the bass levels were out of balance, or overbearing, at this point. Nevertheless, there was still another surprise to be had.

We switched back to the $6,000 Siltech cables. This time we had LessLoss power cords and Firewall at work, just like with the Anchorwaves. A few seconds after hitting play, I just grinned (to myself). I had just received something of a lecture from this guy as to why all that bass shouldn't be there, and how the Siltech cables just do it right; yet, here we were and the bass levels sounded virtually identical to those of the Anchorwaves. Oddly enough, he didn't say a word about it. Neither did I: I was there to hear cables, not for any "I told you so" purposes. What I also noticed was that, in contrast to the Anchorwaves, the Siltechs sounded very much coloured in the mids and highs. One might describe it as very smooth, or silky. Whatever it was, while it may have been "smooth" or "silky," it now sounded like a coloration rather than something natural. That's definitely not what I'm looking for in a cable. I want something as close to colourless as possible, and there's no doubt in my mind that the Anchorwaves were doing a better job at it than the Siltechs.

What I was able to draw from this experience is firstly, the importance of power filtering. Without the LessLoss cables, I would never have heard the potential of the Anchorwaves. If I was a Siltech owner, I might've attributed the cable's coloration's to another component and erroneously replaced it instead. I have no doubt that, additionally, listening with the system over time, many more notable things would become apparent (just like they have in my own system). Even the dealer was quick to acknowledge the virtues of the LessLoss power filtering, after the fact. I'd swear by those products.

Secondly, I've walked away knowing that the Anchorwaves can play some serious ball with cables more than triple in cost. I suspect too, that with matching interconnects, or the LessLoss Tunnelbridge, the Anchorwave speaker cables have yet much more to offer. When I first sat down to listen to my system with the new Anchorwaves, the improvements were so significant that I just started laughing.

For any musicians out there, you should know what I'm talking about. Imagine as an amateur player, you play something on your instrument. You then hear some professional play the same thing. The differences can be so striking that you just sit there and laugh (or feel depressed because you realize just how bad you are by comparison). Well, that's what it was like for me when I got the Achorwaves. Before that, I owned Kimber 4TC loudspeaker wire. There's just no comparison. Thanks to Louis and the people at LessLoss, I'm content to cross off "loudspeaker cables" from the long term hi-fi upgrade list.

My system:
Speakers: Focal 816V
Speaker Cables: LessLoss Anchorwave
Amp: Yamaha RX-A 3010
Interconnects: LessLoss Anchorwave
Source: Cambridge Audio 650C
Power cords: LessLoss DFPC Originals (2); LessLoss DFPC Signatures (3)
Power conditioner: LessLoss Firewall
Power distributor: Furutech e-TP60

I love my new Anchorwave speaker cables. Like most, I only have so much money for hi-fi, so I try to make upgrades in as few steps as possible. I just might stick with these cables for the rest of my life.

Since owning the Anchorwave speaker cables, I've had chance to compare them against two very different cables: expensive Siltech cables, and relatively inexpensive Kimber 4TC. I'll discuss the Siltech comparison at length since it's more interesting.

The Siltech (model 770L) costs more than $4,000 more than the Anchorwave. The system belonged to a local hi-fi shop. It consisted of:

Moon 700i amp ($12,000)
Moon 750 DAC ($12,000)
Siltech 770i ($3,000)
Siltech 770L ($6,200)
Focal Electra 1028 Be ($9,000)
LessLoss DFPC Signatures / Firewall (provided by me)

What differences would I hear (if any)? Would they even be significant? Would I walk away disappointed with my Anchorwaves? I really didn't know what to expect. My dealer was quite clear (a very experienced fellow, but never heard of LessLoss) he said he'd tried high-end cables from Nordost and Cardas, (among other loudspeaker cables brands), but that for years, nothing has been able to compare to the Siltech. So, before I even finished unpacking the Anchorwaves, he laughed and told me that I was about to be seriously disappointed. I came in not knowing what to expect, but it seemed he already had it figured out before we even hit play.

This isn't about to be one of those glorious conversion stories. No, in fact my dealer is still determined to think the Anchowaves are an overpriced hi-performance cable. He said he'd prefer Kimber 4TC at $200 for 2m. Of course, I think that's bloody insane. Let me explain why.

We began listening to with the Siltech cables in place. This was yet without any LessLoss power cables or Firewall (just some low cost Shunyata power cables). When we switched to the Anchorwaves, as soon as I hit the stop button, he chimed in, "Yup! Just what I thought: poorly balanced; too much bass and too much treble…" Now, I was actually disappointed at this point, too. The differences between the cables were like night and day—nothing subtle about it. I heard some nasty highs that were painfully obvious, and the bass levels had increased as well. (Keep in mind, this is with the Siltech interconnect, not the LessLoss Anchorwave interconnects). I heard lots of "I told you so" at this point. But this is where it gets interesting.

I then used two LessLoss DFPC Signatures, with a LessLoss Firewall between them, to power the Moon 750 CD player. Then I used the remaining DFPC Signature to power the amp. With this setup, we then sat back to listen. Immediately there was a radical improvement: all that nasty treble was gone! I was blown away. The cable's balance was much more settled. This time, as soon as I hit stop, I said, "Wow! All that rubbish in the treble range is now gone." After a few moments of silence, he then remarked how there was much too much bass. I proceeded to ask genuinely just how one can determine whether that's just the way it was meant to be: perhaps that's what the recording just sounds like. He suggested that after more than two decades of listening, you just know. I really didn't think the bass levels were out of balance, or overbearing, at this point. Nevertheless, there was still another surprise to be had.

We switched back to the $6,000 Siltech cables. This time we had LessLoss power cords and Firewall at work, just like with the Anchorwaves. A few seconds after hitting play, I just grinned (to myself). I had just received something of a lecture from this guy as to why all that bass shouldn't be there, and how the Siltech cables just do it right; yet, here we were and the bass levels sounded virtually identical to those of the Anchorwaves. Oddly enough, he didn't say a word about it. Neither did I: I was there to hear cables, not for any "I told you so" purposes. What I also noticed was that, in contrast to the Anchorwaves, the Siltechs sounded very much coloured in the mids and highs. One might describe it as very smooth, or silky. Whatever it was, while it may have been "smooth" or "silky," it now sounded like a coloration rather than something natural. That's definitely not what I'm looking for in a cable. I want something as close to colourless as possible, and there's no doubt in my mind that the Anchorwaves were doing a better job at it than the Siltechs.

What I was able to draw from this experience is firstly, the importance of power filtering. Without the LessLoss cables, I would never have heard the potential of the Anchorwaves. If I was a Siltech owner, I might've attributed the cable's coloration's to another component and erroneously replaced it instead. I have no doubt that, additionally, listening with the system over time, many more notable things would become apparent (just like they have in my own system). Even the dealer was quick to acknowledge the virtues of the LessLoss power filtering, after the fact. I'd swear by those products.

Secondly, I've walked away knowing that the Anchorwaves can play some serious ball with cables more than triple in cost. I suspect too, that with matching interconnects, or the LessLoss Tunnelbridge, the Anchorwave speaker cables have yet much more to offer. When I first sat down to listen to my system with the new Anchorwaves, the improvements were so significant that I just started laughing.

For any musicians out there, you should know what I'm talking about. Imagine as an amateur player, you play something on your instrument. You then hear some professional play the same thing. The differences can be so striking that you just sit there and laugh (or feel depressed because you realize just how bad you are by comparison). Well, that's what it was like for me when I got the Achorwaves. Before that, I owned Kimber 4TC loudspeaker wire. There's just no comparison. Thanks to Louis and the people at LessLoss, I'm content to cross off "loudspeaker cables" from the long term hi-fi upgrade list.

My system:
Speakers: Focal 816V
Speaker Cables: LessLoss Anchorwave
Amp: Yamaha RX-A 3010
Interconnects: LessLoss Anchorwave
Source: Cambridge Audio 650C
Power cords: LessLoss DFPC Originals (2); LessLoss DFPC Signatures (3)
Power conditioner: LessLoss Firewall
Power distributor: Furutech e-TP60

I would like to share my experiences with this great product, the DFPC Signature. It was indicated to me by one of the Audiopax owners, who sold me the amazing pre and SET monos I have in my system. My source is a Playback Desings MPD-3 DAC + Macbook pro and the speakers are the Tidal Piano Cera. I live in Fortaleza, Brazil.
I put the two PC to burn in for a week connected to the monoblocks. Then I made a careful listening, and I was amazed by the level of quality of this cable. Transparency, timbre, bass quality, neutrality, large frontstage, extended notes.
They were indicated for me for using on amplifiers, but I am really curious to test those cables on my Pre and my source, without taking the amps PC out. And I will soon test the Anchorwave IC and speaker cable, I believe the combination will be what I am looking for.

I'm going to shoot it straight: your DFPC Signatures are unlike any powercords I have tried before! They bring improvements on a level of a higher class amplifier or great DAC. While testing them in my system with the IMPACT and IMPULSE speakers which are highly transparent, dynamic and revealing, I have found the results nothing short of astonishing. These powercords bring order into the soundstage, much better focus, depth, much more powerful and tactile bass, better definition, very natural tone colors and everything just sounds so much more believable and lifelike. I have tried some other power cords (some were quite expensive) and while they brought improvements, none delivered what your DFPC Signatures do.

The DFPC Signatures carry my highest recommendation, for any serious music lover.

Miro Krajnc

http://www.soulsonicspeakers.com/

Before getting the DFPC Signatures, my whole system costed around $7,000. Compared to many other reviews here, my system is far less expensive. So one major concern of mine was that my system simply would not allow me to hear the kind of improvements that others with far more expensive systems claimed to hear. I was worried I’d spend a lot of money ($2183 is a lot of money to me), end up with amazing-looking power cords, but hear very little improvement, or worse: no improvement at all!

So what led me to "take the plunge" was that the DFPC power cord is not just a power cord, it is a noise filter as well. Without considering this dual function I would never have spent that much on "just a power cord."

I got 2 DFPC Signatures: one on the source and one on the amp. The whole system requires only these two power cords. I upgraded to the Signatures from the stock power cords provided by the manufacturers. I’ve been using the DFPC Sigs for 3 months now.

System (total ca. $7000)
Speakers: Focal 816V ($2,100)
Speaker Cables: LessLoss Anchorwave (3m @ $2,000)
AVR: Yamaha RX-A 3010 ($2,000) -- used in 2 channel Pure Direct mode
Interconnects: Kimber PBJ ($150)
Source: Cambridge Audio 650C ($800)
Room: 16’x18‘x7.5’, untreated, laminate flooring, gyprock walls, open back wall

---------------------------------------------

Set-up:

The cords grip the outlet/inlet very well, and are light and very flexible. In my system, the Signatures are visible, and so their flexibility was key not just to setup, but to aesthetic presentation, too.

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Pre-Evaluation & critical listening method:

First, I keep my CD player running 24/7. I also warm up my amp for 20-30 minutes before listening. For critical listening, I used only a handful of music I was very familiar with. I would listen to 1 full track before switching power cords (or a few minutes of it at least) under an ABAB test scenario. During play, I would jot down short notes of things that stood out to me. Before switching cables, I’d pause after the track played to reflect on the track and possibly jot more things down. Then I’d switch out the power cords for the Signatures and repeat the same chunk of listening and note-taking.

------------------------

Evaluation:

Within a few seconds, audible improvements were completely obvious. The effect was an emotional response that caused me some laughter, eye-widening, and jaw-lowering. Keeping my emotions in tact, I listened further. Rather than take you through each track and the ABAB notes, let me just list some of the noted improvements (in no particular order).

- Clearer, crisper
- Higher fine detail resolution
- Vocals more real
- Fuller sound
- Deeper bass
- Bass more articulate
- Starting to hear the recorded room now
- Instantly real
- Lower noise floor: sounds like instruments used to sound through a veil.
- Smoother vocal

The improvement that the Signatures made which I value the most has been the element of realism. Never mind that my system’s low end is now more articulate (although I certainly love this), or that the music now sounds more 3-dimensional, or any of the other improvements these power cords offer; when I listen to music now, the illusion that Jeff Buckley is singing in front of me, or that Keith Jarrett is playing a harpsichord in my living room, is more real than ever. To achieve this level of realism with a system costing what mine does is remarkable. Sometimes vocals are so real sounding it’s eerie.

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Putting the performance enhancement in perspective:

I’ve auditioned Simaudio’s 300D DAC ($1,800) and their $4,000 integrated amp (the 340i). The 300D is a good DAC for the money, but the performance enhancements offered by LessLoss DFPC Signatures are without question more in number and far more obvious. Now, I loved the $4000 Simaudio integrated amp; it was easily a substantial improvement over my home-theater amp—returning it made me sad. But, if I had to choose between the new amp and two DFPC Signatures (say price wasn’t an issue), I wouldn’t think twice: the Signatures for sure! Using the Signatures to lower the noise that enters my components not only produces more sonic improvements, but has a greater positive impact with respect to clarity and realism. Now, say we bring price back in the picture, the DFPC Signatures are virtually half the money of a serious amp upgrade (from Yamaha’s $2G flagship home-theater amp to the finely reviewed $4G Simaudio Moon 330i).

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Dealing with LessLoss:

It’s obvious that Louis Motek prides himself on great customer service. When I emailed LessLoss, I got a reply directly from the boss. As such, I’ve had the pleasure of exchanging several emails with Louis and his responses have always been thoughtful and timely. His business, though on the net, really doesn't feel like it's far away. Shortly after ordering I had the well-packaged cords in hand.

This has been a sublime customer experience: products that deliver obvious and substantial performance enhancement, fast shipping, well-packaged products, and top-notch customer service.

Thank you!

I visited my audiophile friend, Charles, who just bought a LessLoss DFPC Signature power cord from you for his Mark Levinson transport. The sound was nothing short of transformative! Keep in mind, we're talking about just one power cord, and it hasn't even been broken in yet! It's been a while since I heard Charles' stereo last but I remember it sounding slightly cool and lean. Other than that, it's an excellent high-end tube-based system. So I was there listening to it with another friend and we were all astounded. I can't begin to imagine what the Firewall does. Previously, I was evaluating and critiquing the sound. But this time, the thought of critiquing would have been a ridiculous mental exercise. I just wanted to kick back and enjoy the music.

This one power cord transformed the way I listen to and evaluate a stereo. I used to prefer a warmer sound but now I realize that was just coloration masking the noise floor after hearing the Signature on Charles' transport. With the Signature on and the noise floor gone, I was hearing a less warm sound and preferring it for the first time, because it was actually more musical. I mentioned to Charles' friend that the stereo sounds more engaging than live music but in some ways it's not as real because the instruments are not blending together as well as they do at the symphony. He corrected me, saying that I'm used to listening to a symphony 50 feet back from the stage and that a recording has multiple microphones above the stage so what I'm hearing now is closer to what the musicians hear on stage. In a way, it's the best of both worlds because I was hearing all the inner detail but at the same time, everything sounded like a cohesive whole. Many audiophiles speak of detail in a negative sense but I'm referring to more resolution which give the audible cues to a more emotionally engaging sound. And I repeat, this was from a change of just one power cord, from a Shunyata Python to the Signature!

I recently purchased the Sennheiser HD800 headphones and was blown away by the sound. However, after some time of listening I started picking out the inherent flaws of the HD800 headphones: weak bass, treble issues etc. During my investigation for solutions, I stumbled across the LessLoss web site. The site looked professional with very comprehensive information on all the technology behind their products. However, I must admit, I was skeptical going into the exercise of buying aftermarket power cords. My expectation was that they would make little to no difference and I would return them for a full refund. I'd even pre-arranged with LessLoss to cover my delivery and return shipping costs! Thanks to Louis Motek for agreeing to my dubious request. However, there is no way LessLoss will get my power cords back! Unless I decide to upgrade to the Signature series (which is a distinct possibility!).

My first impression was that there was something wrong with the sound. However, I soon realized that I was hearing clarity in the sound which I had never heard before! The depth of the bass was remarkable, the sound floor was almost undetectable, the vocals were crystal clear and the instruments were makings sounds I didn't realize they made! Thanks must go to Louis for his incredible turn around time (almost always within the hour) on all my email questions (particularly given the time difference here in Australia) and his expert and truthful advice along the way. I'm a LessLoss convert and will be taking a serious look at the other LessLoss products as a result. If only LessLoss made aftermarket headphone cables for the HD800s :( FYI: My current system - Cyrus CD T Transport; Rega Wolfson WM8742 DAC; Lehmann Audio Black Cube Linear Headphone Amp; and of course the Sennheiser HD800 headphones.

I am now the proud owner of 3 DFPC Originals. "Originally" (excuse the pun), I was intrigued by the unanimously positive reviews garnered by these cables. Not only did the professoinal reviewers love them, what really spoke to me was how many private users felt the same. Then, I took account of the fact that you NEVER see these cables for sale on the used Audio Equipment websites. There had to be something to it. Though these are no doubt one of the best deals going in HiFi, I still consider $600 for a PC a large expenditure. I had already heard for myself that power cables could make a positive difference in a system, so I didn't need convincing on that point. Like any other upgrade, I have to hear an improvement or I will either return or sell the product. I started out with just one DFPC Original and placed it on my DAC. Right away, I heard the improvement I was looking for and much more. It was one of the more significant contributions to good sound I had come across: there was some upper frequency hash removed, instruments appeared more immediate, and more clearly defined in both tone and 3-dimensional space. I also thought that bass had become quicker and tighter. I was sold! I continued reading up on the DFPC's as well as other LessLoss products, and decided that a full system approach would be best. That would mean 2 more Originals: one for my Bel Canto Pre1, and another for my Conrad Johnson MF2250 power amp. Those 2 cables just arrived this afternoon and are currently making beautiful music. I played the same music that I've been listening to recently in attempt to be as objective as possible in my assessment. What I heard was more of the same good qualities that came through with the first DFPC. With these cables on all my components, there was little chance that the high frequency junk the DFPC's aim to filter would make it through to my components. This made for a stark black background, hightened top end clarity which resulted in a sense that my system had better upper frequency extension, as well as an added measure of depth. I love the Oyaide 079 plugs and agree with Louis that they are the most neutral, less fatiguing plugs of the bunch. I should probably mention that I use a DIY balanced power conditioner and all 3 DFPC's are connected to it. Contrary to what I read in one listener's review, these cable work just fine with balanced AC. I have a large enough transformer to prevent dynamics from becoming restricted during transients. These 2 filtering approaches complement each other very nicely. I now have, by far, the best sound that's ever graced my living room. The only problem is that this has got me wondering what a LessLoss Firewall could do for me; they're said to be the equivalent of 100 DFPC's connected in parallel! If 3 of them make this big a difference, imagine what 103 would sound like...

I replaced Shunyata Python on my sources with LessLoss DFPC Original cables and I must say these are better than Pythons and beyond! In my system, I used them on a Lamm preamp and an Ayon CD2. I will definitely give one a chance on my Cary 805 AE amp soon, too, and Mr. Liudas (Louis Motek) is off the chart, it was truly a pleasure! Thank you.

Thank you for generously giving me time to try the Less Loss Dynamic Filtering Power Cable (DFPC) Original with my Geneva Sound System Model XL. After burning in the DFPC and having time to appreciate the DFPC powering my Geneva Sound XL, the DFPC really does sound like an “equipment upgrade” for my simple all-in-one sound system given my limited budget for "higher-fidelity" (for lack of the finances to afford a Hi-Fi audiophile system) sound.

With the extra time that you gave me, I had a chance to play a wide range (for me anyway) of music and sound through my system via internal CD player, tuner and aux RCA line-in. I downloaded most of the free digital recordings from your company website. I enjoyed the flute music, the Bach pieces, the young child prodigy playing the piano, and the saxophone music. After some minor music software upgrades, I spent some time re-ripping what little music that I have in my small - and out of necessity, portable collection for frequent moves - to lossless formats. I realized now why I stopped listening to common lossy mp3's which sounded lifeless and flat.

I played classical music some of which included Bach's organ works (Virgil Fox), Vivaldi's Four Seasons, choral (incl. Gregorian Chant), orchestral and more modern music too such as Sinatra, 50's music, Elvis, Dick Haymes, Perry Como (yeah, I am liking my parents' music more each day; I am getting older), and some Classic rock. I played some movies through the system too.

The AB tests made it readily apparent that the DFPC is true to the performance information on your company's website. The bass is fuller and deeper. The treble is clearer and more detailed. Vocals sound more human and textured. It is easier to distinguish the different instruments. The saxophone recordings from your company website sounded richer and were more enjoyable. The music notes trail pleasantly off into the silence of a blacker background.

Without the DFPC power cord the music seemed to lack depth, the bass sounded hollow, the treble sounded tinny and strained, and the vocals harsher. The DFPC has much improved my Geneva Sound XL system. I am finding it difficult to fathom returning to the generic power cord. It is a shame that most people are probably missing so much of the sound quality that their systems could produce, simply because their stereos ship from the manufacturer with cheap noisy generic power cords.

So now that I have been spoiled with the trial of your company's DFPC and the sound quality improvement of the DFPC...it will be painful going back to the generic power cord for a while. Your company's DPFC will top off my simple "portable" sound system (Geneva-Sound XL weighs about 75 lbs.). One advantage of the all-in-one Geneva Sound system is that one DFPC can provide clean, filtered power to my system’s amplifier, cd and tuner. The DFPC will be the "icing on the cake," as it were.

Merci beaucoup!

I contacted Louis about his DFPC Original cords after reading many rave reviews. I am very skeptical of any "magic" wire claims, which is what the reviews of Louis' products resembled. Louis patiently, thoroughly and quickly answered all my questions (often with humor and hubris). I ordered two DFPCs: one for my Mac Mini and one for my Wyred4Sound DAC2. Many others, with superior writing skills, have said it all, but Louis' cords made a HUGE difference in what I heard from my system - especially replacing the stock power cord on the mini. My system sounds much more relaxed and musical than before. I now have to save up for the Signatures and Firewall.

Thank you Louis!

Big applause and congratulations for this remarkable product that the Anchorwave most certainly is and for Louis's responsiveness with my questions/issues :-) A real professional who really cares about music and his customers.

In my high end system (with tube preamp and amp), the Anchorwave interconnect with XLR connectors definitely brings more dynamics, larger, higher and deeper soundstage with more details in all frequencies. My system finally breathes, without any congestion.

I haven't tested all the cables available on the market, obviously. Yet, this one - used between my Jadis JPS 8 tube preamp and my Antelope Zodiac Gold DAC, with one set of Jadis JA 200 mono block tube amps - surely ranks above the others I've tried so far. Don't underestimate the influence of cables on your system. If your system is already good, why should you prevent yourself by improving it?

In my case, the Anchorwave interconnect brings what I had been looking for for some time. Most highly recommended, and Louis did not pay me to write this! :-)

I really don’t know how to put this in words. But I’ll try.

First of all let me give you some background. I run a small design company (Klutz Design) focusing on music oriented furniture designs. We’ve launched both a prototype of a listening chair, the Ballerina Sweetspot (soon to go into production) as well as a headphone stand, the CanCans (which is in production). And more to come. These products basically stem from our passion for music, and the appreciation which this gives us. Our pay-off is “Beauty. Fully. Listening” – basically summarizing our “insightful design for the passionate” philosophy through which we design beautiful products that add not only functional benefits to enhance our enjoyment of music, but that are also beautiful creations in their own right and lift our anticipations of our musical experiences. Designs that are beautiful, and that allow one to fully enjoy one's listening.

I finally ordered and just received a complete set of LessLoss cables (several DFPC Signatures, Anchorwave RCA and speaker cables).

I have only implemented two DFPC Signatures (Voltikus PSU for the Zodiac Gold DAC and the Reference PSU for the Bakoon AMP-11R) as well as the Anchorwave RCAs. I didn’t do anything “successively” – couldn’t resist just plugging all 3 of them in immediately. My temporarily employed entry-level bookshelf speakers from Amphion (only there because I sold my previous setup in anticipation of the Trenner & Friedl Pharaoh speakers), aren’t stable enough for the placement & weight of the Anchorwave speakercables, so I haven’t put in these yet. On paper, the speakers shouldn’t really be that “fine”/sensitive to convey any changes (they’re just EUR 800 speakers from my desktop system). Also, an important point of “clarification” is that I have never found myself susceptible to any type of “placebo” effect when it comes to hifi. I’ve listened to a lot of both expensive systems and cables and not necessarily been impressed. Neither do I consider myself a “technical” listener. Just “looking” for real music.

And real music is what I’ve found. The only way to describe what I hear with these first cables in the system, is an unbelievable presence – a combination of a “pitch black” background and clarity, more powerful yet oh so natural. I honestly didn’t know that these entry-level speakers could make this kind of music. I want to tell myself that I am just “hearing things”, that, as everyone one else, I’ve suddenly succumbed to a placebo effect. Because it simply can’t be possible that three cables, albeit great ones, can make such a difference. Right from the start. But they do. Absolutely stunning. I simply can’t wait until I get the T&F Pharaoh speakers and I get to implement the final Anchorwave speaker cables all the way through with an upgraded front end.

And I can’t wait until our first potential customers sit down in our Ballerina Sweetspot listening chair, and listens to the complete setup – with a risk that they’ll want to buy the complete system incl. the LessLoss cables first, before our chair. ;)

Thanks for making such great products.

Michael

I’ve been listening – happily I may add. I’ve had the cables since beginning of September and am very happy with them. Mind you, my old cables were no sluggish and sleazy ones. Some very know reviewers have used/use them extensively. And, for an example, the interconnects have bettered every other IC I’ve tried so far up to the $2000 range – until now. (I won’t name the make of my old cables as I still think highly of them and don’t want to dismiss the manufacture of the cables I’ve been happy with for many years.)

But after getting new speakers a couple of years ago (Ascendo C8 Renaissance) it started to dawn on me that there is probably more to be revealed in the music than I was getting. Since then I’ve been testing many cables, different configurations, different materials – some even so expensive that I wouldn’t/couldn’t have bought them. But I had to know what was possible.

Listening to all these cables and doing DIY vibration control tests on my own cables I came to the conclusion that the cables I could justify to pay a bundle for have to have a few certain qualities:

- Litz geometry wire
- copper conductors of very high quality
- a reasonable conductor(s) area
- vibration control
- no shielding, or better yet, shielding that doesn’t have affect on audio frequencies (LessLoss)

Just as a note: no silver cable I’ve tried has floated my boat in the timber department and no thin cable/wire has given the dynamics that music played through full range speakers need. Shielding again seems to kill some of the liveliness and soundstage.

Well as every reader of the LessLoss website knows, LessLoss fulfills these requirements in spades. But still - after listening to so many different cables without hearing anything substantially better than my own, I still wasn’t quite sure I’d want to take the pain to try one more cable make. But finally with a little leap of faith I took the plunge and ordered – and haven’t looked back since.

The interconnects and speaker cables have very much the same type sonic signature. If you’ve heard the interconnects you’ve heard what the speaker cable can do - you’ll just get more of the same. The speaker cable’s super qualities just let you hear what exactly the IC’s are capable of. So what are the qualities?

Open, detailed, dynamic, correct timber, big soundstage, spot on frequency balance, presence - everything really. My older cables were quite good at these qualities also but the Anchorwaves are just in a league of their own. No question about that. No point in going into detail though about the sound and instrument timbers here, as it’s all there. One aspect though that clearly differs from all other cables is the natural beauty and purity of the music. In all other cables there seems to be, more or less, a certain shouting/ringing affect present in the music, especially in speaker cables. It’s kind of an aura surrounding the music and soundstage, you can never quite shake it off. It cuts away from the easy naturalness and contributes to the listening fatigue. The louder you listen the quicker it starts to get to you. The LessLoss Anchorwave IC’s and speaker cable have none of this – or at least in diminishing amounts. The presentation is just so musical, natural, dynamic, detailed and full bodied with no stringent sounds, no hi-fi treble, no smudginess. What else could one want? Looking at the competition and the materials used, they are even very reasonably priced.

So I’m settled. No more desire of cable search for me. Maybe these aren’t the best cables in the world, but they are the best I’ve heard and I find it hard to imagine anything being seriously better. Well, of course there probably is something a little better out there, even LessLoss has the Tunnelbridge interconnects... But these cables are so good that one has to raise the question of whether you need better ones any more? ...and just as a reference: I do get to listen to live music almost daily. So even with my VAC amps and Ascendo speakers, I’m quite sure that the Anchorwave cables are not the limiting factor to my musical nirvana if I still want to upgrade some day. Not a bad place to be. =) I’m happy.

I am a proud user of the DFPC Signature. Having four of them has transformed my system to a new level with darker background, better separation, the clarity of the instruments and bass is so good. Now I can sit back and enjoy the music.

Equipment used:

Audio Note Conquest 300B mono block
Audio Note M6 preamplifier
Reimyo Transport and DAC
Dali Helicon 300 MK2 (bookshelf)

Blackbody (1st version)

What can these small little black boxes do to improve my system? After receiving these Blackbodies from my friend, I simply put them facing north, 35cm away from my Soul Note CDP as instructed. Playing a CD that I had played numerous times whenever trying out any new equipment or accessories. Immediately, I could hear a darker background, the vocal became more focussed and the harsh and edging sound of the violin that usually appears on this CD had somehow gone. Now, what I am listening to now is the true violin sound. In the next three hours I repeatedly played a few familiar tracks with and without the Blackbody, now I am sure I can't live without these small black boxes whenever listening to music. And I keep wondering what is inside this blackbody?

But who cares?! As long as it can bring back the life of the music, take me closer to the singer, then it's worth every single cent. The only question is: "How Many More Blackbodies do I need?" But I am sure that adding one or more Blackbodies will definitely bring my system to a new level. Bravo LessLoss!!!!

Wanna tell you that your power cords are brilliant. I am listening to a dedicated headphone system. Zodiac Gold DAC and headphone amp, Audeze LCD-2 headphones, connected to my computer. The first cord I used for the Zodiac. A very substantial improvement over all the cords I have tried so far (NBS, Van den Hul). The DFPC Original cord I received today (after 4 weeks witht the first one) I connected to my computer. ...Wow, even without any burn in a very substantial improvement again. Cannot stop listening, my feet are tapping all the time. Very, very involving. Now, my digital rig sounds as least as good as my very expensive turntable. Before putting your cords in my system, my turntable sounded much better than my digital gear... not anymore. I could not be happier with the results!!

Talking about value.... I have been around in this audio/music hobby for at least 40 years now. I think in all these years I have spend at least 35000 Euro in buying all kinds of audio gear. Without going overboard, I can easily say that the two power cords I bought from you for less than 1000 Euro have been my best money ever spent in this crazy hobby. Why? Because of your cables, my system took a giant step towards the ultimate goal for me......the illusion of hearing real musicians making real music in my listening room.

Thank you so much,
Robert

I bought two DFPC Signature power cords for my CD (Jadis J1) and DAC (VACDACII MKII) before I had the PS Audio PPP regenerator.
I did the test with and without the PS and I have to say that (at home) the result is better without the PS. Now, my setup is on a separate line, so no pollution of other things like TV, PC, washing machine, etc...

This will be of interest to owners of the original Firewall as well as new customers!

SYSTEM:

CEC TL-51X transport slaved to LessLoss DAC 2004 MkII
Jeff Rowland model 6 mono amps with battery PS
Wilson model 5 WATT/Puppy speakers
LessLoss Tunnelbridge interconnect system
2 pair LessLoss Anchorwave speaker cables (amps to Puppy & Puppy to WATT)
Original LessLoss Firewall with 8 outlets
7 LessLoss DFPC Signature power cords
12 LessLoss Blackbody Field Conditioners
New LessLoss Firewall
Nordost Titanium Sort Kones under everything

I wanted to express my highest praise for the redesigned Firewall. My system now employs everything LessLoss has to offer with remarkable results. I have had the opportunity to listen to my system evolve over the past 3 years as I have added LessLoss solutions to the point that despite having 15 year old speakers and amps, I am listening to something beyond my wildest dreams!

What I now hear rivals systems I have heard costing 2 to 3 times more than mine. The final solution was to add the redesigned Firewall, but since I am using the original Firewall, how could I best use the new one? After experimenting with various configurations, I found the best sound was obtained as follows: Dedicated wall outlet to DFPC Signature to New Firewall to DFPC Signature to the Old Firewall to all other components. The addition of the New Firewall further stabilized and defined an already wonderful sound stage. The listening experience is 3D! It is so life-like it is almost scary. I can hear so far into the music, it is like I never heard these CDs before. A note of caution when first adding the Firewall; be prepared to allow for some serious break-in time. Even after 200 hours of listening, I am still hearing subtle improvements in the sound. I am hearing almost no digital/electronic noise which is so common in solid state systems, even when playing complex and dynamic symphonies (i.e., Gustav Holst's "The Planets"). Every kind of music from pop, to rock, to jazz, to vocals, to classical sounds wonderful. I get so lost in the music I can't even concentrate to read.

Thank you so much Louis and Vil. Your products are the best!

Thanks, Louis, for making the cable problem disappear. After I tried many diffrent cables in the high end segment, I stumbeled onto one of your power cords.

I must say it was a revalation, when I plugged in the first DFPC the music just started to sound right. The system played acurately in all of the frequences, more body and at the same time more contour on the tones and this is compared to an Electraglide Ultra Khan II (Statement R) that I used on my Burmester CD 001.

After a week I ordered a DFPC to the system, and the result is amazing. Later I tried my DFPC in a friend's system, the results were the same.

This got me thinking, if Louis Motek can get a power cord to sound this good, what can he then do with the interconnect and speaker cable?.

Later I mailed Louis to ask if they did an XLR version of the Anchorwave interconnect (at that time he just had the RCA version on his webpage).

I got a response within an hour that they had just begun to produce the XLR interconnect and that I could order one if I wished.

I placed my order later that week, containing one XLR interconnect and one speaker cable.

Now I have used the interconnect and speaker cable about a month and must say that they are at least equally impressive as the power cords.

I have tried some of the highest rated cables in the world and I don't know any i'd rather have than the Anchorwave.

This includes Nordost Valhalla, Purist Audio Design Proteus Provectus, and Cardas Golden Reference.

This cable has the same neutrality and warmth of the Cardas Golden Reference but has a better focus and PRAT.

The PRAT actually reminded me of the Valhalla, the soundstage is huge and well defined. Honestly I don't think you will find any cable that is much better than the Anchorwave, that's worth the extra money. Of the cables I have tried, this is clearly the best, no matter the price.

I am no stranger to LessLoss products as my system now has Signature power cords, a Firewall (original version), Blackbodies, the DAC 2004 MKll, and most recently the Tunnelbridge interconnect system all with great success.

I was very excited to compare the new Anchorwave speaker cables to my Nordost Valhallas.

My speakers are unique, the Wilson Model 5 WATT/Puppy, in allowing for a personalized umbilical jumper cable between the woofer (Puppy) and the mid/tweeter (WATT). I therefore have 2 Valhallas for each speaker.

In my comparison, I decided to try 2 Anchorwave cables on the Right speaker to compare with the Valhallas on the Left. Even without breaking in the Anchorwaves, my ear was immediately drawn to the Right. I then compared all kinds of music switching the channels around with the interconnects to keep the content the same and the test more accurate.

The Anchorwave sound was more true, better definition, more natural sound stage. I could appreciate an edge and smear to the sound from the Valhallas versus the Anchorwave. I have since replaced the Valhallas with 4 Anchorwave cables. Now broken in, the sound is unbelievable. The music is 3 dimensional. Great space around the singers and instruments. Enormous sound stage. Natural. Everything is placed correctly. Tons of space around the singers and instruments. Even my poor recordings sound great! A joy! I give the Anchorwave the highest recommendation.

My system:

Mac Mini
Transparent Audio USB Cable
Ayre QB9
HMA Sestetto Cable
Octave HP500SE
HMS Sestetto Cable
ADAM Audio Pencil Active Speakers
ALL Power Cords Lessloss Signature
3 Lessloss Blackbodys

I have a dedicated power line with a special grade fuse in the power distributor in our house. The wall receptacles are from HMS. A DFPC Signature is feeding the Firewall. Another DFPC Signature is feeding a Furutech TP609e. From there all other gear is fed by Signatures. Before buying the Firewall, the system was fed by a HMS "Netzleiste", which is something like a classic in Germany. I still use it for the mini, which seriously hurt the sound when being plugged into the Furutech.

Before going into the details, I have to confess that I am biased. I was completely overwhelmed by the naturalness the Signatures introduced into my system. I started of with one cable for the QB-9 which gave the QB-9 more weight, more flow and even more naturalness. I then bought cables for all my other gear. But I still had the HMS distributor between the cables and the wall receptacle. It never did hurt me. Then I read about the Blackbodies and bought 3 of them. As with the cables, they did exactly what Louis had told me. They gave my system a clarity and see through quality I didn't think was possible. My system sounded good without the Lessloss products but it sounds excellent with the powercords and the Blackbodies. Well I am an audiophile. So I kept thinking about the firewall, with the most positive bias one can have. I expected nothing else than the biggest upgrade I ever made to my system. So my expectations where very, very high.

When getting the Firewall I was impressed by its size and its looks. I thought "Damn, why does this thing have to hide behind my rack?" It is big and heavy, and the looks of the Panzerholz are striking. Before getting the Firewall I had some longer email conversations with Louis and he advised me to set the Firewall up exactly as written on the LessLoss Firewall page (there is a separate PDF Firewall Usage Guide to download). I did this and started to listen to music. Well, to say I was disappointed is putting it very mildly. I knew my system had to warm up (the QB-9 takes some time when it was off the grid and my Octave Pre has an external power supply which usually takes at least 5-6 hours to reach its peak). But I have heard my system cold before. When I leave the house for a week or longer I take everything off the grid. But it never sounded this bad - at least I thought it sounded that bad. After listening for about half an hour I turned down the volume and turned on the TV. I slept really bad that night. The next day I thought, well I heard about burn in of the older Firewall, which was supposed to take weeks. When I got back from work the next day I listened to some music and it was sounding better. Even better then before. But not 4000 Euros better. The sound was thin, but the dynamics where very good, quite was quite and loud was loud. But after an hour I got tired of the sound. This was a really bad sign. So I emailed Louis who confirmed that there was burn in time and it should be much better the next weekend. So I slept a little better that night. The next day I invited my brother, who is a recording engineer and also an audiophile. My wife and kids were not at home this night, so we cooked something, had some wine, talked a little and had the stereo in the background. It sounded good. It sounded very good. So we sat down and had a listen. First was Mahlers 5 (Gustavo Dudamel, Deutsche Grammophone). I turned it up a bit. I turned it up some more. The orchestra reached a peak and the whole room was shaking, I felt the sound and I had goose bumps all over my body. My brother looked at me in disbelieve and I had a grin all over my face. I didn't say anything, but kept thinking: "what the ****, what the ****, "The dynamic range of my system had increased in a way that I thought not possible. The control over bass was extraordinary, we could turn up the system to a point where the active speakers went into safety mode and up to that point we always felt that the system can easily handle it. My brother kept saying "This is phenomenal, I can feel the music, this is almost like life….". We heard music, drank wine, drank some more wine… I went to bed happy and drunk and thought what a good investment. Until next evening.

I listened to my system and something had changed. It had lost some weight, it sounded thinner, but there was a new quality to the sound. It had top end sparkle, it produced pictures of an enormous size. Wow-… but after an hour I got tired, listening fatigue. I emailed Louis and he said that it is very probable that you will experience "performance bumps" while the unit burns it. But it should be better next weekend. After the experience the night before I couldn't wait for the weekend to come.

Well I could write about the next week and a half, where I experienced two more bumps, but I'll skip over that. All I can say is, that burn in is lengthy and painful. Louis wrote that he can hear some 90% of the good things right away. I would say that I heard about 60% at the beginning, at maximum.

How is the sound now?

On the website it says that you will experience dynamics floating around freely. This is the exact truth. My system is utmost dynamic. It is impossible for me to listen to classic orchestral music in the background because most is too dynamic. The other day the UPS man rang the doorbell, heard the music and asked me if we were artists. I asked him why he thought that and he said, because I had friends who made such great live music at my house. At first I thought he was making fun of me. He really thought I had a jazz combo playing live at my house. Afterwards I understood, because the music has a natural quality with the Firewall that exceeds the naturalness the Signatures impose on a system by far, very far.

Talk about details. If you want to, you can get lost in finding new details in records you thought you knew very well, because you heard them on a lot of very different systems. For example "A case of you" Live by Diana Krall. I always hear some coughs in the audience. I thought it was about 5 or 6 (I can't remember). With the Firewall in place you hear a plethora of coughs. You even have an idea where in the audience the people who cough sit and I think I can hear which coughs are by the same persons. But this is not important. Important is, that the emotional quality of my system is so much better than before, that I constantly get goose bumps and I am usually not a very emotional person. Something more related to music. ;-) You can easily hear the decay of a triangle while the whole orchestra is playing.

You can easily hear every detail there is (so it feels) but you don't have to. Just don't. Just listen to the music.

Talk about bass and energy. Listening to a bowed acoustic bass (I don't know the exact translation of "gestrichener Bass"). If you ever heard one just beside you, you know how the bass can make your body vibrate. You feel it at you sternum. The bass in my system has become exactly this quality and the ADAMs are good with bass but not really great. I know a lot of speakers which can do better in that region. With the Firewall it is like having a very good active subwoofer in my system.

Talk about color and resonance - exceptional.

Talk about speed, rhythm and interplay of instruments. On good recordings (mostly old ones - very sad!), you hear the interplay of the band.

Talk about highs - cymbals and hi-hats to die for. Attack, shimmer and resonance - wonderful. Top to bottom extended in a way I have not heard before.

Are you into computer audio? If so, you know about different players sounding different. I have never before so easily discerned the sound signature of the various players. Just for the fun of it I changed one of my interconnects to my old interconnect (not a cheap one!). I remember that I could hear that they sounded different, the one I replaced was good sounding but did not have as much air and did not have the same emotional quality of the HMS Sestetto. Changing the cable back was like listening to a broken system. The degredation of the sound was dramatic. I now knew why I did not like these cables.

So, is the Lessloss Firewall the most dramatic improvement I ever had in my system? YES. Is it worth the cost? Yes. It is a lot of money, an awful lot of money. But to bring the investment into perspective: I had very expensive cables in my system for evaluation and they would have cost almost as much as the Firewall and they did not bring this much improvement.

What others say: in the meantime 5 other people have heard my system and where from deeply impressed to shocked at the improvemt. I will now invite my dealer who sold me speakers and my pre to let him listen to my system (the other day I took the Blackbodies to his place and he was impressed with the results). My wife said: This is really moving sound. My kids either say: "Can we listen to some music?" or "Turn down that music it is too loud." or "Turn down your music and let us listen to our music." I can now even enjoy some kids' music.

But most of all I am on a mission. On a mission to rediscover all of my digital albums. I can't wait to listen to my 1000 LPs. So I have a lot to do. But then again. Maybe I'll listen to these new interconnects from this Lithuanian guy? ;-)

Caution: if you buy the Firewall, then don't let it sit on thick carpet. Make sure that the Firewall sits with its 3 tiny spikes on something hard. Experiment with placement. I put some resonance control devices under the little spikes. With great result. If you do not place the Firewall properly you will not hear the full potential! And: expect about 10-14 days burn in. AND: once burned in is not always burned in. I accidently unplugged the unit and had to experience it the hard way. This is the only thing where you should not trust Louis: the sound right out of the box can be very frustrating. So if you don't like the Firewall, wait for a couple of days and you will know where the sound will be heading over the next couple of days.

Greetings from Berlin,
Claudius

I replaced 3 powercords with DFPC original. The previous powercords used Oyaide Tunami and Furutech connectors. 2 of the powercords were for Atmasphere m60 monoblocks. The third is for a Wyred4Sound dac2. The speakers are full range statics. Speaker cable and interconnects are 'home brew'. The system is supposed to 'get out of the way'. I changed all three cords at the same time and haven't bothered just trying with the DFPC supplying the dac or the poweramps. Changing the three cables made an immediate difference from the moment of installation: more energy, more drive, more low frequency (but without any sense of slowness), more space, and all this without any feeling of agression. The only annoying thing about this is that presumably the signature cables are even better and its always tempting to squeeze an even better sound out of the system. Compared to my previous power cables these cables were a really nice step forward.

I have the Signature as powercable on my Primare CD 31 player and it sounds amazing. The sound from my B&W Nautilus speakers is effortless. I have tried many power cords over the years from Kimber (PK10 Gold), Furutech (Alpha 3), LAT Int. etc. But the LessLoss are the most ear friendly I have ever experienced. The Primare sounds very analog and yet detailed and dynamic. Next to this the customer service or should I say customer care is excellent. I am a very happy customer.

After hearing the Tunnelbridge at the 2010 RMAF in Denver, Colo., I decided to replace my Nordost Odin interconnects with the Tunnelbridge. I compared the Tunnelbridge with my Odins and Valhallas and the Tunnelbridge completely blows the Valhallas away, and even the Odins come up short compared to the Tunnelbridge. The sound stage is more true and better developed, and the clarity and purity of the sound is wonderful. It is so natural sounding. The electronic edge I have been living with for so long is greatly diminished. The separation of vocals and instruments even in complex pieces is wonderful. There is such space in the listening experience. The dynamic nuances and subtleties of the singers and musicians is amazing. I can hear the breath around the words and sense the performer's presence almost as if they are in the room. The purity of the sound is maintained from bass to treble with little if any distortion on the extreme ends. I truly become a part of the performance. I have listened to a wide range of music (symphonies, quartets, chorus, jazz, blues, pop, rock, metal, gospel, all kinds of vocals from many different labels) and the results are the same no matter what I'm listening to. I find myself moving to the music constantly and frequently get goose bumps. If you have an extra Lessloss Blackbody, I would recommend using it on the Tunnelbridge power supply. It takes the experience to a whole new wonderful level. I also recommend using a Lessloss DFPC Signature power cable with the Tunnelbridge power supply. It definitely makes a difference. A stock power cord will deteriorate the sound stage and return that unwanted electronic edge to the sound. In my final evaluation I would recommend the Tunnelbridge over the Nordost Odin interconnects without reservation.

One of my mates is heavily into music and has a great rig powered by a nagra amp.

I have a very good rig also. He came over last night for me to try your signature power cable. I am running an Arcam AVR and had a Plinius power Amp which I borrowed from my mate, but the sound was missing foundation, openness, and dynamic even with the power amp.

I have Grover speaker cable and have a combination of Grover and Cardas power cables, and Usher speaker on the rig at present.

When my mate came over with your cable, he collected the Plinius and I was running my rig through the Arcam. He suggested your cable would blow me away. I used the cable initially on the CD player and then switched to the Arcam and I could not believe the difference your cable made to the system even without the power amp, it was extarordinary. I would not have believed it if I hadn't heard it myself.

By installing the Signature the system sounded much better than when I had the Plinius as the power amp.

The cable improved the foudation, weight, openness and dynamic of the system to a level I would not have thought cables would achieve. I can't wait to hear the sytem with your cables and the Plinius (or other power amp depending on what I buy), it will be awesome.

I was blown away by the difference, I am very impressed and as I say wouldn't have thought that cable would make such a difference.

The change of cable may result in there being no need to change the amp to get more grip/grunt.

I think it is important to acknowledge people that have the enthusiasm, technical knowledge, expertise and desire that you obviously have to go to extreme lengths to provide a quality product that we enthusiasts can benefit from. I admire your dedication and persistence to improve your product. Most people have no idea what impact such power cables can make and are skeptical, but I say don't judge from ignorance, until you experience it you are unable to comment.

I was seriously blown away even my mate with the Nagra could not believe the difference one power cable could maske to my modest rig.

I am happy to support such a fine product and as I say people such as yourself that are dedicated to perfection in their field, without which how would we push the frontiers?

I am (as you can see) very impressed. Great work.

I got my second DFPC cord recently and used it to feed my filter, so my whole system. The other one I keep on my cd player. I was a bit concerned it could hurt dynamics having already an Isotek Orion filter. How wrong I was! Sound and picture improved in every way! Thanks to a dramatic drop in noise. Things like dynamics, tonality, naturalness, resolution, focus and soundstage size, body, timing & control, became better and more like real music. So much that I don't listen to the sound, I just continue listening music. There is sweet delicacy, openess and air without harshness, realistic body to instruments and voices, solid bass but with control, etc.
The same goes about the picture and surround sound. In everything there is NATURALNESS & REALISM. Of course I use other good quality cables and ac cords on my system along with a dedicated line. And synergy is important for best results. But without the LessLoss DFPC cords all the magic is gone. Enough said!

The moment the Signatures was connected to my McIntosh MC-501 monoblocks they started to deliver the sound I always knew these amplifiers were capable of. A very powerful and dynamic reproduction of music no other cables I tried has been able to produce. The top was cleaner, but not bright at all, and bass was absolutely beautiful with depth, punch and definition. The soundstage became more focused and "natural" sounding and increased considerably in depth.
After 200 hours of brake-in listening to Bryan Ferrys latest album OLYMPIA I suddenly noticed that his voice and the whole soundstage had found a new and raised position between the speakers, some 30cm higher than I can remember having percieved any music before in my system. There is no way going back now. The Signatures will stay.

Blackbody (1st version)

I bought 3 blackbodies and now have a couple of weeks listening with or without and the improvement is quite astonishing. I use them in conjunction with ADAM active speakers, Ayre QB-9 and Octave HP500SE right now. What does it do? Well I already got used to it. Just how much the blackbodies weigh in the equation I experienced yesterday. I had an audio buddy at my house listened to music and drank an excellent red wine. He was deeply impressed with the sound. After a while he noticed those two boxes sitting on top of my speakers. "What are those?" he asked. "Oh, that was a recommendation of this guy from Lithuania." "Where you got your power cords from?". "Yes." "Do they work equally well?" "Well they are different." Why dont we listen to the same song again without them?"
So we did. "Is this the same recording at the same volume?" he asked. "Uh, yes. I didnt change anything."
The difference was so clear, much clearer then I remembered. With the blackbodies we heard the finest details, much more room information, the color of the instruments was much more natural.
If we just listend to some hihat work, the difference was striking. Suddenly you heard not only what was hit, but where exactly the stick hits. Especially microdynamics improved in a way I havent heard before. It is kind of like with the powercords from lessloss. More natural but at the same time the sound opens up more. With the power cords, I got more weight in the sound, this you do not get from the blackbodies! In my system the blackbodies are definitely the icing on the cake. New dimensions in clarity!
We listened to two songs with and without and after that we decided to just listen to music and enjoy. Of course with the blackbodies in place!
Placement:
I first tried them with my Ayre QB-9. Well it is an improvement. but only marginally. Until i moved the blackbody about 15 cm away. I tried them with my active speakers, pointing towards the amplifiers. Not much effect. Then I placed them on top of the speakers. This is my favorite placement! I am still experimenting with the one unit, which is left. Right now, I alligned my gear in a way, that I can cover everything with the blackbodies "beam". Even my Audio Server (Computer) benefits!
Highly recommended! (I havent tried them with our radio in the kitchen ;-) )

Blackbody (1st version)

Regarding the star rating for the Blackbody, I don't know how to rate it with the star system as there is nothing to measure it against - except perhaps for perceived value for money - which is highly subjective. I trust the review will speak for itself.

Source : AMR CD-77 with 77.1 upgrade
Pre-Amp : Modwright 9.0 SE Signature
Amplifier : Nu Force 9.0 V2 SE monoblocs
Speakers : Salk Veracity HT3's
Cables : Solitone Model X interconnects with bi-wire run of Anti-Cable - double, twisted pair on mid/tweeter, single parallel pair on woofer
AC Cabling : Four Oyaide Tunami power cords terminated with Oyaide P004/C004 connectors. FIM 302 IEC's ( gold plated copper ) preferred on Nu Force.
Accessories : Hi Fi Tuning fuse ( Modwright ) Furutech fuses ( Nu Force ) NOS Mullard 5AR4 & RCA 5687's (Modwright ) Eichmann Toppers on Salks.
Powerline : Four dedicated 20 amp lines with four Oyaide R1 receptacles fitted with WPC-Z (aluminium/carbon fibre ) faceplates
Stand : Grand Prix Audio Monaco spiked to custom sandbox 840cm x 750cm x 140cm filled with 400-1000um high silica sand with 18mm hardwood formply used as spike interface. Formula One Kevlar composite shelf under source.
Powerline conditioning : Currently trialing Alan Mahers Quantum Studio, various Infinity CBF in/near power box, Infinity Shields on amp receptacles. 2 Enacoms permanently fitted.
Room : 18ft x 12.5ft x 8ft opening into kitchen and hallway at narrow listening end. Salk HT3's spiked to weight calibrated Equa Rack footers on suspended wooden floor. DIY cylindrical bass traps in room corners, set of Cathedral Sound panels front and rear at ceiling level, custom panel traps at first reflection points, wool carpet in front of speakers.
System Strengths : Dynamic, fast, detailed, transparent, large 3 dimensional soundstage - no subwoofer needed.
System Weaknesses : Slight glassiness present in upper midrange, may be due to mild high frequency tilt of Nu Force (measured stats) plus Modwright tends to a bright, solid state presentation.

History : 10 years of serious tweaking and auditioning of components/cabling/footers/racks. I have come to realise that the devil is in the details. Cabling, resonance control, AC power issues, room treatments, each have to be thoroughly attended to. This is no place for the faint hearted. Without such attention to detail, at best, hi-fi mediocrity is achieved.

Back in 1979 I had a beautiful analogue system ( the classic Linn Sondek/Grace/Supex/ Naim amplification/ Gale GS401A speaker combination ). After several years I onsold the system due to the rarity of decent recordings available in North Queensland (land of Oz) at the time. A brief flirtation with car audio culminated in a tri-amped Nakamichi split system. In 2000 the home audiophile bug bit again and this time it was the CD challenge. I still own four CD players with the Meridian 508 (a classic) currently outclassed by the valved AMR CD-77. As a member of the South East Queensland Audio Club, I have heard many different types of systems including several in the $100,000 + range, so I am familiar with good, different and indifferent sound.

The LessLoss purchase experience :

Louis Motek was a pleasure to deal with and it seemed the same professionalism and attention to detail was evident when organising shipment and even packaging ( clearly a perfectionist ) as went into the design of his Blackbody. The unit arrived within days of being posted, fortified with tight-fitting high density black (of course) foam in a black box, superimposed with the Blackbody design on the outside, to mirror the Blackbody on the inside. I believe this was designed so one can test the unit first without removing it from the sealed box, a pre-condition if the item is returned.

THE BLACKBODY STORY

My first knowledge about Lessloss audio products came a few years ago when I first read about their power cords on Audiogon. Out of audiophile curiosity, I tuned into their website and was attracted to the level of investigatory detail Louis Motek displayed in the technological ( and yet to be realised ) pursuit of his Blackbody, as well as his established product line. The Blackbody was then previewed in an esoteric sense as Louis had an obvious predisposition to explore theoretical physics and apply it to audio. I approached this with interest but a healthy degree of scepticism - how could one prove or disprove any of this. It was his obvious passion and sincerity that continued to maintain my curiosity and interest. When the Blackbody materialised a few years later, I was going to wait for the professional reviews to roll in before committing to an audition. However the pre-order special roped me in and I thought I'd give it a go, carefully going over with Louis the requirement for returning the Blackbody for a maximal refund, which I secretly expected. After all, this was not a power cord but an intangible black box - a completely passive device located some distance away from the componentry. I suspected it did something but exactly what. I have to this day rejected many well reviewed audio tweaks and accessories as neutrality was more often than not compromised to an unacceptable degree, even though performance in some areas was as claimed.


My system is fairly well tweaked and highly transparent. It walks a very fine line and the slightest change can upset the musical equilibrium with hi-fi heaven quickly descending into musical hi-fi hell. I first located the Blackbody under the Nu Force amps, on top of my sandbox ( I preferred the sandbox to the premium GPA Apex footer upgrade ). I figured if the Blackbody was going to clear up electronic garbage, then the switch mode power supplies of the Nu Force amps was a good place to start. In this location, the presentation changed, but for the worse. A sort of sonic smearing took place, rather than enhancement of any kind. To be fair, the Blackbody was located about 15cm from the amps - a little too close to give the proper 30 degree coverage to both amps. Next I tried it behind the Modwright pre-amp, sitting on the Monaco shelf. Again, only 15 cm from the back of the component on the edge of the shelf. Again the presentation changed, this time more favourably than with the Nu Force. There was some improved ambience and detail but with a trade-off. A shift in the frequency balance towards the highs exacerbated an existing system weakness.

On reflection at this point, I realised that anything that I had ever put on the Monaco stand other than the component ( I had tried many different component footers that had worked with my previous Spider Rack and custom granite shelving ) had upset the balance of this finely tuned stand. Even sandbags on top of the sandbox were detrimental to the overall balance while fine-tuning, creating frequency shifts that were clearly audible. So the Blackbody in these locations was imparting a resonant signature of its own by virtue of its mass - which was interfering with its intended passive function.

Next I tried a Blackbody facing down on top of the left Salk speaker. Again, a noticeable change with some apparent enhancement of the sound coming from the left speaker - but difficult to say whether this was better overall as it was no longer quite matched to the right. Trying it the other way around yielded the same result. I drew the conclusion that the only way to really tell here was to have a pair of Blackbody's. This would also reveal if the mass of the Blackbody was changing the resonant signature of the speaker enclosure or influencing the performance of the weight calibrated Equa Rack footers ( the Salks weigh 56kg each ). However, it was apparent the Blackbody was doing something positive here and I would have liked to have an extra Blackbody on hand to determine if the sonic result represented value for money.


Finally, I located the Blackbody on a CD rack fixed to the wall about 25cm behind the AMR CD-77. By this time I had begun to think it was not going to work in my system. Sitting back in my listening chair, it was as if a switch had been suddenly flicked. There was an immediate, unmistakable improvement in the sonics - an expansion of the soundstage accompanied by improved clarity and detail. On careful listening, the frequency balance was unchanged - the expansion of the soundstage was real and had occurred on its own merits, not due to a tipping of frequencies but an extension in both directions. I immediately removed the Blackbody to confirm this - the difference was black and white. The improvement in clarity and detail was consistent throughout the frequency range and bass fundamentals were more present. The only way I could think to explain this was that some sort of layer of ' grunge ' had been removed that had been previously hidden. Vocal nuances were enhanced and a relative subliminal aspect to the music emerged that made the music sound more like music. There was a realisation that there was no going back. This was not a subtle change but a significant one and rare in its total neutrality. The Blackbody was clearly acting as some sort of grunge filter, as surprisingly, that's exactly what you comparitively hear with it removed.

On the question of value for money, this would depend on the heights your system has scaled and which you aspire to. Unless there is some other way of getting rid of the sonic garbage, I now consider it indispensable. Louis tells me this is just the tip of the iceberg and that three located around the source give profound results. My stand doesn't lend itself to this but I am now considering the practicality of suspending a couple from the ceiling, just to satisfy my audiophile curiosity. However, I can say that just one properly located Blackbody is a worthwhile upgrade, without the presence of any downside. I can't say if this has expanded the known boundaries of audio by removing a hitherto unknown contaminant and that it cannot be duplicated by other means - that would have to be determined by those with more resolved and highly tweaked systems than mine.

One hour ago I received my DFPC Original cables from LessLoss. -- Thank you very much.

I have unpacked one cable immediately and exchanged the pc cable Nordost Vishnu / very expensive one - and the result was, straight from the beginning, on my little office hifi system, consisting of:

-- DENSEN DM 10 amp
-- THORENS CD PLAYER 2000
-- PHASE TECHNOLOGY CI IV Wall Speakers

The sound is unbelievably spread and open, bass is deeper and more controlled, midrange is fruitty, rich, with proportion weight, high freequency silk without unwanted sharpness or edgy. The overal sound is very ralaxing and MUSICAL.

Louis, my big big congratulation with the LessLoss DFPC Original power cable. Everything sounds like new, never heard before.
In a blind test I would say that one of components was exchanged to another - amps, speakers or cd player, but I never would have thought it's the power cable ONLY. It seems some brands like Nordost are absolutely overpriced compared to the LessLoss original. One more amazing thing is that the pc cable has only just played aprx. 45 minutes and it is not burnt in yet.

Wishing you a very nice weekend from frozen and snowy Poland. Thank you once again.

Val

Blackbody (1st version)

The Blackbodys are extremely good. I've now got the best sound I've ever heard. Listening has become a pure pleasure and joy, and I insist on setting up with the Blackbodys at all future audio shows featuring the Kaweros.

Rainer Weber
Technical Director
Kaiser Acoustics, Germany

...as a cable junky I have had the opportunity to try many cables over the last 20+ years in this hobby/addiction...until very recently I held on to a belief that 'more expensive had to be better'..!!..then I took Mr. Motek up on his offer to try one of his lessloss DFPC 'signature' pcs...so much for my previously held beliefs....prior to my asking for a sample I had read a great deal about other audiophiles experiences with this pc and..as I think about it now..do not believe I read a single negative review or comment.if Mr. Motek was willing to send me a demo 'signature' pc..free of charge.. then who was I to turn down this opportunity to possibly increase the enjoyment I derive from my system...the first cable arrived and I quickly cooked it for 2 days on my audiodharma pro cable cooker. this after very briefly replacing the crystal cable 'ultra' pc on my meitner cdsa-se where I thought I might get the most benefit from the new cable...the only track I listened to was the first movement of beethoven's 5th symphony..vanska..and could immediately tell that something good was happening..but I needed to wait the 48 hrs to hear what the 'signature' could really sound like...long story short...the next time I inserted it in the same position what I heard amazed me..it was now multiple levels better. transparency improved. (much blacker background)...soundstage widened and deepened...the bass was fast and tight..better then before..vocal articulations and instrumental tonality improved....and complex musical passages,whether classical symphonic or rock, were now not instrumentally blurred but individually apparent...to say I was surprised would be an understatement...what I was hearing destroyed my previous theory regarding price/performance ratio...the rest of the story.....I have now replaced 2 other pcs..1 other cc 'ultra' and 1- jps 'aluminata' with the same ..additive findings...each addition building on the last...I will be demoing 2 more 'signature' pcs in the near future on my preamp..my guess is that they,too, will increase my enjoyment of the music I so love......my system is comprised of piega c-40 speakers...goldmund 29m amp....first sound paramount mkII series-3 preamp...meitner cdsa-sc player...worldpower 'powerwing' conditioner...and argento smr speaker and i/c cables...I might also add that Mr. Motek is in a very small group of owner-designers that I consider to be truely individually passionate about his products...he treats everyone as if he/she were his only customer...

Some time ago I decided to deal with my power issues. You see, I have very dirty mains. Not only it is dirty because it is a big apartment block, but I have about 10 switching power supplies for everything including my laptops, printer, server, wi-fi, and so on, and I have my audio connected to the same outlet... This is a real spider's nest, and it stinks (in a sense of EMI pollution) like a horse, er... you know what I mean.

I tried various filters, all to no avail. I decided to deal with it at the source and purchased Monarchy Audio AC regenerator - it really improved everything, finally there was almost silence in my headphones when I turn the volume up. There was still some veil present and some slight noise residue which I suppose was airborne, so my not-so-expensive (but I thought good) DIY power cord might attract like an antenna.

Reading on the Internet, I have several times come across articles where people write about great experience they had with Monarchy Audio AC regenerator and LessLoss DFPC cords. It is supposed they make a great synergy together. I decided to purchase the LessLoss Mini and see for myself.

Louis Motek was not only kind enough to help me with a tricky shipping issue, but he actually offered me a great deal on upgrading the DFPC Mini to the DFPC Original. I could not resist and we had a deal.

Within a week my cord arrived - wow, that was a real thing. In the past, I used to have a "big" serious audiophile system, and I used to have some pretty expensive cords costing up to $1500. Besides, I have excellent experience building my own, sometimes extremely exotic, cords and cables. So, I know quality when I see it. In the DFPC, everything speaks quality.

Finally I had everything in place and installed as planned - I connected the DFPC to the Monarchy AC regenerator and then to my trusty extremely resolving SPL Phonitor headphone amplifier, feeding my Ultrasone Edition 8 headphones. Well, what can I say? I am speechless.

Clarity, depth, definition, bass, top, musicality... It's all there. Music is so much more LIVE and RIGHT. Connecting my previous cord, it almost made me laugh - it was just no competition. DFPC is better than anything I have ever "heard" regarding power cords. I really don't know what to improve in my sound now - it sounds so damn good that I just can not stop listening.

I have been using DFPC for something like 3 weeks before I decided to write this testimonial. Just to make the "original wow" go away and see if I was not over-enthusiastic - nope! It is still there - music living, breathing, singing.

I would like to sincerely thank Louis Motek for making this cable available, at not so big a price. Dealing with Louis was a sheer pleasure - there are very few people in hi-fi you can get better service from. And no, I am not getting any discounts for writing this. When I say something, I REALLY mean it. :)

Sincerely,
Dmitry
St. Petersburg, Russia

Blackbody (1st version)

My highest congratulation for the design and development of the Blackbody.

Even directly being used straight out of the box the Blackbody's effect was immediately present.

I put one Blackbody behind my TacT Millenium digital amp and the other two Blackbodys at the external crossover boards of my loudspeakers - and I think I should have ordered a six-pack in order to 'clean' the source components including the DAC 2004 and my power conditioner without loosing the already achieved improvement.

In one word: transparency in its holistic meaning is what the Blackbodys are 'producing'. Transparency means that the often used phrase of removing a curtain is now truly valid. Fine details never heard before. The harshness of CDs has vanished and even distortions have disappeared. In consequence, staging and depth perception are incredible.

A real jaw dropping experience.

The effect is not subtle at all and much bigger than the effects achieved by power conditioning and high quality power cables.

The low resolution CD formatted music now really has an analogue touch.

I wonder how the effects will be on a phono preamp and turntable pick-up.

Success for your plans and activities.

Michael, Germany

The DFPC Signature was the first cable I purchased from LessLoss. I used it on my 9G Pioneer plasma TV. Even though this TV is already an excellent performer with the stock power cord, having connected the LessLoss DFPC Signature, the picture quality got better by a significant amount.

Then I purchased my second cable from LessLoss -- their DFPC Original -- to be used on my digital set-top box.

Now, using this setup for an entire month, I can say that the picture on my TV has become almost "live". I cannot perceive ANY noise in the picture, the focus has become sharper, the colors are deeper, lusher, and the contrast is better. Everything is shown at the highest quality thanks to these cables. I'm watching secure digital SD and high definition HD program material.

Next step -- to tackle my sound issues. Of course, I'll be using LessLoss DFPCs.

Thank you, Louis.

Blackbody (1st version)

I am a big fan of LessLoss products having improved my system with the Signature power cords, the Firewall, and slaving a CEC 51xr transport to the DAC 2004 Mkll. I purchased 6 Blackbody units and placed them on top of the Wilson Watt/puppy speakers, and next to the Jeff Rowland model 6 mono-amps, the CEC 51xr and the DAC 2004 Mkll. The effect was beyond my expectations! The sound became softer and much clearer. The definition of the sound improved in all aspects from the bass to the treble. The music is as close to a "natural" sound as I've ever heard. The electronic edge disappeared and the music became alive and oh so enjoyable to listen to. I am now able to enjoy CDs that before were harsh. I am more than satisfied with the performance of the Blackbody units. Thank you Louis!

Introductory Statement by the System Owner

Ac power is supplied through a Shunyata SR-Z1 duplex outlet through a Shunyata Viper power cord to a Shunyata Guardian 2. This feeds an Arcam AVR350 through it's stock power cord. The AVR350 is set for bi-amplification delivering 125 watts to the tweeter, and 125 watts to the woofer of each speaker. Speaker wire is shielded, teflon coated, silver/copper alloy wire with Rhodium spades. Speakers are Proac D15s. All contacts are doped with Walker Audio e-sst. The source is optical output from an Asus motherboard that kernal streams to the Arcam. The optical connection is a 20' length of inexpensive plastic cable. The player used is Foobar2000. When streaming from Bluebeat.com, in 320kbps, ASIO4all.exe is used to bypass windows volume control and kernal stream directly to the Arcam.

Now for the esoteric section! The Arcam stand is a solid myrtle wood apothecary with a 1 cubic foot of open space designed to absorb unwanted vibrations based on the Golden mean ratio. It's drawers are filled with sand, lead shot and carbon fiber filaments. The cut glass window above the Arcam is crystal held together with lead beading. It's matrix pattern, replicated from the interior of the now famous B&W 800, absorbs high frequencies to take the edge off the compressed format of the streaming music. Heee heee. The first paragraph is all true though.

Review of the LessLoss DFPCs

I've been listening to Louis's cords for just under a week. They arrived across country from [the gentleman before me on the list] well packaged, thank you. Unpacking them, I found them to be surprisingly light and flexible. My spouse was listening to the stereo using Slacker- a streaming radio station much like Pandora but with better sound. (Slacker uses radio station DJ's to select their genre categories instead of an algorithm like Pandora's) This is a very grainy source of music and perfect for testing the expressed virtues of the LESSLOSS cable.

The system, in order of stream, consists of 20' of cryogenically treated romex into a furutech outlet, all connections are treated with Roy's supersilver conducting paste, even the circuit breaker. A Virtual Dymanics Nite power cord reaches from the outlet to an Arcam AVR350, at the inlet it is covered in a 2" sleeve of ARC technologies Wave-X heat shrink wrap. The source is a basic PC computer feed with power filtered through an old 500 watt noise trapper. Code is output optically from the motherboard via SuperNova glass cable to the Arcam. Speakers are Proac D15's bi-wired from the Arcam, each tweeter and mid having it's own 125 watt amp.

The LessLoss sound:

I tried the mid range cable first and noticed some improvement. The treble was less grainy, bass was tighter, and background more black. The soundstage was a bit wider.
Most notably, the sound was slightly warmer and more laid back. High mid and treble less forward. I switched the cable back to the Virtual Dynamic Nite- The Nite had a bit more punch and speed, but was also forward and more etched.

I then switched to the mini- Less Loss's low end cable. It was unremarkable in it's difference from the VD Nite- a used powercord I found on Agon for about $170.
There were differences, but they were slight trade offs.

Finally, I plugged in the DFPC Signature cable. This cable really does reduce jitter. The whole sound system eased into clarity like a camera lens pulling into focus. The cable made my system very laid back, smooth and non-fatiguing. There was a soft almost sleepy ease about it. I felt it was slightly slower than the Nite, had less punch that the Nite, but it imparted a very enjoyable, soft, velvety quality to the music. The level of change was on the scale of a good equipment upgrade.

So, even on a rather low end system, like my solid state integrated ARCAM, the mid and high end LessLoss cables made a difference. Are they worth it?? I think yes, if you have the disposable income, and you would like more air and smoothness in your sound, you should give these an audition.

Nice work Louis

Introductory Statement by the System Owner

I am french and have a very high quality system, and am always interested in any possibility of bettering it. I read what LessLoss has done in the USA with the LessLoss tour and wonder if you will do the same for Europe, especially France. I am interested in the LessLoss Signature and the Firewall.

First, a view of my living room and of my system. You can see the rack from Finite élément, the mono block amp from Halcro, preamp also from Halcro.

Vinyl system: Micro Seiki turntable, SME 5 arm, Koetsu Onyx Platinum cartridge, Mexcel cable to preamp.

CD system: Esoteric P-03, D-03 and a Grimm Audio Clock.

Every component powered by a Dart Zell Filter power cable; AES XLR by Mexcel Esoteric; Power for Halcro amp and preamp by a Furutech power cable to a Furutech power distributor. The power cable to preamp is Mexcel; power to amp: Furutech. Interconnect and speaker cables come from Audioquest: the Blue Sky Series Silver. Finally, speakers from Infinity: Epsilon model no longer available, they are hybrid ribbon and dynamic. The power cable for the dart zell filtering the CD system is an AC cord from Tara Labs. With all this equipement I spend usually two hours each day listening to music. My preference is baroque, but I like every kind of music, classical or not. My last acquisition was the Grimmaudio C C 1 clock. I am very satisfied with my vinyl system and CD system. They are, after this last step, as good as each other. So the final pleasure remains focussing on what is on the record. It would be interesting to hear if the LessLoss DFPC Signature could make my system sound better.

Component List

- Rack: Finite Element
- Mono Amps: Halcro
- Preamp: Halcro
- Turntable: Micro Seiki
- Tonarm: SME 5
- Cartridge: Koetsu Onyx Platinum
- Audio Cable: Mexcel
- CD Player: Esoteric P-03 and D-03
- Clock: Grimm Audio CC 1
- Power cable: DarTZeel, Mexcel, Furutech, Tara Labs
- Distribution: Furutech
- AES XLR:Mexcel Esoteric
- Interconnect and speaker cables: Audioquest Blue Sky Series Silver
- Speakers: Infinity Epsilon

Review of the LessLoss DFPCs

After testing carefully, my conclusion is very positive.

First, I tried two Signatures between the Furutech TP609 and my amps: the quality of bass improved significantly by comparison with my Neotech-Furutech power cables.

Second test, one Signature from the wall to the Furutech TP609; two Originals from the TP609 to the halcro mono amps. The result was a very significant improvement in every aspect of quality of listening: greater transparency, and so on. But perhaps it seemed the bass was less present than in first test. Definitely, the result was very positive.

Third, placing an Original from the wall and the TP609 and two Signatures from there to the amps: clearly the result was inferior to the previous one. I cannot presume what could have been the sound of three Signatures. Perhaps same tranparency with better bass?

Forth, I swapped the Tara Labs power cord from the wall to the Dartzeel filter which powers the Esoteric P-03 / D-03 and Grimm Audio clock: a very clear improvement when using the Signature.

Finally, I tried an Original instead of a Neotech on the Grimm clock. The result was not apparent at first. I used a very intereting SACD with baroque instruments which sound harsh. The result in the end was that the harshness disappeared and a richness in timbre became evident which was superb.

Conclusion: the five cables (three Signatures and two Originals) added a new level of quality to my system. For my testing, I used mainly SACD, especially Volume 7 of Sonates for Violin and Pianoforte from Channel Classic with Gary Cooper and Raphael Podger. Extremely interesting but very difficult to reproduce. Needs a very high quality system. I am interested in changing my five cables for LessLoss.

Thank you very much for letting me having the opportunity of this trial. Very best regards.

Introductory Statement by the System Owner

I am one of the few audiophiles who know how much of a difference a great PC can make in a system... and expensive does not neccessarily mean better. I currently have 4 JPS 'Aluminata' PCs and 1 Crystal Cable 'Ultra' PC in my system. If your DFPC Signature PC betters any of my current cables, I will buy it and try another. My preamp uses 2 PCs.

I have read, with interest, your views on cable geometry and physics and find them very unique.

Component List

- Loudspeakers: Piega C-40
- Amp: Goldmund 29m
- Preamp: First Sound Mk ii series iii
- SACD player: Meitner cdsa-se
- Power Conditioner: World power
- Speaker Cables and I/Cs: Argento Serenity Master Reference and Reference

Review of the LessLoss DFPCs

...as a cable junky I have had the opportunity to try many cables over the last 20+ years in this hobby/addiction...until very recently I held on to a belief that 'more expensive had to be better'..!!..then I took Mr. Motek up on his offer to try one of his lessloss DFPC 'signature' pcs...so much for my previously held beliefs....prior to my asking for a sample I had read a great deal about other audiophiles experiences with this pc and..as I think about it now..do not believe I read a single negative review or comment.if Mr. Motek was willing to send me a demo 'signature' pc..free of charge.. then who was I to turn down this opportunity to possibly increase the enjoyment I derive from my system...the first cable arrived and I quickly cooked it for 2 days on my audiodharma pro cable cooker. this after very briefly replacing the crystal cable 'ultra' pc on my meitner cdsa-se where I thought I might get the most benefit from the new cable...the only track I listened to was the first movement of beethoven's 5th symphony..vanska..and could immediately tell that something good was happening..but I needed to wait the 48 hrs to hear what the 'signature' could really sound like...long story short...the next time I inserted it in the same position what I heard amazed me..it was now multiple levels better. transparency improved. (much blacker background)...soundstage widened and deepened...the bass was fast and tight..better then before..vocal articulations and instrumental tonality improved....and complex musical passages,whether classical symphonic or rock, were now not instrumentally blurred but individually apparent...to say I was surprised would be an understatement...what I was hearing destroyed my previous theory regarding price/performance ratio...the rest of the story.....I have now replaced 2 other pcs..1 other cc 'ultra' and 1- jps 'aluminata' with the same ..additive findings...each addition building on the last...I will be demoing 2 more 'signature' pcs in the near future on my preamp..my guess is that they,too, will increase my enjoyment of the music I so love......my system is comprised of piega c-40 speakers...goldmund 29m amp....first sound paramount mkII series-3 preamp...meitner cdsa-sc player...worldpower 'powerwing' conditioner...and argento smr speaker and i/c cables...I might also add that Mr. Motek is in a very small group of owner-designers that I consider to be truely individually passionate about his products...he treats everyone as if he/she were his only customer...

Introductory Statement by the System Owner

A little bit about my Audiophile search:

I've been a music lover for over 30 years!

My first equipment was:

Vinyl player Thorens TD 160 with Microacoustics MA733
Amplifier Mission 778 (Still alive!)
And selfmade Exponential boxes
Next Step: Transrotor Hydraulic player with C4/M4 From Yamaha

Then a lot of changes with amps from Luxman, Burmester, McIntosh.
A nice combination Restek Preamp, Poweramp, Cd-player and Dynaudio C3 Speaker. Another fine combination was Einstein-Audio with Lansche No.4 Speakers.

But all these conbinations were still far away from my present combination:

Esoteric SACD-Player
Rossner & Sohn Vinyl-player (I'm waiting for a new pickup the Sound-smith
Stage Guage system)
SMC-audio VRE-1 Preamp
Gruensch Poweramp
Lansche Cubus Exponential Speakers
All cables Stealthaudio and Bastanis.
Antivibration table from Halcyonics, and artificial ground from Acoustic Revive.

Component List

- Esoteric SACD-Player
- Rossner & Sohn Vinyl-player (I'm waiting for a new pickup the Sound-smith
- Stage Guage system)
- SMC-audio VRE-1 Preamp
- Gruensch Poweramp
- Lansche Cubus Exponential Speakers
- All cables Stealthaudio and Bastanis.

Review of the LessLoss DFPCs

The LessLoss cables work very fine, they bring in imediately some calmness to the music. After some days the soundstage became very wide angled, and the instruments became precisely located, with a very good 3D image.

I think they are absolutly worth the money, and these cables make any equipment perform a step closer to real music.

Introductory Statement by the System Owner

Been an Audiophile since 1990. Started off with Bose multichannel system with a simple Denon receiver. I moved on from Bose to Paradigm Mini-monitors in mid the mid 90's. Since the release of DVD I became obsessed with this hobby. Nearly 18 years later, I've invested nearly $60k in my audio and video gear. I've always been a skeptic of high end power cables but the professional reviews are becoming hard to ignore.

Component List

- Arcam AV888 Processor
- Pass Labs X250 2 channel amp
- ADA PTM-6150 6 channel amp (surrounds)
- Dali Helicon 800 MK2 speakers
- Dali Helicon C200 center
- Dali Helicon IW200 for surrounds
- JL Audio F113 subs (pair)
- Pioneer BDP-5FD Bluray Player
- JVC RS10 Projector
- Stewart Studiotek 130 Screen

Review of the LessLoss DFPCs

Like many others, I was very skeptical about "high-end" cables. As a result, I never considered the investment so my doubts on upgraded power cables were not based on personal experience. However, when I was invited to evaluate the LessLoss power cables, I was more than happy to give it a chance. Part of the excitement of being an audiophile is the fun derived from trying new gear. For me, this was a great opportunity try something new and keep an open mind without the risk.

When I received the cables, I immediately replaced the stock cables on my Bluray player, processor and amp with the LessLoss. The first test for me was my favorite 2 channel reference Chesky recordings. At first, I thought I was imagining things. I said to myself "am I really hearing a difference?". Guitar strings had more substance, bass sounded tighter and more controlled, the background was blacker with a deeper soundstage. I was amazed but I still didn't want to believe it. I called in a audiophile buddy of mine and asked if he could help me with some blind tests. We played the same track for each test and I asked him to randomly replace the stock cable with the LessLoss. I was able to pick out the LessLoss almost every time. Again, instruments had more substance, deeper sound stage and the music had a level of excitement I didn't experience before.

All I can say is, I'm a believer. Get these cables! If you can't replace all your cables, replace your source gear first. You will not be disappointed! Not to mention, the cables look great too. They really add a touch of class to your equipment rack.

Introductory Statement by the System Owner

I have had my system for about 3 years. My experience is that is produces music that is highly resolved with a soundstage that is both deep and wide with instruments in their proper places. Tone is very neutral and realistic (as much as is possible given limitations of room, recordings etc.) Every component and accessory detailed above has added to the characteristics noted above. System strengths are acoustic performances of all types. Weaknesses are lack of deep bass need for hard rock and heavy metal, though these genre are still very listenable. In heavy rotation on the system are Mozart and Joe Satriani.

Component List

- Integrated Tube Amp - Almarro A318B SET with standard power cable
- Speakers - Green Mountain Audio Pico Executives
- Interconnects - Marigo Audio Analog 1 Signature
- Speaker Cables - Marigo Audio Speaker 1 Signature
- Digital Source - Marigo Audio modified Panasonic S-55 DVD player with Marigo Audio cryogenic treated custom silver power cable
- Analog Source - Denon DP-60L with Goldring 1012GX MM cartride, Rega Fono MM preamp amp
- CD Mat - Marigo Signature 3-D Stabilizer Mat
- Rack - Adona AV45-G audio rack with Marigo Audio Tuning Dots
- Amp and Digital Source Isolation - Marigo MysteryFeet
- CD Treatment - UltraBit Platinum

Review of the LessLoss DFPCs

Thank you again Louis for the opportunity to audition your fine products in my home. Your risk-free trial program is a great idea, please keep it going.

Because of work and personal commitments, I was not able to test the product as long as I wanted (don’t know if that is really possible), but I was still able to get in about 12 hours of play time with about 4 hours of critical listening.

Initial Impression:

Plugged in the LessLoss DFPC cable to my Almarro amp and had a “WOW” response. The difference was significant. There was more of everything. More bass, more mid, more sound stage. By more, I mean, a fuller, smoother, more natural sound.

As noted in my introductory statement, my system with the standard cable is very transparent, meaning more sterile, lighter, less life-like, when compared to the DFPC set-up. My 15 year-old daughter noticed the difference with the DFPC right away and liked it very much. What I was able to confirm again, is that my system is very good at resolving component changes. Every “tweak” that I have made so far, from fuse swaps to isolation feet, has changed the sound of the system. Such changes have made noticeable, but moderate, impacts on the system’s performance. The DFPC had the most significant impact of a component change on the system’s sound to date. I was not expecting that.

Extended Listening:

One of my challenges in trying to form an opinion about the DPFC is that I have been listening to my "new" system for about three years and was very satisfied to date. Your cable significantly changed the system's performance for the better in almost every way, except that I have gotten so used to the high-end transparency of my system (I am not saying this is a good thing) that I kept feeling that something was missing. Where a Chesky recording of Rebecca Pidegon allowed me to hear what I think was the sound bouncing in the recording studio on the stock cable, the DFPC muted that “artifact” but presented Pidegon’s voice in a more natural manner. Was the artifact, in fact, just distortion? I don’t know, as I have never tested other power cables before to see how that particular sound changes.

Other listening sessions confirmed the initial impression of a fuller sound. Again, as my system is relatively sterile, I was overwhelmed by the “more of everything” which I had not heard before.

On balance (with the weight significantly in your favor), your cable provides a more enjoyable listening experience because I had more “near life-like sound” moments than ever before. As I was able to A/B the cables with my old set, I came away with a very favorable impression of your product.

Conclusion:

I have learned a lot about my system and how significant a power cable can change a system’s performance. I am still absorbing and mentally digesting my experiences during the trial and wish I had more time with the cable.

Louis, thanks again for the trial and for making such an impactful product.

Will keep in touch.

For 35 years I have involved myself in our hobby. My primary focus has been on my 2 channel system and only recently have I invested in higher quality video.

After playing with power cables over years, I stumbled across LessLoss and became intrigued by the number of endorsements and reviews I read. If the DFPC had not been raved about by mainstream reviewers I may have let myself become cynical based on the consumer reviews completed as part of what I suspect was a product launch program. To this point I had bought into the belief that power cords make a difference but they were not "a component" and were system dependant. The DFPC has changed that paradigm and I never thought that I'd gladly endorse a $600 power cord to place on a $1000 piece of equipment. It really is that good and I've taken the attitude that it is a lifetime product that will be with me as electronics fail or are replaced.

I purchased one cable and first tried it on my Sonic Frontiers Line 3SE+ with Valvo tubes. Immediately I was struck with the new size of my soundstage. There was a profound power to the music without the typical sacrifice of a loss of micro details. In fact the details were clearer without any "edge". The noise floor had definitely been lowered. When I audition new products in my system I tend to strain to hear differences in detail retrieval. I didn't have to do that with the DFPC; it was all just there and most importantly, balanced - no frequency was making its presence noticed at the detriment of another. After about 30 minutes I noticed that both of my feet were tapping the floor during every song. For me this is the most important factor - involvement in the music and the feeling of participating in it!

Since that original purchase I have sourced all of my components with DFPCs and after each installation heard new improvements. My phono preamp is like a new product with improved pace, strength, and detail.

I mentioned earlier that I recently began to invest more money into video reproduction. I now have a 58" plasma TV and an Onkyo 876 receiver. I bought the receiver because of the Silicon Optix HQV video processing chip that is much better than what is in the Panasonic TV. I have been astounded by what the DFPC did for the video processing; everything improved including better blacks, contrast, detail, colour saturation, and naturalness (less digital looking and more film like).

On top of the product quality is the exceptional customer service from Louis Motek at LessLoss. He is in that rare breed of company owners (like Rogue Audio) who demonstrate humility along with a customer centric approach and make the purchasing experience a pleasure.

I bought a DFPC Signature just about 3 weeks ago. Well? I just ordered two more. What happened? Before I go into the details, I have to say that I did not want to upload my comments before I received the other cords. But I found this product to be so extraordinary and the benefit of just one cable in my system is so large, that I have to share my impressions.

I use the Signature for an AYRE QB9 from which I go directly via HMS Sestetto (balanced) into ADAM Pencil active speakers. The ADAMs have HMS Power Cables. I also tried the Signature on my Phono Pre Lehman Black Cube SE with similar effect.

First Impression: The sound changed completely, wow, so much power, so much bass, so much more information, so natural, so smooth, so much more weight with everything, the sounds suddenly appeare in their own space, almost 3D. Soundstage became deeper, wider and opened up way to the ceiling; (i.e. voices stand in front of the speakers with about the correct height).

Second Impression: After hours of listening there is no fatigue! I tried to turn up the volume way over the "wife-accepted" limit and nothing happened. No "Turn down the volume. The music is getting on my nerves." Instead: "That's nice, who is this?" Well, I played this song over and over but it was never noticed before. I know this sounds as if I were exaggerating. It might be that I am getting carried away a bit, but wouldn't you, if you where overwhelmed?

I compared the Signature to a HMS Gran Finale, a Fisch Audio and a do-it-yourself cable with hifi tuning plugs. The HMS is a very good cable, nicely balanced and bests the Fisch and the do-it-yourself cable easily but it hasn't that "naturalness" of the DFPC Signature, not as much weight. The hit of a hi-hat just has weight and shimmer with the Signature. A violin is not only string but also wood. This is more than I hoped for.

The only thing I am worried about is that I might get too much bass with two more Signatures in my system. I contacted Louis and he had very good arguments against my more-might-be-too-much logic.
I will report as soon as I have the two other Signatures.
This is a great product! I am off listening now.

Best Regards from Berlin, Germany

Introductory Statement by the System Owner

I am 57 and spent the first $300 I ever made on a Scott compact stereo and have been upgrading ever since.

As you can see, this is pretty much an LP playback system. My priorities are a pure midrange, a broad and deep and stable soundstage, and some forgiveness of less than perfect recordings. On the subject of soundstage, it seems to me that a well defined soundstage goes hand in hand with a balanced resolution of low level detail and dynamics, as ambient cues are pretty subtle. I play a little guitar and know the sound of a Strat through a tube amp and a Martin acoustic guitar, so those are also reference points. Of course getting voices right, especially female voices like Neko Case, Liz Phair and Emmy Lou Harris is very important. If the system does manifest any frequency imbalances, I don't mind a little euphonic warmth, as a good many of my favorite rock and pop LP's can be on the bright side. I can deal with some brightness if I know it's inherent in the recording, but any hint of additional brightness or glare is distracting to the point of being unacceptable. From this, you would think I would be running all tubes, but my speakers are open baffle dipoles and the manufacturer specifically recommends solid state amps for their high damping factor. One other thing - the Muse preamp is remote controlled and has a feature that allows you to change absolute polarity from normal to inverted without leaving your listening position. Proper absolute polarity makes a noticeable difference on nearly every LP. I can usually tell when absolute polarity is right because the soundstage goes deeper when it's right.

I do have a CD player, hardly ever use it. I've never had a high end CD or SACD player in my system, and doubt I ever will. Digital is fine for my car or pool room, but I'm just not interested in spending a few thousand dollars on a decent digital front end for a collection of about 300 CDs that hasn't grown much in the last few years. Meanwhile I'm at about 2600 LPs and growing.

Lately I've been trying different speaker cables in the hopes of ameliorating a slight glare that I believe comes from having a mostly solid state system. I tried silver speaker cable and was impressed by the amount of detail they revealed, but they were way to bright from the start and that didn't change much after about 100 hours. They've been replaced with the Cable Research labs wires. I also tried magnet wire and found it bright and fatiguing as well, even after about 200 hours break-in.

My current system still has some glare / hardness that is a little distracting. I know my current power cords are a weak link and looking forward to trying the Lessloss power cables. I just want to put on a record and become totally immersed in the performance, without having any of my attention drawn to some aspect of the actual reproduction. I've been there before, but in a mostly successful pursuit of higher resolution, some gremlins have been flushed out of hiding so to speak.

The subwoofer sits right in front of the amp, and I haven't yet optimized it's placement in the listening room.

Component List

Some notable past components

- Magnepan speakers
- Quad ESL 63 speakers.
- AR Classic 60 amplifier
- Sota Star Sapphire turntable
- AR SP9 preamp
- Microgroove + phono stage
- Cardas Neutral reference speaker cable

Current Components

- Lyra Helikon Cartridge
- ET II Tonearm
- TNT Jr Turntable, upgrade with flywheel and SDS power supply
- Discovery tonearm wire
- Herron VTPH-2 Phono Stage
- Muse Model 3 Signature preamp
- Marantz SM-11S1 Power amp
- Audio Artistry Vivaldi speakers
- HSU VTF-2 MK 3 subwoofer
- Shunyata Hydra 8 power conditioner

Cabling

- 3M Discovery Interconnect amp to preamp
- Herron cable from phono to preamp
- Cable Research Labs speaker cable
- VH DIY power cable Shunyata to Herron phono stage.
- Virtual dynamics #3 power cable, amp to Shunyata and preamp to Shunyata

Room

- Carpeted basement room on concrete slab 17' by 23'

Other

- System runs on a dedicated 20 amp circuit
- Critical mass turntable isolation platform.
- Oyaide wall outlet
- Stillpoints, Ceraball and various other isolation feet under every component.
- VPI rack filled with sand

Review of the LessLoss DFPCs

Right off the bat, a confession. I didn't proceed very scientifically, as I have limited time to listen to music and wanted to derive maximum benefit from the time I had with the LessLoss power cables. So, I hooked up my Marantz power amp using the DFPC Signature cable, ran a DFPC Mini to the Herron phono stage, and hooked up the Muse Preamp with the DFPC Original. These were all plugged into a Shunyata Hydra 8. I would have loved to have had a DFPC for the Hydra, but I had to stick with the stock Shunyata Diamondback because the LessLoss demo set did not include a cable with a 20 Amp IEC connector.

For the next three evenings I just listened to records. Emmy Lou Harris for female vocals, Ry Cooder "Jazz", a long time reference, Tom Waits, Jimi Hendrix, Celtic music, some classical.... With the DFPCs in, listening was a pure joy. Getting rid of that last vestige of grain (distortion) is a big priority for me now, and with the LessLoss cables installed, the grain virtually disappeared, revealing black backgrounds, subtle echo tails, hall cues, nuanced instrument harmonics; the standard low level stuff we audiophiles attend to that make reproduced music seem more real. Voices sounded natural and lyrics were very easy to follow. The sound stage was wider, deeper and more 3D than I've ever heard. Another way of saying 3D would be to say that instruments and vocalist had better front to back separation than I'd ever heard from my rig. These cables deliver the music. Lots of goosebumps.

The night after I sent the LessLoss power cables on, I reverted to my current power cables and made sure to let the system burn in for about an hour by playing classical organ music. Then I sat down to listen to some LP's, wondering if I could still be happy with my old setup. Short answer, no. I knew the old cables would be grainier, and after the LessLoss experience, that was painfully obvious. Something I hadn't paid much attention to with LessLoss in place, but was immediately apparent when I reverted, was the change in the quality of the bass. There was an overshoot/tubby quality that simply wasn't there with the LessLoss cables in place. More simply, the LessLoss were tighter in the bass, and it sounded so right I didn't notice it until I reverted. Also, when I was using the LessLoss, I tried plugging the power amp DFPC cable right into the wall (Oyaide outlet), rather than the Hydra. That helped dynamics a bit with no increase in distortion. Prior to that I had always had my power amp plugged into the Hydra. So, when I went back to my old cables, I tried plugging my power amp right into the wall. That lasted all of about 5 minutes before I plugged it back into the Hydra. Grain on top of grain. It would seem that the filtering capabilities of the LessLoss were such that they didn't depend as much on the Hydra being upstream, whereas when I used my old cable on the power amp, the Hydra was a necessity.

Do to financial limitations, I find myself "stuck on the farm after seeing Paris", but thanks for the chance to participate in this demo. I now know my system has untapped potential that the LessLoss power cables can reveal, and I will be upgrading as finances permit.

I would like to share my expirience with DFPC Signature cables from LessLoss.
I am used to the sound of the Nordost Valhalla cables that I have in all my system (EMMLabs CD, tube pre and amplifiers from VTL and Revel Salon 2 speakers.
My initial impressions are that the DFPC Siganature is more transparent and show more microdinamics then the Valhalla PC and they show a less filtered sound.
Later when they are well burn in I can tell you my final impressions.

Introductory Statement by the System Owner

After years of jumping around various components and sources, from Sony, Krell, NAD… I eventually settle with a full Bel Canto system. I am fascinated by their efficiency and overall synergy across different components. Most of my signal and speaker cables are leftover from previous setups as I am very impressed by them initially and continue to enjoy their tonal quality. Obviously, the Shunyata Diamondbacks are the weak link here. They are by no means inferior in anyway, but I do like to experiment with the possibility of high-end power cables to allow the monoblocks to breathe a little more.

I was not always an audiophile. I just loved music, all sorts of music, classical, latina, rock, jazz, you name it. If it’s good music, I would spend the time. I can listen all day on a mono radio as long as it’s playing good songs. I used to hook up my CD player to the guitar amp. Throughout the years, I come to realize the potential of the CD and how good they sounded with better equipment. So slowly, I learned and tried to understand the various components and attempted to piece together what I call a “harmonic utopia”. A system where I can enjoy any type of music, with enough bass to pump up a party, dynamics for Beethoven, lifelike vocals and crystal acoustics. I like to spend more time listening and less time tweaking.

I attend CES in Las Vegas annually and always reserve my last day to explore the high-end audio exhibits. The last few visits, I went door to door in the Venetian suites to realize how much each Audio Equipment manufacturer are so much alike, the same setups, same marketing push, and more than one incident when the exhibitor failed to even proper showcase their own product. As my patience often run short, I am looking for the next big stamp in the market, something impressive at first glance (or listen). Perhaps that’s why I am so intrigue by Lossless, user reviews stating it outperforms the Shunyata King Cobra? That says something.

Component List

- Source: Bel Canto CD2 and DAC3 – XLO Signature 3 AES/EBU Digital

- Amp: Bel Canto Ref1000 – Cardas Golden Cross XLR Interconnects

- Speakers: Dynaudio 25th Special – Tara Labs Air 2 Speaker Cables

- Power: PS Audio Power Plant Premiere

- Power Cables: PS Audio Xtreme Power Plus (to wall), Shunyata Diamondback (Other components)


Review of the LessLoss DFPCs

The unpackaged cables arrived in a well padded travel case. First thing I did was examine each cable for any possible mishaps from traveling and it was obvious that the casing did its job in protecting the contents inside.

According to the website and existing reviews on the web, the DFPC power cables will be impressive right out of the box. Without hesitation, I replace my main power cables (PS Audio Xtreme Plus $250 MSRP) with the DFPC Signature from the wall to the PS Audio Power Plant. Elvis 30 #1s is still in the CD turntable from my last listening session, so I figured, why not.

Voilà! The difference is immediately noticeable. First thing I noticed is the clean solid bass, even from old recordings, the sound is tight and crisp. I don't have a power meter on my amps, but it seems as if the amps are able to breathe a little smoother, and suck up power from the wall at will. Next up, I place on the CD turntable Jennifer Warnes "The Hunter", classic audiophile standard test album. The bass once again overwhelms me, the Bel Canto Ref1000 are driving my Dyna Sp.25s with control and precision.

Am I amazed yet? Not quite yet. Considering the DFPC Signatures are $1149 a piece, adding that the Ref1000 are capable of punching out 1000 Watts at 4 Ohms, the performance is expected. Is the performance better than what I was working with? Yes, definitely.

Round 2, keeping the DFPC Signature connecting the main power source, I replaced the cables to each monoblock (PS Audio Xtreme Statement SC $550 MSRP). This time, I left the system running with moderate volume as I left the house to take care of a few errands. Upon returning, I picked up where I left off previously and auditioned the system using the same music. Here is the tricky part. The DFPC Originals produced a sound that was exceptionally pleasing. It's a sensation very difficult to describe as a technical aspect, but it sounded just right. Music filled the room, vocals projected from center above 5 ft from the speaker plane, slightly higher than eye level, and instruments directed from where they should be. I sat there for hours just listening and enjoying music, not power amps, not outrageously expensive equipment (subjective to some, but obvious to many).

Round 3. Finally, I replaced the last 2 links with the DFPC Mini hooking up my DAC and CD Player. The sound wasn't different, same beautiful music flowed flawlessly through my speakers. Here comes the real test.

Considering the price for entire set of LessLoss Power Cables in use (~$3000 USD), how much better were they compared to my current cables ($1400 MSRP which I purchased mostly used for half the price). I started removing the LessLoss DFPC cables in reverse order than I inserted them. First taking the DFPC Mini out and putting back the Shunyata Diamondbacks. Music flowed as it had previously as I sat and listened for over an hour to some of my favorite test material. Same enjoyable music, without fatigue.

Subsequently, I removed the DFPC Originals and replaced them with the PS Audio Statement SC. This time, I did notice a different. Music wasn't as clean nor alive as I was used to 20 minutes ago. Was it harsh and unbearable, not at all. The bass was solid, highs were smooth, the speakers sang. After another 30 minutes of listening, I still couldn't find nor describe the missing link. Now lastly, I removed the DFPC Signature from the main power source and replaced it with my old power snake. Um... Game Over, no Contest! With the DFPC Signature powering the source only instead of the whole system, all that made music enjoyable was gone. I couldn't sit comfortably through a single track without fidgeting or something attempting to discover the missing link.

Round 5 - A/V Performance. To satisfy my curiosity, I plugged in the DFPC Signature into my Panasonic 42" plasma, sat back in the couch and watched my fiancé browse through some of her favorite HD channels. Picture quality was flawless, grain-less vivid colors, deep blacks and bright whites. Well, it was fun while it lasted, but time to pack up the fun. It wasn't until I repacked all the LessLoss cables before my fiancé questioned me if I had done something to the picture setting on the TV. Apparently, she had noticed a significant decline in picture quality after I removed the DFPC Signature. That's when I know the magic was in the cable, think again. You haven't seen real High Definition until you've seen it with LessLoss.

Between the DFPC Original and the PS Audio Statement SC, I have to give the edge to the DFPC. Considering they are both priced similarly, it's an obvious choice for anyone in the market for a power cord at this price range. The Mini's stand strong amid a target market that's over-flooded with competition. In terms of solid performance, I have not experienced any power cable better than the DFPC Signature. It didn't make your current equipment better, what it does is help you realize the full potential of your current equipment. Now, am I enticed to replace all my power links with DFPC Signatures? Considering my equipment, replacing all 5 power cables would cost me a little shy of $5000 USD, not a small chunk of change. For those of you that have equipment to match and available spending power that dwarfs this amount, do not pass up on the DFPC Signature.

Well Done, LessLoss made a believer out of me.

Music Tested:

- Elvis 30 #1 Hits
- Jennifer Warners "The Hunter"
- Stereophile Editor's Choice Test CD
- "The Wings of a Film" Hans Zimmer
- "Mozart, Night Music" Andrew Manze
- "Wicked" Soundtrack, Original Broadway Cast Claudio Abbado "The Berlin Album"
- Beethoven #9, Claudio Abbado
- Shelby Lynne "Just a Little Loving"
- Sarah Brightman "Classics"
- George Clinton "Greatest Funkin' Hits"
- Jimi Hendrix "The Ultimate Experience"
- Pink Floyd "The Darkside of the Moon"
- Aerosmith "Toy in the Attic"

Introductory Statement by the System Owner

Started out in 1990 with a 27" SONY TV, NAK reciever, SSI pro-logic surround processor and Altec Lansing bookshelf speakers all for about $2K. I was hooked after watching Terminator 2 on LD.

Recent addition of Blu-ray player and 60" 1080p plasma have greatly enhanced my viewing experience. Uncompressed audio is like hearing surround sound for the first time all over again. Puts a smile to my face every time!

60/40 in favor of HT. Jazz is my preference when it come to music.

Component List

- Dali Euphonia MS4
- Dali Euphonia CS4
- Von Schweikert Audio TS-350

- JL Audio Fathom F112 Subwoofer
- Sim Audio Titan M/C Amp

- Pioneer Elite KURO PRO-150FD
- Arcam AV600 Receiver
- Placette Audio Passive Linestage Pre

- Pioneer Elite BDP-05FD Blu-ray
- APL 3910 CD Player
- Magnum Dynalab MD-100 Tuner

- Pure Note Cables (RCA ICs)
- Ridge Street Audio Cables (IC from APL to Pre)
- Virtual Dynamics Nite II PC (7)
- Sistrum SP-004
- Sistrum Audio Points 1.0AP1D
- Symposium Rollerblocks Series 2+ Tweak
- Billy Bags 5606 A/V rack
- Sound Anchors CC Stand

Review of the LessLoss DFPCs

After owning Virtual Dynamics Nite IIs for a few years now, I felt that I had found the right PCs. Happiness is finding the right cable as someone once said. I couldn't be more pleased, but I wanted to try the Lessloss DFPCs after all the positive reviews, figuring I had nothing to lose with Louis' "try before you buy" vision.

My choice of music is mainly Jazz and Brazilian. I also like Billie Holiday, Nina Simone, Dave Matthews, Jason Mraz, Pink Floyd and a few movie soundtracks. Listening is strictly 2-ch for me. When not listening to CDs, I have my tuner locked in on WBGO 88.3 FM (great late night jazz from across the river in Newark, NJ).

The first thing I try to listen for when auditioning a new cable is a dark background. It's MOST important to me because this allows for better detail, hearing deeper into the recording. Every instrument in the soundstage becomes more focused, more so in its own space.

Midrange becomes more liquid. Switching between the DFPCs and the Nite II, it was all there, but I wasn't prepared for what the LessLoss brought. Background with the LessLoss is quieter, so much so that it seems the soundstage has now deepened. I'm aware that that word is overused, but it really is, in my case. Inserting back the Nites, the soundstage has become "front heavy". With the DFPCs, voices are more natural and relaxed. As much as I like Dave Matthews, his voice can sound a bit like fingernails on the blackboard with the wrong cables, definitely not so with the Nite II and even more organic with the DFPC. The DFPCs have nice body and weight across the board, but I did not confuse it with warmth. They are very neutral in my system. PRaT is excellent.

Cables being system-dependant, one can easily be happy with the Nite II in their system as I was, but IMO LessLoss has really got something special here with the DFPCs. Build quality is top notch. I like the flexible design and the Oyaide 079 plugs. It has everything I like about the Nite II, but is a bit more refined. The music just flows.......

It should be noted that along the 2 Original and Mini DFPCs that Louis sent, there was also a 2m DFPC Signature. The price being twice as much as the original, I did not demo it. I figured "Ignorance is Bliss"!

Introductory Statement by the System Owner

My experience with high end cords is limited, so my expectation is to compare the picture quality attributes of all three cables. I currently use your DFPC original on my tv and blue ray, so the signature is what I am primarily interested in looking at. I will do what I can on the audio side, but only have the tv speakers to work with.

Component List

- Pioneer Elite 151
- Pioneer Elite BDP-09FD

Review of the LessLoss DFPCs

I was able to use all the cords on both the TV and the blu-ray player. Some summary thoughts:

All three were excellent for video. The signature cord seemed to pull slightly more color/edge detail from the picture, especially through the TV connection. I was quite happy, though, with the mini and original cords, as they produced a vibrant, saturated, and noise free picture with both cable and blu-ray sources. By virtue of how good they all looked, the mini really stood out for the value.

Since I did not have speakers to test music, I could only listen to audio through the TV speakers. Here, the signature appeared to provide more depth and spatial separation. All three provided great sound, though, considering my limited system capabilities.

I would have liked to have a second signature cable, so as to have my whole system running through them (TV and Blu Ray). I would have been interested in seeing if a cumulative effect (multiplier) would occur and to have a more purist determination. Instead, I could only evaluate the signature directly through the TV, but indirectly through the Blu-Ray - as the TV would have one of the other cables.

I wish I were able to discern more details that I could give you a better list of comparative differences, but things looked so close. Even upon switching out cables for the same scene one after another. Great cables! Thanks again for allowing me to participate.

Introductory Statement by the System Owner

I am a retired EE and have been in this hobby since I worked as a summer intern in 1969 at RCA-Consumer Electronics where they manufactured console stereos. I have gone through many permutations of systems since then, always with an eye toward the "best bang for the buck" as evidenced by my original system: Dual/Dynaco/AR/zip wire. I tend to be very skeptical of exotic (expensive) cables, specifically power cables. Having compared several exotic PCs already and not being impressed, I am hoping that Lessloss PCs will surprise me this time.

Component List

- McIntosh MCD500 cd/sacd player
- Sony CDP-101 (THE first CD player...original owner purchased 1983)
- McIntosh C46 preamp
- McIntosh MC501 monoblocks
- Von Schweikert VR5 Anniversary speakers
- Von Schweikert VSA biwire speaker cable
- MIT CVT Term 1 Pro XLRs
- Power Wedge 116
- DIY PCs with Wattgate connectors

Review of the LessLoss DFPCs

"Alice laughed: "There's no use trying," she said; "one can't believe impossible things."
"I daresay you haven't had much practice," said the Queen. "When I was younger, I always did it for half an hour a day. Why, sometimes I've believed as many as six impossible things before breakfast."

Based on this profundity I've decided to confine my critical listening sessions to the early morning hours before breakfast. Just kidding, but some may swear I took the queen's advice when I say "yes Virginia, there is a difference in power cables". My goal in auditioning this "snake oil" was to prove to myself that as long as a PC delivered 120V+/- (220V for our Euro friends) and sufficient current, it has done its job, end of story. Now I must sheepishly admit that I found switching out PCs on the front end, in my case a CD/SACD player, did indeed have an impact on the sound. I also have learned, at least in my system, that switching them out on my amps both pre and power, had no discernible effect. I had four PCs on hand: my trusty DIY, PS Audio Power Punch (their least expensive model), Shunyata Python CX and the LessLoss, both the Original and the new Signature. Cutting to the chase--I found that the PS Audio cable, even though it has great connectors and build quality, made things sound very much in-your-face, strident and planar. My DIY cables trounced the PS Audio in that regard, smoothing things without any apparent loss of detail. However, both the Shunyata and the LessLoss cables made vocals sound as if they had more body and dimensionality. Interestingly, I found that there was no discernible difference between the LessLoss Original cable and the Signature...interesting because the Original is half the price of the Signature. That observation could very well be system dependent. The LessLoss Original is every bit the Shunyata's equal and at roughly half the price. All the evaluations were made using Diana Krall's "I Could Drink a Case of You" from her Live in Paris cd...acoustic piano and vocal. Check it out if you haven't heard it as it is a superb recording.

In conclusion, I must say that the LessLoss power cords do seem to make a positive difference when used to power the front end of a system. On my sacd/cd player it did give vocals more weight and depth, taking off any slight edges that may have been there. During the A/B process I tried to listen to specific high or low frequency parts of the recording but since our sonic memories tend to be woefully short, that effort was in vain. So my comments regarding vocals were the only way I can describe what essentially is the indescribable, although that never seems to dissuade many of our esteemed audio "reviewers" from resorting the sonic-speak: bloom, air, liquidity...ad nauseum. I swore not to go there so hopefully my use of descriptors weight and depth don't borrow from their over-used rhetoric. I compared the LessLoss Originals to the Shunyata Pythons and thought the results were virtually identical so I'd have to say that if one is considering either, the fact that the LessLoss is half the price of the Shunyata would enter into the purchase decision. One other tidbit of info is that you seldom see a LessLoss PC in the Audiogon classifieds and I would have to assume that there a lots of their cables out there because they do advertise rather heavily.

If you are a skeptic about all this I can certainly understand as I have always been one myself. I am not trying to convert believers here, merely offering what I have experienced. PC substitution should be considered one of the last tweaks in a system and probably only in systems capable of a high degree of resolution. Some may find the sonic differences subtle at best. But the fact remains, when I switched between my DIY power cords and the LessLoss, there was a discernable positive difference, however subtle.

I experienced quick service and enjoyed receiving updates on processing in between. Here are some first impressions:

- Installing is easy, the cables are quite flexible. I found them at least as easy to handle as the original DFPC's, despite one more additional conductor.

- Sound is very detailed, without being just analytical. Voices and instruments are very easily distinguished, but everything is in perfect harmony.

- Bass is deeper than it was before, but again very detailed. It isn't just 'boom', I can now hear into the instruments and melodies of bass-players and drummers, as well as synthesized lows.

- Stage is much, much better. Depth, width and height have increased to much more natural dimensions. My speakers have disappeared even more than before.

- I tried many different styles of music. Classical recordings, like your own download-able ones on lessloss.com, Cowboy Junkies with their specific recording techniques (one single stereo microphone for the entire band), as well as Madonna's Confessions on the Dancefloor, which is entirely artificially mixed, sound natural and well-staged. I definitely heard improvements in this respect.

- Overall, music has become much more involving, sound is turning into emotion again.

Together with my recent speaker cable upgrade to the silver-palladium Pure Note Alluvion and the addition of a Kemp Elektroniks Schumann Resonator, I guess perfection is coming pretty close!

I've been comparing power cords carefully for almost 30 years. I've tried very expensive and well-known brands, relatively inexpensive and more obscure brands, and DIY concoctions from cheap hardware store wire. For the past 8 years or so I'd stuck with various Shunyata Power Snakes, which I still hold in high esteem. They trounced everything else I had tried, and I was especially happy with the King Cobra v2. Despite the claims of Shunyata and some reviewers, I think it was the best power cord Shunyata ever made--at least in my system, which I believe (and others claim) is very neutral.

But like many audiophiles, from time to time I get the itch to try something new. So I bought two very reasonably-priced Original LessLoss DFPCs. To my surprise, despite the price difference (the KCs originally sold for around $2200), the Originals were superior to the KCs. I found them to be even more neutral and more detailed, and somewhat more dynamic. The difference wasn't as striking as I'd heard in some previous cable shoot-outs, but it was clearly audible and a change for the better. And I heard that same difference in various applications: with my VSE-modified Sony SCD-1, powering my PS Audio Power Plant Premier, and also powering a set-up I dedicated to dubbing CDs onto CDRs.

Recently, I learned that LessLoss had improved upon the Original DFPC and produced the Signature. I gladly accepted Louis's upgrade offer and soon thereafter received two new Signature DFPCs. This time, the changes I heard were more dramatic. I compared the Signatures both to the Original DFPCs and to some remaining King Cobra v2s, and there was no doubt that the Signatures were a considerable improvement over both. Compared to the Original DFPC, the Signature produced a bigger, deeper, and more detailed soundstage, and even though the Originals were already very neutral, smooth and extended, the Signatures were (incredibly to me) even more so, with strikingly improved and more realistic reproduction of instrumental timbre. (Perhaps I should mention that I'm a musician [a pianist], and I know what acoustic instruments sound like.) The Signatures had greater low-frequency weight without being bloated or muddy, and I was frequently surprised by the amount of upper-frequency detail I was hearing (or hearing clearly) for the first time. Even the gentle high buzzing sound produced by the Power Plant Premier's CleanWave function emerged with more clarity.

It's not surprising, then, that in a head-to-head comparison with the King Cobra v2, I preferred the Signature by a large margin. As good as the KC was, and as much as I thoroughly enjoyed the sound of my system every time the KCs were installed, replacing them with the Signatures demonstrated, over and over, what an improvement the new cables provided--across the board. The Signatures were significantly more neutral, more balanced, more realistic, and more extended, but never cold or clinical.

In fact, at this point you can probably fill-in the cliches for me; you know what they are when a new component takes one's system to a clearly audible new level of performance and realism. And you probably know the experience of being caught up in the music even when you're trying to listen to the changes wrought by some new component, or hearing unexpected details in recordings you thought you knew well. Those things happened to me as well, time and again.

So make no mistake, the Signature DFPC is a killer power cord, and at its price it's still a bargain. I'm buying more.

I don't know where to begin. My face hurts right now from smiling. I have been on a music-listening binge now for the past week and a half and I am truly overjoyed.

I was quite satisfied before with my music system. I have recently gone the music server route (Sonos) and found that it was an improvement in sound as well as in convenience. I knew that the weak link in my system was the digital cable to my DAC (Burr-Brown) and discovered Lessloss in my research on digital cables.

I am a confirmed skeptic when it comes to audiophile stuff. I hear the differences between amplifiers, etc., but those differences are very subtle. I hear the differences between cables, but you really have to listen to hear them. I once owned expensive MIT Terminator speaker cables, and have no regrets about selling them for lower-priced and equally good sounding cables (Blue Jeans). I was intrigued by the Lessloss claims on their website and so, along with the digital cable, I took a chance (because of the pricing) and ordered the power cable too.

Oh my God! I still can't believe this! I hooked up both cables together, so I can't really say which one makes more of a difference, but together, they totally transformed my stereo in a way that I still find hard to believe.

I have a Denon receiver (AVR 4306). I know most audiophiles will turn up their noses, but I don't care--this thing sounds great. And the Audessey room-correction software included in the receiver really makes a difference. The room modes disappear and the bass is incredibly realistic and un-boomy.

When I put these cables in the system, I expected a minor improvement. I have made many changes over the years, and I have learned from experience that improvements are subtle. Not this time! With the power cable going to the receiver and the digital cable between the Sonos (via Monarchy DIP de-jitter device) and the receiver, I was astonished instantly at the improvement in sound. Previously, the sound was "warm" and tonally accurate, but a bit shelved down in the treble (after room correction). When the cables were changed, it was as if the treble had been turned up, but without any harshness. Pardon the cliche, but I heard things that I never knew were there. I listened to many classical and jazz albums this past week and was amazed. This is as good as I have ever heard. In the Wynton/Ellis Marsalis "Peanuts" album (or whatever they call it), for the first time ever, I heard cymbals that sounded like the real thing. I heard depth, reverb, width--but not in an analytical way--it just sounded real. On classical music, for the first time in my life, I get a glimpse of real music in concert.

I hear live music all the time (my sons are world-class musicians) and I have heard some of the world's best musicians in concert. I know what the real thing sounds like. And for the first time I have seen how close reproduced music can come to the real thing!

I have no idea why changing wires works, but it does in this case. In the past, I have found that improvements are most noticeable when you try to go backwards, so I tried it this time--I replaced the new cables with their predecessors. I was astonished that what I previously thought sounded pretty good now sounded almost unlistenable. When I replaced the cables again, I was amazed again. These things are incredible!

Whatever Lessloss is doing is groundbreaking. I have never made an upgrade to my music system that can approach this. And, as a side point, I have never seen any company that provides better customer service--two days from Lithuania to New Jersey at no cost!

This company and its products have my unequivocal recommendation. And this skeptic is now a true believer.

Jim Livengood

Impact to the sound:
- More concrete, more realistic loyal instrument sounds, the positions of the musical instruments are more better, the deep and high lane width is better.
- The space is bigger, deeper and realistic loyal.
- The micro and macro dynamic have developed, more information, analytic airy.
- Te sound not silky, is not firm, not aggressive.
- It is informative in silent mode, does not empty.

About the picture:
- More plain, the picture is sharper
- More information
- Bigger light power contrast
- The picture is almost 3D.

Conclusion:
- It is excellent equipment which develops the picture and the sound as well!!!!

We tested this equipment with:

Amplifier: Unison Research, P70 (valve)
CD player: Unison Research, CDE
Loudspeakers: Opera Tebaldi
Turntable: Clear Audio, Master Solution AMG WOOD
Tone arm: Clear Audio, Unify 14"
Cartridge: Clear Audio, Stradivari
Phono preamplifier: Clear Audio, Balance
TV: Pioneer KRP600A
DVD player (blue-ray): Pioneer BDP LX91
Power generator: Clear Audio, Syncro
Interconnect cables: Acoustic Zen, Absolute
Loudspeaker cable: Gryphon
Power Cables: LessLoss


Great job! Congratulation!!!

Alexander Schmidt

I recently bought three DFPC for my Hegel system 4A CDplayer, preamp and poweramp. I first tried the DFPC on the power-amp, replacing Nordost Brahma (a very good pc). I immediatly experinced a surprisingly apparent improvement,so I ordered two more for the CDplayer and preamp (replacing power cables from Isotek and Mood). With the whole signal chain powered by the LessLoss DFPC the sound is considerable more realistic and musical, more dynamic, thigter bass, wider and deeper soundscape. Strident distortions and metallic glares are gone. An excellent power cable.

I plug the LessLoss Dynamic Filtering Power Cable in between my power line conditioner and a Sony LCD TV model KDL46-XBR3.

First I noticed that something was different with the picture and then I began to switch TV channels and had I long ride along the cable TV channel line up.

Somehow I started to see improvement as time passed. I spend about four hours watching cable TV and the DFPC brought in a new dimension to experience of watching TV, from now on is living the presentation!

1. Lower channels (Local programming) non-digital were cleaned up. Picture noise was greatly reduced, contrast was improved and the image gain a sense of 3D dimension like never before.

2. All the digital channels and HiDef channels were improved in the same way!

I have a Shunyata Research Diamondback PC connecting this Sony LCD TV which I think is a good improvement compared to the Sony stock PC but never to the performance level of the DFPC.

Dear Louis,

The Firewall and the Lessloss cables have arrived!

What a piece of gear!! When I unpacked it, I was very surprised to see how big it really was! It looks fantastic and is beautifully made, compliments on that.

Then I installed everything, that took me some time because of its size but setting it up was very easy. When it was in its place, I could start playing...

My first impressions:
First thing that came to my mind was that what I heard was very detailed, really crystal clear and with an impressive black background. The sound was a bit thin however and lacked the authority that I usually get from my system. Had to play on a higher volume than normal. A bit disappointing until I realised that of course the Firewall needed some time to break in!
Today I left my system switched on and now I'm listening to all of my favourite cd's and I'm getting happier and happier. The detail and crystal clearness are at least as magic as I heard yesterday and the dynamics, authority and full bodiedness are back, even on a higher level than I ever got from my system! It sounds fantastic!
After a few days of listening I feel like being in "audio heaven". I'm so glad that I have found your website and the Firewall! My set is playing like never before and I have thought about the right words to describe that. The only thing that kept coming to my mind was that everything has become more real. When I play Tom Waits it feels as if he is singing and playing his little organ in my very living room, fantastic!

Conclusion after two weeks:
This Firewall is fenomenal! More detail in every aspect (low mid and high), more stage, speed and dynamics, a significant gain in clearness and most of all a more real and natural sound.

Thanks again and we'll keep in touch!

Best regards, Han

Equipment used:

Source: Linn Unidisk
Preamp : NAT Utopia
Amp : 2x NAT SE3 monoblocks
Loudspeakers : Dynaudio C2
Interlinks: Siltech Compass Lake and Snowlake
Loudspeakercables: Siltech Emperor
Powercables: Siltech Ruby Hill and Lessloss
Netfilter: Lessloss Firewall

Just tried two of the DFPC's on my Ayre K-1xe pre and V-1xe power amp.

I was a little sceptical that this was really about a good marketting effort, even ater reading all of the reiews. Audiphiles can move in waves sometimes. But I have to say that even on just plugging the cable in with no burn in I was quite surprised by the effect. My reaction was essentially "you have to be kidding me". I have tried cables by Zu (Mother Mk.2), Cardas ( Golden Reference), Synergistic(A/C Master Series with active sheilding), VH Audio(Airsine), Gutwire(G-Clef)and inexpensive cables by Kimber. My experience is that you very often have to listen closely to hear a difference and then proceed to disect it. Not this time. the diffence jumped out at me - a sense of increased energy, better high frequency extention and a better flow from the music. A fuller picture will emegre over time as the cable burns in and I listen further, but, on the face of it this is something. I have not tried other cable at $1000.00 or more, and will be keping the VH Audio Air sine on my EMM CDSA for now as the difference was not as dramatic and don't want to get another DFPC cable until I sell it(it was $749.00), but would not hesitate to recomend trying this cable.They are also well made with the best wall plug I have tried. I feel that until I am ready to try cables in the $1000.00 - $3000.00 price range, which i am not confident can be signficantly better, I am done with Cables. Great job, whatever you are doing.

I have compare cables up to $3000.00 , it's hands down, the best power cable i have tried & own. I have the 9 Lessloss cables now & i am ordering 5 more for my HT set up. It even improve on my Sony VW60 projector. What a bang for the buck. Raymond (Canada)

I just installed the Firewall in my system to compliment the 5 DFPC I previously installed. I am absolutely stunned by the quality of the sound!!! The sound stage is enormous; the voices and instruments are relaxed and fluid; the background is as black as I've ever heard on any high end system (my system is Jeff Rowland amps and preamp, Sonic Frontier CD transport and DAC with Nordost Valhalla and Odin interconnects, Wilson WATT/Puppy 7 speakers). I have never felt as much a part of the music as I am now. What a joy!!! I could listen all night. Even my wife is astounded, and she usually doesn't sit still very long to listen. Thank you so much Louis. I highly recommend the Firewall to anyone seeking to dramatically improve their music listening experience.

A few weeks ago, I ordered one DFPC from LessLoss. Triggered by all the favorable reviews on the web, I decided to give it a try. I hooked up my Rega Saturn CD player and got an excellent result. Even before complete burn-in, the improvements were huge. I got much more detail, more fluid highs, deeper lows and a much blacker background. The lows especially improved a lot. Instead of bass I now heard detailed low notes, I could even tell the difference between the instruments producing the lowest notes.
After a week I ordered three more DFPC, to get these improvements for my pre- and power amps as well. It certainly further extended all of the improvements mentioned above, but now even much more of them. The soundstage widened, got deeper and higher. A non-audiophile friend was totally blown away with some of his favorite music, as was I!
Service and communication with Louis was excellent throughout the whole process. Very quick replies to my emails, prompt shipping and almost instant delivery with UPS.
This has been a very good and pleasant upgrade for my system. I know these cables will stay for a long time (I already sold my previous power cords!).

Dear all,
I heard a one of the first Firewalls in our showroom.
Our system had as a powerfiltering device the famous Isotek Titan.
As a source we had a Audio Aero Capitole.
Of course we listened with our Kaiser Kawero Speaker

And how was the sound?
I did never, never hear such a difference from a power filter.
After one song I decided to switch our development system to be feed by a Lessloss Firewall.
What is immediatelly perceivable is the "black background" of the musical event. Sound stage is much more stable and the tone itself has the right harmonics. You can feel the body of the instruments. Wood sound like wood. Brass like brass.
After that experience I decided to join Lessloss as exhibitor for the RMAF 2008.
I was pretty sure that we would perform on ultra high level using the Firewall in Denver
If anyone is interested in purchasing a Isotek Titan, please let me know.
I will make a good price ...

Best regards
Rainer Weber
Technical Director
Kaiser Acoustics

My fellow audiobuddies.

Two weeks ago I tested the DFPC against the following cords in my system :
Virtual Dynamics Master series LE 2.0.
Virtual Dynamics Nite II .
Acrolink with Oyaide 004 ends.
Iego 029's with Oyaide 004 ends ( my second choice).
Furutech Evolution with upgraded piezo furutech ends.
Harmonic Technology.
Harmonix .
All the previous cords are great units on their own and outperforms almost everything out there no matter the price.

But never was so easy to realize the superiority of a component before.
Yours one gives the idea of a impresionist artist drawing the most beautiful and tiny notes with delicate care over a canvas meanwhile the others just were trying to make some music.

Anyone that has listened Lessloss DFPC before is very clear what Im talking about . The ones not blessed yet I must ressume it in very few adjetives :
Delicacy , pleasing, timbre accuracy ( my must in musical reproduction) and the best tight but generous bass I ever get in my system.

Electronics used for the test :
Audion Appollo vv52b monoblocks ,Audion SN SET , Canary Audio cd-100 player , Jadis J1 transport , Krell KPS 30i as Dac , JBL 4350 studio monitors.


Congratulations for such a product.

Sincerely Victor

I came across the LessLoss Dynamic Filtering Power Cable (LL DFPC) when reading about power cables on the internet. I was of cause very curious about the cable due to the many very positive reviews, so I bought a LL DFPC in August. I received the cable very fast - just 2 days after ordering. When connecting the cable to my amp - McIntosh MC275 - my expectations were very high and for sure they were fully fulfilled. Right out of the packing I was able to tell the difference. It sounded right from the beginning and just after 24 hours I would say the cable had more or less settled in. It just sounded so relaxed, natural and none fatiguing.

Indeed this power cable is something special. The only 'problem' is that you tend to get addicted to the sound of the LL DFPC. As a consequence I bought 3 more cables: One for my Audio Aero Capitole CD/preamp, one for my Velodyne DD18 subwoofer and finally one for my Furutech e-TP60E Power Distributor. I had no problem whatsoever hooking them up in my system. Despite the basic idea of the LL DFPC to be plugged directly into the wall outlet, I have to say that using a good power box or strip supplied by a LL DFPC furthermore improves the performance.

In total I have spend $2276 on LessLoss power cables. I can honestly say that I have never before achieved so much sonic performance for that amount of money. The LossLess power cables have made a dramatic improvement and have taken my system to another level. Listening to music now makes a lot more fun. I don't know how these guys at LossLess, Louis and Vilmantas, managed to make the perfect power cable - but they did! My search for another power cable has ended with the LL DFPC.

To put it in short: The sonic performance of the LL DFPC is outstanding and the built quality of the cable - including the Oyaide 079 connectors - is of a very high standard.
Highly recommended!

Flemming Bjoernskov
Copenhagen, Denmark

Apart of service- which is outstanding, fast and reliable I would like to add my 5 cents of experience using Lessloss Dynamic Filtering Power Cables. I bought a pair to feed my Myryad MX series CD and Amplifier. Built quality is great; cables are quite heavy, but still flexible. I connected them directly in to wall electrical sockets. After warming a bit I found general improvement of the sound quality in my system. Try to be spesific:
1) there was more bass, contrabass sounded more articulated with extended low frequencies ((Norah Jones- Don't know way, 2002 Capitol Records)
2) drums become more precise (US3- Cantaloop [Flip fantasia], 1992 Capitol Records)
3) sound seemed more spatial (Bobby McFerrin- Kalimba suite, 2002, Capitol Belgium)
4) vocal was more clear on upper frequencies, even velvety (Norah Jones and Nancy Wilson- In the sentimental mood, 2996 Capital records/ originally released 1970)
5) there become more small (missed before) details in records (e.g. "white noise" at the beginning of EDC featuring Sylvia Kristel- Changes, 2002, Strenghold Music group and background sounds in cafe in Nina Simone- House of the rising Sun, 1992 EMI Records/ original released 1961.
6) and finally there is special silence, I might provoke and call it "negative value silence" it is deeper than it should be. Amazingly- all instruments appear on time and without any delay, hall effects (where recorded) are transparent and very trustful. But at the same time I can not ignore there is a unique feeling that sound come to me from the SILENCE. Probably, I just get to use to this feature. (Anyway- there is nothing bad with it).

I made an experiment and plug Lessloss DFPC though Isotek Gemini power filter. Qualities of sound become worse- it lost sparkling heights of the vocal (Brian Ferry- When time goes by) and jazz drums lost some articulation. Generally- there was some losses during intensive filtration. Therefore- do not use such devices with Lessloss cables- plug them directly into wall!
Two Lessloss power cables cost more than thousand dollars, but somehow they did my system sound better. Great job of passionate world class Lithuanian sound engineers who also excel in servicing customers well!

Ervins Butkevics
Riga (September, 2008)

I purchased my first Lessloss PC in January 2008. I was somewhat in doubt about the PC at the beginning. The highs were slightly rolled-off, it lacked transparency and ultimate clarity. It was also not as "airy" as expected. Soundstage was excellent from the beginning, very precise, 3-D quality was more then evident. Voices were rendered in a very natural, organic way.

First I installed it on my Accuphase CDP but after 70-100 hours I was still not happy so I put it on my amp for higher current to pass through and make the break in more efficient. Then it went back to the CDP.
After about 400 hours (that's my best estimate) everything was there , holography, detail, extension, air. The PC is smooth, full bodied.
I was amazed how beautifully piano was rendered. Female voices very sensual.

It's an exellent cord. I bought a second Lessloss PC for my Plinius amp.

Remark: In my system it's very slightly on the dark side. It's only when you compare it to other PC's.