User Reviews
Published LessLoss Reviews Now Number Over 727
By product
C-MARC™ Classic RCA InterconnectsC-MARC™ XLR InterconnectsC-MARC™ Classic Speaker CableC-MARC™ Stellar Speaker CableC-MARC™ Prime Power CableC-MARC™ Classic Power CableC-MARC™ Stellar Power CableC-MARC™ Bulk Wire and CableC-MARC™ Digital CableFirewall ModuleEcho's EndGiant StepsJam GlovesBlackbodyPower distributorBlackGround DIYBlackGround 6x/10x Power BaseBlackGround 8x/10x Speaker Base
DFPC Original (legacy)DFPC Signature (legacy)DFPC Reference (legacy)DFPC Series (legacy) (all)Digital Cable (legacy)Firewall (legacy)Anchorwave (legacy)Homage to Time (legacy)Tunnelbridge (legacy)Laminar Streamer (legacy)Bindbreaker (legacy)
All
DFPC Original (legacy)DFPC Signature (legacy)DFPC Reference (legacy)DFPC Series (legacy) (all)Digital Cable (legacy)Firewall (legacy)Anchorwave (legacy)Homage to Time (legacy)Tunnelbridge (legacy)Laminar Streamer (legacy)Bindbreaker (legacy)
All
Because of the sheer number of reviews, you can sort them above to quickly find LessLoss products of interest.
DFPC Series [Reference]
Date Added: 03/11/2014 by Erick
Your DFPC Reference cables are really too good to describe.
The Reference differs greatly from the DFPC Signatures....more transparent ...more air....more details...very very good control (on high volume).
The improvements are from the bottom end to top end.
Thanks again.
Regards,
Erick
CloseRead the reviewProduct details The Reference differs greatly from the DFPC Signatures....more transparent ...more air....more details...very very good control (on high volume).
The improvements are from the bottom end to top end.
Thanks again.
Regards,
Erick
DFPC Series [Reference]
Date Added: 05/10/2014 by Rainer Weber
I am totally stunned how unbelievably good the DFPC Reference power cord is.
I installed a 2m sample to connect my Thrax Dionysos preamp and could not believe it. Everything sounds as if it had more power, more dynamics and especially more speed and pace. On the other hand, also the tone colours are massively improved - it sounds so right!
I did not expect so much improvement on the tone colours but it must be due to less power line interference and modulation with the music.
The staging is deeper and more 3D and the clarity on the stage extremes (back and sides) is hugely better. Now you can easily identify what is going on on the very far end (side and back).
I can not higher recommend a cable like this one and will try to swap more cables into my system.
PS:
My old cable (which was outperformed by the DPFC Reference) is in the price range of 7000 Euro. DPFC Reference is a real deal.
All the best,
Rainer Weber
Technical Director Kaiser Acoustics
CloseRead the reviewProduct details I installed a 2m sample to connect my Thrax Dionysos preamp and could not believe it. Everything sounds as if it had more power, more dynamics and especially more speed and pace. On the other hand, also the tone colours are massively improved - it sounds so right!
I did not expect so much improvement on the tone colours but it must be due to less power line interference and modulation with the music.
The staging is deeper and more 3D and the clarity on the stage extremes (back and sides) is hugely better. Now you can easily identify what is going on on the very far end (side and back).
I can not higher recommend a cable like this one and will try to swap more cables into my system.
PS:
My old cable (which was outperformed by the DPFC Reference) is in the price range of 7000 Euro. DPFC Reference is a real deal.
All the best,
Rainer Weber
Technical Director Kaiser Acoustics
DFPC Series [Signature]
Date Added: 06/27/2014 by Klaus
I'm a firm supporter of your tech. I absolutely love how this tech instills quiet background, fluidity, and in my case transparency. For me it literally removes noise, its pretty awesome. For me I'd say the thing that stands out the most, is a noticeable difference on any component or system, even if its just generic hardware low-cost system. With most other cables I've tried, you only hear a slight difference on very high-end systems; they usually make no difference on "normal" quality systems. In my opinion that says a lot. You guys obviously are doing some amazing engineering if you get these results.
CloseRead the reviewProduct details DFPC Series [Reference]
Date Added: 07/06/2014 by Anthony C
As a user of the Devialet D Premier dac/amp, I am pleased I purchased the DFPC reference cable.
It wasn't that I set out to make a general system upgrade - but that's what I got, I'm glad to report.
I had originally sought to cure certain treble distortions and thinness of sound by introducing some tone control for added warmth through cabling changes. I had a headache about what to do for the best.
Happily Mr Motek stepped in with some gentle 're-education' on the difficulties of putting our perceptions into words in any meaningful way - and the absurdity of tone controls. So I flashed the plastic.
Ever-sceptical, I confess it was more in trepidation than excitement [oh what fun we have] that I hooked up the Reference PC. I needn't have worried. The result was wonderfully portrayed music - just so much better in every aspect than I heard [even] on the £500 cable I had in my system.
As to the aforementioned treble issues, it didn't disappear, but at least I know where to look for the cure.
I am taking a long, hard look at the source, [MacBook Pro SSD] and the good news is the Mr Motek with his vast experience has offered to assist. Can't say any fairer than that! Anthony C.
CloseRead the reviewProduct details It wasn't that I set out to make a general system upgrade - but that's what I got, I'm glad to report.
I had originally sought to cure certain treble distortions and thinness of sound by introducing some tone control for added warmth through cabling changes. I had a headache about what to do for the best.
Happily Mr Motek stepped in with some gentle 're-education' on the difficulties of putting our perceptions into words in any meaningful way - and the absurdity of tone controls. So I flashed the plastic.
Ever-sceptical, I confess it was more in trepidation than excitement [oh what fun we have] that I hooked up the Reference PC. I needn't have worried. The result was wonderfully portrayed music - just so much better in every aspect than I heard [even] on the £500 cable I had in my system.
As to the aforementioned treble issues, it didn't disappear, but at least I know where to look for the cure.
I am taking a long, hard look at the source, [MacBook Pro SSD] and the good news is the Mr Motek with his vast experience has offered to assist. Can't say any fairer than that! Anthony C.
DFPC Series [Reference]
Date Added: 10/17/2014
Today I use the LessLoss Reference power cord, and to be quite honest, I do not think this product has serious competition. I'm using it with Devialet. It is so much better than anything else I've tried!
CloseRead the reviewProduct details DFPC Series [Signature] [Reference]
Date Added: 10/17/2014 by Algis and friends
Over several days and at different times during burn in, I hosted an intensive power cord shootout in my prime listening room. My room was custom built according to plans drawn up by our best local acousticians. The dimensions of the room are acoustically generous. After acoustical modeling with specialized software, repeated measurements were made during different phases of the building and installation process, to ensure that real-world results indeed follow.
This space is some 6.5m wide, 10m long, and 5m high (21 ft. wide, 33 ft. long, 16.5 ft. high) in size. The side walls are not parallel, nor the front and back walls. The structural ceiling is actually some 1.5m above the acoustical ceiling one sees in the picture. The walls, too, are acoustically purpose-built structures built some 1m in from the actual carrying walls. It's really a venue for the top possible reproduction of comprehensible, intelligible and controlled sound.
I'm a life-long audiophile. I've gone through myriad changes to my systems throughout the years. In this one, I spent the past 10 years fine tuning the interplay between the various components. Special attention was given to the equipment stands/feet as well as to cabling.
We compared six fine power cords:
#1: Atlas Eos from Scotland
#2: Nordost Valhalla upgraded with Oyaide 004 connectors.
#3: LessLoss DFPC Signature
#4: Siltech Ruby Double Crown
#5: LessLoss DFPC Reference
#6: Nordost Odin
In terms of price (least to most expensive):
#1: Atlas Eos (246 USD)
#3: DFPC Signature (1149 USD)
#5: DFPC Reference (1824 USD)
#2: Nordost Valhalla (5800 USD)
#4: Siltech Ruby Double Crown (13,500 USD)
#6: Nordost Odin (19,600 USD)
Upon first listen of the DFPC Reference, without any burn in, our first impression was promising. We decided to connect it somewhere to burn in for about four days without further listening for the time being.
In the meantime, the Nordost Odin and Valhalla, the Siltech Ruby Double Crown, the Atlas Eos, and the DFPC Signature were already all burned in long before and had been part and parcel of my system for years. Their sonic characters were intimately known to my group of friends, and recognizable on different pieces of gear throughout the system. We've been listening here together for years.
After four days of burn-in, now in direct comparison with the DFPC Signature, we found the DFPC Reference obviously superior. So superior, that it only took the first couple of notes in the music to clearly tell. This opinion did not waver throughout the evening.
After the next few days, what became apparent was that the DFPC Reference burns in differently than any other cable we tried previously. It seems that even after 8-10 days, an unmistakable evolution in the sound quality was still being perceived. Presumably this has to do with its very low noise floor, which is immediately evident.
After this second, longer interval of burn-in, our comparisons began in earnest. First, special attention was given to draw comparisons between the DFPC Signature and the new DFPC Reference. It (the Ref) gave a huge leap forward in terms of dynamics, lowered noise floor, and the fact that individual instruments seem to free themselves more than ever from one another. At first with the DFPC Reference, it seemed that the sound was somewhat lighter in character, but it also revealed during the course of the evening to be still morphing into more colorful tonalities, even after the 2 weeks of burn-in before. We decided to keep burning it in for another few days before comparing to all the others. Also, this would give our local group time to organize the arrival of more listeners from Berlin, Riga, and Kiev.
21 Days In
Finally, after three weeks of burn in, everyone felt that the performance of the DFPC Reference had settled. It was now time to compare to all the others. It was an unambiguous result: the DFPC Reference topped all our other cables.
When the Odin was introduced, it seemed at first that its dynamic characteristics were better than those of the DFPC Reference, but through a constant coloration of those dynamics, we found ultimately to be less organically musical and more harsh and irritating in sound. We decided to keep the Odin in the system and give it a longer listen. Fatigue set in. Switching back to the DFPC Reference, the music now sounded more organically musical, had more color and emotional content. So we decided unambiguously that the DFPC Reference topped the list! And we lost no detail.
On subsequent days, we tried the DFPC Reference on various pieces of equipment (DAC, CDP, amps), and it proved its excellence regardless of what gear it was powering.
If anybody would like to hear how the DFPC Reference sounds, they are welcome to come over for a comparison with the Odin, and you'll find it sounds better than the Odin. And we are talking about a 1:12 difference in price.
In my main system I also use the LessLoss Tunnelbridge.
Algis
CloseRead the reviewProduct details This space is some 6.5m wide, 10m long, and 5m high (21 ft. wide, 33 ft. long, 16.5 ft. high) in size. The side walls are not parallel, nor the front and back walls. The structural ceiling is actually some 1.5m above the acoustical ceiling one sees in the picture. The walls, too, are acoustically purpose-built structures built some 1m in from the actual carrying walls. It's really a venue for the top possible reproduction of comprehensible, intelligible and controlled sound.
I'm a life-long audiophile. I've gone through myriad changes to my systems throughout the years. In this one, I spent the past 10 years fine tuning the interplay between the various components. Special attention was given to the equipment stands/feet as well as to cabling.
We compared six fine power cords:
#1: Atlas Eos from Scotland
#2: Nordost Valhalla upgraded with Oyaide 004 connectors.
#3: LessLoss DFPC Signature
#4: Siltech Ruby Double Crown
#5: LessLoss DFPC Reference
#6: Nordost Odin
In terms of price (least to most expensive):
#1: Atlas Eos (246 USD)
#3: DFPC Signature (1149 USD)
#5: DFPC Reference (1824 USD)
#2: Nordost Valhalla (5800 USD)
#4: Siltech Ruby Double Crown (13,500 USD)
#6: Nordost Odin (19,600 USD)
Upon first listen of the DFPC Reference, without any burn in, our first impression was promising. We decided to connect it somewhere to burn in for about four days without further listening for the time being.
In the meantime, the Nordost Odin and Valhalla, the Siltech Ruby Double Crown, the Atlas Eos, and the DFPC Signature were already all burned in long before and had been part and parcel of my system for years. Their sonic characters were intimately known to my group of friends, and recognizable on different pieces of gear throughout the system. We've been listening here together for years.
After four days of burn-in, now in direct comparison with the DFPC Signature, we found the DFPC Reference obviously superior. So superior, that it only took the first couple of notes in the music to clearly tell. This opinion did not waver throughout the evening.
After the next few days, what became apparent was that the DFPC Reference burns in differently than any other cable we tried previously. It seems that even after 8-10 days, an unmistakable evolution in the sound quality was still being perceived. Presumably this has to do with its very low noise floor, which is immediately evident.
After this second, longer interval of burn-in, our comparisons began in earnest. First, special attention was given to draw comparisons between the DFPC Signature and the new DFPC Reference. It (the Ref) gave a huge leap forward in terms of dynamics, lowered noise floor, and the fact that individual instruments seem to free themselves more than ever from one another. At first with the DFPC Reference, it seemed that the sound was somewhat lighter in character, but it also revealed during the course of the evening to be still morphing into more colorful tonalities, even after the 2 weeks of burn-in before. We decided to keep burning it in for another few days before comparing to all the others. Also, this would give our local group time to organize the arrival of more listeners from Berlin, Riga, and Kiev.
21 Days In
Finally, after three weeks of burn in, everyone felt that the performance of the DFPC Reference had settled. It was now time to compare to all the others. It was an unambiguous result: the DFPC Reference topped all our other cables.
When the Odin was introduced, it seemed at first that its dynamic characteristics were better than those of the DFPC Reference, but through a constant coloration of those dynamics, we found ultimately to be less organically musical and more harsh and irritating in sound. We decided to keep the Odin in the system and give it a longer listen. Fatigue set in. Switching back to the DFPC Reference, the music now sounded more organically musical, had more color and emotional content. So we decided unambiguously that the DFPC Reference topped the list! And we lost no detail.
On subsequent days, we tried the DFPC Reference on various pieces of equipment (DAC, CDP, amps), and it proved its excellence regardless of what gear it was powering.
If anybody would like to hear how the DFPC Reference sounds, they are welcome to come over for a comparison with the Odin, and you'll find it sounds better than the Odin. And we are talking about a 1:12 difference in price.
In my main system I also use the LessLoss Tunnelbridge.
Algis
Anchorwave Speaker Cables
Date Added: 11/23/2014 by Florin S
Hi Liudas,
I got the cable yesterday in the evening, and it has only around 5hrs of burning-in, but I already can say: this cable is superb! Without any questions or doubt. Even if in the very first beginning (first half hour, maybe a bit more) I was almost disappointed - the sound was thin, 'shy', with limited dynamics, very very smooth (smothness is not a bad thing), but so smooth that all transients were too much 'rounded', that I coulnd't enjoy the music at all. BUT, surprinsingly, after at least 1hr or 2hrs I couldn't recognize the initial 'signature' of the sound! The cable even without being breaked-in is a super cable, in all areas, and I like it so much already! It amplifies greatly all the sounds qualities we (audiophiles) are searching and talking about: naturalness, true timbres, resolution, low level noise, dynamics, soundstage, speed, bass control and so on , but above all musicality without sacrificing neutrality, and all these and many more without any audible drawback! I can say really this is a top cable among the best cables ever. It brought my system to new level and I want to emphasize one more thing: that I never heard from any cable I personally tested (even the very expensive ones costing many times the Anchorwave's price) - the texture, realism, timbre, definition and resolution of the bass- this is amazing!
I hope you're still having these cables, cause I'm looking forward to replace the other XLR cable I currently have between the pre and amp (the Anchorwave is now between the source and pre) - which is a MIT Shotgun 330. I'm sure it willl bring my system to an even higher level!
That's it for the moment and many thanks!
Wish you all the best and success in all your projects!
Regards,
Florin
CloseRead the reviewProduct details I got the cable yesterday in the evening, and it has only around 5hrs of burning-in, but I already can say: this cable is superb! Without any questions or doubt. Even if in the very first beginning (first half hour, maybe a bit more) I was almost disappointed - the sound was thin, 'shy', with limited dynamics, very very smooth (smothness is not a bad thing), but so smooth that all transients were too much 'rounded', that I coulnd't enjoy the music at all. BUT, surprinsingly, after at least 1hr or 2hrs I couldn't recognize the initial 'signature' of the sound! The cable even without being breaked-in is a super cable, in all areas, and I like it so much already! It amplifies greatly all the sounds qualities we (audiophiles) are searching and talking about: naturalness, true timbres, resolution, low level noise, dynamics, soundstage, speed, bass control and so on , but above all musicality without sacrificing neutrality, and all these and many more without any audible drawback! I can say really this is a top cable among the best cables ever. It brought my system to new level and I want to emphasize one more thing: that I never heard from any cable I personally tested (even the very expensive ones costing many times the Anchorwave's price) - the texture, realism, timbre, definition and resolution of the bass- this is amazing!
I hope you're still having these cables, cause I'm looking forward to replace the other XLR cable I currently have between the pre and amp (the Anchorwave is now between the source and pre) - which is a MIT Shotgun 330. I'm sure it willl bring my system to an even higher level!
That's it for the moment and many thanks!
Wish you all the best and success in all your projects!
Regards,
Florin
DFPC Series [Original]
Date Added: 01/20/2015 by James
I am a customer at Best Buy Magnolia in North America.
I'm using the LessLoss cables for an HTPC (a computer), and my setup is as follows:
- bowers & wilkins CM1 and CMC
- bowers & wilkins sub
- pioneer VSX-42
I wasn't able to purchase the Reference Series because of the limited room of my setup, but it was absolutely amazing how connecting the cable to the source (e.g. the computer) was able to dynamically increase my bass by 2x; the sound is softer, but clearer. Other brands who sell power cables focus on Rhodium, and Palladium for their power connectors without paying attention to the tonal characteristic of the sound. Other brands also over-hype Silver in their audio cables. I haven't compared the burn-in characteristic since I recently got them, but I know that I used to have a problem with my subwoofer because it would sound muddy despite having a reasonably good setup. Just by connecting it to the source, the bass, and the entire range of sound became more audibly better as an objective term, and I'm just using the standard power cable for the sub.
I highly recommend these cables for everyone. I'll be interested in the Reference Series in the future.
CloseRead the reviewProduct details I'm using the LessLoss cables for an HTPC (a computer), and my setup is as follows:
- bowers & wilkins CM1 and CMC
- bowers & wilkins sub
- pioneer VSX-42
I wasn't able to purchase the Reference Series because of the limited room of my setup, but it was absolutely amazing how connecting the cable to the source (e.g. the computer) was able to dynamically increase my bass by 2x; the sound is softer, but clearer. Other brands who sell power cables focus on Rhodium, and Palladium for their power connectors without paying attention to the tonal characteristic of the sound. Other brands also over-hype Silver in their audio cables. I haven't compared the burn-in characteristic since I recently got them, but I know that I used to have a problem with my subwoofer because it would sound muddy despite having a reasonably good setup. Just by connecting it to the source, the bass, and the entire range of sound became more audibly better as an objective term, and I'm just using the standard power cable for the sub.
I highly recommend these cables for everyone. I'll be interested in the Reference Series in the future.
Firewall Module
Date Added: 02/06/2015 by Karl
I thought I had done everything I could to clean up the AC with dedicated outlet circuits for the system, huge 10AWG wire directly from the outside main power panel to each outlet, special audiophile outlets, silver plated ground wire, a custom silver plated copper ground rod and a separate DFPC Reference power cord feeding each piece of equipment. I was wrong. Who would have guessed there was more "noise" to be removed from the incoming AC? Two Firewall Modules, in series, in front of the preamp and CD player are allowing the system to reveal new levels of pure magic. Amazing!
[UPDATE]:
I am REALLY REALLY pleased with the Firewalls on my amps as well. Four months ago I installed two in series to filter AC feeding the CD player and preamp. The reason I waited four months before wiring the Firewalls to the amps is that I was quite concerned about possibly limiting the speed, dynamics and rhythm of the amps. These amps are SUPER fast and dynamic. I wanted to make sure I had a good handle on just what the first two Firewalls were doing for the music. Well speed is definitely NOT a problem. I could kick myself for waiting. If anything things are clearer and so there is an apparent refinement of the speed, dynamics, rhythm, decay and "air" of the system. I like it a lot. A whole lot! GOOD JOB!!!
CloseRead the reviewProduct details [UPDATE]:
I am REALLY REALLY pleased with the Firewalls on my amps as well. Four months ago I installed two in series to filter AC feeding the CD player and preamp. The reason I waited four months before wiring the Firewalls to the amps is that I was quite concerned about possibly limiting the speed, dynamics and rhythm of the amps. These amps are SUPER fast and dynamic. I wanted to make sure I had a good handle on just what the first two Firewalls were doing for the music. Well speed is definitely NOT a problem. I could kick myself for waiting. If anything things are clearer and so there is an apparent refinement of the speed, dynamics, rhythm, decay and "air" of the system. I like it a lot. A whole lot! GOOD JOB!!!
DFPC Series [Reference]
Date Added: 02/18/2015 by Martin Ölmedal, Stockholm/Sweden
When I first got in touch with Louis and the DFPC cables some years ago I had tried out numerous power cables. I was also a bit of a septic regarding the impact of power cables on sound quality. This attitude was however about to change...
Yes, I had heard definite changes in sound character when switching between power cables, but was the sound just different or was the sound quality actually better? I believe a lot of people tend to think of these two aspects as one when listening to changes in sound character. A change in sound character is by many easily confused with "something got better", i.e. sound quality. This is due to how our hearing works.
Our hearing, for evolutionary reasons, is best at for example picking up changes in sound and a identifying a specific sound (like speech) in a otherwise noisy environment. Using your hearing to point out what sound sounds better than other sounds takes practice. It's a bit like knowing how to find a good wine - all wines are different but you need to know what you are looking for when deciding what's good and what's not.
The same thing can be said about changes in sound quality when using different power cables and power filtering devices. You have to be able to discern and separate the numerous nuances and characteristics that makes up music to tell if a sound or a whole pice of music sounds more lifelike or not. This usually takes some practice and is also one of the reasons why many audiophiles use high quality recordings of the human voice when reviewing hifi gear. We all have a similar reference of how a voice should sound in order to sound convincingly natural and lifelike.
However, the impact on sound quality made by the DFPC Reference is so apparent and unquestionable that even a person completely unfamiliar with the intricacies of high end audio immediately can hear the sonic benefits of the DFPC Reference in any given hifi system. The DFPC Reference achieves a very dynamic, highly defined, coherent and - most importantly - extremely lifelike sound.
With first the DFPC Original and now the DFPC Reference in my system I know for sure that power cables not only affect sound quality, but have a substantial impact on your system's ability to produce a high quality sound. The proof is there for anyone to find with the DFPC Reference. Just give it a listen. Highly recommended!
CloseRead the reviewProduct details Yes, I had heard definite changes in sound character when switching between power cables, but was the sound just different or was the sound quality actually better? I believe a lot of people tend to think of these two aspects as one when listening to changes in sound character. A change in sound character is by many easily confused with "something got better", i.e. sound quality. This is due to how our hearing works.
Our hearing, for evolutionary reasons, is best at for example picking up changes in sound and a identifying a specific sound (like speech) in a otherwise noisy environment. Using your hearing to point out what sound sounds better than other sounds takes practice. It's a bit like knowing how to find a good wine - all wines are different but you need to know what you are looking for when deciding what's good and what's not.
The same thing can be said about changes in sound quality when using different power cables and power filtering devices. You have to be able to discern and separate the numerous nuances and characteristics that makes up music to tell if a sound or a whole pice of music sounds more lifelike or not. This usually takes some practice and is also one of the reasons why many audiophiles use high quality recordings of the human voice when reviewing hifi gear. We all have a similar reference of how a voice should sound in order to sound convincingly natural and lifelike.
However, the impact on sound quality made by the DFPC Reference is so apparent and unquestionable that even a person completely unfamiliar with the intricacies of high end audio immediately can hear the sonic benefits of the DFPC Reference in any given hifi system. The DFPC Reference achieves a very dynamic, highly defined, coherent and - most importantly - extremely lifelike sound.
With first the DFPC Original and now the DFPC Reference in my system I know for sure that power cables not only affect sound quality, but have a substantial impact on your system's ability to produce a high quality sound. The proof is there for anyone to find with the DFPC Reference. Just give it a listen. Highly recommended!
LessLoss History From the Very Beginnings
LessLoss started its business on Audiogon in late 2007. Within the first couple of month, word about LessLoss spread like wildfire among Audiogon members. Here is the feedback received from our clients during our first year of operation. This is from even before we had our own website.
Louis is one of the best in the business, truly professional and very fast production and delivery. I am very satisfied by your superb service. Many thanks.
Positive by Buyer Sebastian (135) on 07-29-2008
Excellent transaction with Lessloss on dynamic filtering power cord. Good communications & fast shipping. A+++++
Positive by Buyer Sennett (45) on 07-03-08
Bought 3 pc's from Liudas in Jan/08. Outstanding product as advertised. Performance is everything and more than I expected. Kudos to Lessloss cable for a great product. Very highly recommended...A+++
Positive by Buyer Phillykid (33) on 06-19-08