User Reviews
Published LessLoss Reviews Now Number Over 697
DFPC Original (legacy)DFPC Signature (legacy)DFPC Reference (legacy)DFPC Series (legacy) (all)Digital Cable (legacy)Firewall (legacy)Anchorwave (legacy)Homage to Time (legacy)Tunnelbridge (legacy)Laminar Streamer (legacy)Bindbreaker (legacy)
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C-MARC loudspeaker cable, stereo pair; Blackbody; Firewall Module; C-MARC Classic Power Cable
After the power cords I was curious about what the Blackbodies (total of 4) would do for the sound. This addition caused the most significant initial sonic degradation of anything I have ever added to the system. It took about a week before the benefits became fully apparent. Strangely enough the biggest improvement came after leaving the system off for a week. When I turned it back on the sound had totally transformed. It was as if a switch had been flipped bringing everything together. Suddenly there was a clear open window of sound with extended decays and sustains surrounded by the acoustic space specific to each individual venue and recording technique. All frequencies were proportional, gone was the bass heavy bottom up effect I had noted earlier during the initial break-in period. Also gone was the increased dynamic slam and exaggerated dynamic contrast that was previously prominent. What remained was a very natural balanced, and detailed presentation free from any detracting artifice. The background was much more quiet, allowing the tiniest details to emerge effortlessly, as if being spontaneously emitted from the space in between the speakers. The imaging was excellent before, but now it was if the speakers actually ceased to exist. The sound also became more concise, focused, and clean; making it apparent how much extraneous noise was infiltrating all aspects of sound before the Blackbodies were added. Initially this effect made me feel like I was missing certain aspects of the music, but over time it became apparent that it was only distortions that were missing, as new worlds of detail were exposed from old familiar recordings.
After all of this I could not believe that the sound could get any better, but Louis provided me with this quote from another customer. “How the heck could I even listen to it and rejoice in it back then?” This from a customer who thought it could not get any better. That was the exact feeling I had after installing the Firewall For Loudspeakers. In total I have added 4 sets to the speakers. I could have easily stopped after the the 1st set, as the improvement in tone, micro nuance, and overall integrity of the sound was beyond anything I could have expected. However after adding the 2nd set I too was saying to myself “How the heck could I even listen to it and rejoice in it back then?” The whole sonic landscape elevated particularly in the bass region which became even more effortless and detailed. It was as if the whole system was upgraded. The music was just “there” without any veils or resistance to most minute details. The sound was fuller from top to bottom, with more life like nuanced transients, and deep deep views into the sonic fabric and the most delicate textures and tonal inflections. The system never sounded this effortless, as if it had become super-conductive and friction free. Talk about lifting veils. Consequently I now have 4 sets of Firewall for Loudspeakers installed.
At his point I thought there is no way things could get any better, but as it turned out I was wrong, again. Louis built a custom set of Jumper cables specifically designed to work with Avantgarde Trios with BassHorns. These jumper cables were made of C-MARC, ENTROPIC cable with a DIY Firewall For Loudspeakers as junction splitter box. As usual there was an initial sonic suck-out upon first listen, but over the course of the week the sound again blossomed into something I have never before encountered from the system. Even after adding all of the other LessLoss devices, the sound again took another leap forward. It is not that I didn’t think the system sounded good before, it’s just that the improvements were of a type I had not yet experienced. All of the other improvements to the sound were still present, but were now being presented in a new light. The soundstage, imaging, and acoustic space all seemed come together to form an aural illusion so seductive and infatuating that I cannot stop listening and rejoicing in the sound. This type of sonic improvement is difficult to put into words, but after you hear it you will know exactly what I’m talking about.
Effortless, organic, liquid, holographic, 3D sound reproduction appears to be a byproduct of not just eliminating noise from all power and signal carrying cables, but of also reducing the effects of environmental EMI and RFI which can permeate every component. That is exactly the result I feel has been achieved from using the LessLoss devices. It is very difficult to say which device has had the biggest impact, but I can say that they appear to work synergistically. Individually each device has made sonic improvements which after hearing I did not want to live without.
My compliments to Louis and his organization. They have have proven to me that it is in fact possible to improve on even the most impressive sound systems, regardless of how good they already sound.
Associated Equipment:
The entire system has evolved over the last 17 years. The only components that still remain are the speakers and upgraded versions of Audiopax Model 88s which were upgraded to MkII status in 2009. Every component including the cabling, electrical conditioning, vibration control, and room treatments were all selected after careful auditioning and confirmation of their sonic synergy with the overall system. Consequently, each addition has advanced the sound in a desirable direction. Many components have come and gone to arrive at its current state.
Roon Nucleus: music server
Lumin U1: music streamer
AQVOX: CAT 7 ethernet cable on all internet connections.
AQVOX: Ethernet Switch (between Modem and Lumin)
Berkeley Alpha DAC Reference II with MQA
PS audio Signature BHK: Preamp
Audiopax Model 88 MK II: Monoblock Amplifiers
Avantgarde Trios with Basshorns: Speakers
Video: Oppo UDP-205: Universal DISC player
High Fidelity Cable Co: For all Power conditioning and line level, and speaker cables
LessLoss jumper cables
LessLoss Technologies: Power Cables to all components via HFC Professional Series power distributor
LessLoss Firewall For Loudspeakers (3 stereo pairs, one for each speaker driver and 1 integrated into jumper cable junction box)
Room treatments:
20 inch ACS stereo tube traps
Corner ceiling traps.
Grand Prix Monaco: Equipment Stands with Apex footers and ceramic ball bearings.
All stand legs filled with ferrous steel shot.
Support shelves upgraded to 3/4 inch glass.
All footers, shelf spacers, and tube dampers are from Herbie’s Audio Lab.
LessLoss History From the Very Beginnings
LessLoss started its business on Audiogon in late 2007. Within the first couple of month, word about LessLoss spread like wildfire among Audiogon members. Here is the feedback received from our clients during our first year of operation. This is from even before we had our own website.
Louis is one of the best in the business, truly professional and very fast production and delivery. I am very satisfied by your superb service. Many thanks.
Positive by Buyer Sebastian (135) on 07-29-2008
Excellent transaction with Lessloss on dynamic filtering power cord. Good communications & fast shipping. A+++++
Positive by Buyer Sennett (45) on 07-03-08
Bought 3 pc's from Liudas in Jan/08. Outstanding product as advertised. Performance is everything and more than I expected. Kudos to Lessloss cable for a great product. Very highly recommended...A+++
Positive by Buyer Phillykid (33) on 06-19-08