...better than any DAC I've had in my system...
...far more organic and three-dimensional...

September, 2017, author: Vance Hiner
"Whether it was Red Book, 24-bit/192kHz or 2x DSD files, the Echo's End narrowed the gap considerably, sounding largely like itself no matter the source."

"I wasn't prepared for the sonic bloom and realism."

"The Echo's End produced a three-dimensional soundstage that was strikingly deep. It rendered the nightclub crowd sounds so realistically that they became an important part of setting the mood of the performance; in fact, my dog, Zorro, started barking at some of the rowdier customers seated at the bar."

"The Echo's End is exceptionally good at detail retrieval."

"Clean, quiet and vivid. Those are not words that normally come to mind when I listen to this CD. I also noticed how much depth there was in the soundstage and the clarity of Baker's tone."

"The Echo's End is a damned fine DAC."

"The Echo's End is a thoroughly modern DAC that manages to sound both detailed and remarkably natural, but there are two things in particular that it does better than any DAC I've had in my system."

"First, its stage via USB presented music in a far more organic and three-dimensional way than what I've come to expect from this interface."

"Second, the Echo's End's timing and pacing are downright addictive. Its above-average performance in this particular area meant that groups of musicians sounded especially in sync, resulting in an emotional, visceral reaction to the music."

"The Echo's End is a real charmer."
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"The new LessLoss DAC should be on your list."

February, 2017, author: Srajan Ebaen
"The Echo's End had the most distinctive easily grasped gestalt ..."

"Whilst it didn't sound like tubes, it felt like them. Whilst I fed it pure PCM, it behaved like deep DSD."

"Not sounding but feeling like tubes meant textural fluidity with plenty of connective tissue but no response liberties or THD seasoning. Behaving like DSD meant sweeter, more elastic and texturally softer than standard CD sound, with more overt ambient recovery."

"Deep DSD indicates that the LessLoss went beyond the Lindemann's actual resampling. It expressed the same flavour but did so at categorically higher potency; in pure PCM no less."

"Longest ever decays from digital?"

"What the listener can tell regardless is that it works; and very plainly so."

"A vital qualifier was how such pervasive gentility–that softer more organic approach–didn't come at the expense of vividness. ... The musical gestalt didn't collapse."

"Muscle tone was that of an upright not supine body. This was key. Its softness was more on the surface. It didn't impact the core of musical tension. Incidentally, that's been a personal complaint with DSD converters of the über-alles or resampling kind. They all bled out some caffeine and put a minor damper on the musical adrenaline. The Echo's End did not. It did all the other DSD things and at a very good clip but not that one."

"Should your own tastes overlap–of wanting the pretty, nubile and spacious aspects of DSD but not its reduced verve– this LessLoss just might have your number. In an ocean of generics, having such a distinctive calling card is a useful advantage."

"I feel privileged to have experienced the Laminar Streamer's sonic achievements."

"Streaming the laminar way, music felt juicier and calmer at the same time. This was particularly keen on overcooked nervous jittery productions with their tense hype and sizzle. Now those had elegance and mellifluousness. They were on song according to the bel canto definition."

"The primary taste is of greater calm; as though time ran slower. This makes the listener more settled and poised."

"Intermixed aspects are a removal of very fine metallic grit in transients and overtones; and wetter ambiance."

"It's only by going back and forth, with/without, that one inspects why the experience differs. That's when the disappearance of faint glittery upper-mid/treble grit gets checked off; when more specific spatial sensations get translated into heightened contrast; and as a result of that and intangibles, why the overriding quality is greater calm. Here team LessLoss are undeniably on to something. DACs seem to be even more susceptible to how their digital data arrive than we suspected. Many of the gestalt-based complaints which audiophiles try to address with sundry hardware changes seem to have their roots here, at the very beginning."

"True, the Laminar Streamer did sit at this peak with the finest resolve of ambiance and focus for spatial mapping."

"The combination of Laminar Streamer and Echo's End spelled o-r-g-a-n-i-c and l-e-g-a-t-o in capital letters. Without losing any substance, music manifested less solid, staid and straight-jacketed. It felt more suspended, afloat and breathing. To visualize, think blooming ink blots on wet watercolour paper, albeit in 3D. That's your counterpoint for edge-limned silhouettes in a shadow play. That and the silky textural 'suede' softness were key. They walked hand in hand with greater calm."

"This calm had a very different living oxygenated quality to it."

"If what I described tracks your taste, the new LessLoss DAC should be on your list."

"Someone in Lithuania burns the midnight oil; at the very extreme high-end, in the middle and below; and not on the same old same old. Innovation rules!"
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