User Reviews
Published LessLoss Reviews Now Number Over 697
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C-MARC™ RCA InterconnectsC-MARC™ XLR InterconnectsC-MARC™ Speaker CableC-MARC™ Prime Power CableC-MARC™ Classic Power CableC-MARC™ Stellar Power CableC-MARC™ Bulk Wire and CableC-MARC™ Digital CableFirewall ModuleEcho's EndGiant StepsBlackbodyPower distributorBlackGround DIYBlackGround 6x/10x Power BaseBlackGround 8x/10x Speaker Base
DFPC Original (legacy)DFPC Signature (legacy)DFPC Reference (legacy)DFPC Series (legacy) (all)Digital Cable (legacy)Firewall (legacy)Anchorwave (legacy)Homage to Time (legacy)Tunnelbridge (legacy)Laminar Streamer (legacy)Bindbreaker (legacy)
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Because of the sheer number of reviews, you can sort them above to quickly find LessLoss products of interest.
DFPC Series [Original]
Date Added: 10/22/2023 by Kevin B.
I have been using the DFPC original, and it is better than anything I have tried, including Audio Magic Illusion 4D, Acrolink, Wywires, VH Audio, Crump, Audience, and more.
CloseRead the reviewProduct details DFPC Series [Reference]
Date Added: 01/22/2020 by Matjaz Kaltnekar, Slovenia
I admit being a little late to the party. The DFPC Series power cables have been in the meantime replaced by the C-MARC power cables. But better late than never.
While I could never dream to own such an expensive power cable as the DFPC Reference at an original price of 1.824 USD, since my whole system consists of components in the 2.500 EUR range (Marantz SA14S1 SE and PM14S1 SE by the late famous audio guru Ken Ishiwata and B&W 805S speakers connected by Siltech Classic Anniversary 330L loudspeaker cables), I am very pleased that by the price reduction I could upgrade from the Original to the Reference range.
Since I listen mostly to female vocal jazz like Patricia Barber, Jacintha and Melody Gardot, I prefer a certain sound – let's call it a seductive midrange. I abhor shrill highs and don’t really need an extra deep bass, since the B&W 805S don’t go below 46 Hz. I prefer stand mounted loudspeakers like the 805S over floor standers since they “disappear” better in the room. A precise stereo image is also very important to me.
So much for the introduction. Now to the first impressions. Thank God I have been informed of the long burn-in time by Mr. Motek as the first sound was one of very shrill highs. I usually use Patricia Barber's song The Thrill is Gone from Cafe Blue for checking cymbals and the double bass. The cymbals were very zingy or should I say glassy. While listening to the double bass I had the impression of listening to a bass guitar like Santana’s. The imaging that before was very directional, came out from just the speakers. I said: “OMG, what have I done. Buying something without prior auditioning.” The fact about getting 70% of the final sound during initial listening referred to by an article about burn-in by Mr. Motek seemed very far-fetched. Thankfully that is why a 30-day money-back guarantee exists.
But I knew I had to persist. I let it run through the whole night and another day and on the third day the image nicely opened up. The same song with the title The Thrill is gone should be renamed to The Thrill has returned since Patricia Barber's voice now gave me goosebumps. The instruments were settling down nicely an octave or two, my wife even commented that maybe the piano sound was even a little bit too dark. But for me the sound was just perfect and I was in seventh heaven.
A perfect example was A Taste of Honey from the same CD. It starts with the guitar. I have never heard the fingering of the strings as clearly as that evening. When Patricia started to sing, it was really a taste of honey. After that the drums joined the guitar and as I have already said I really don't need a super deep bass. What has gotten to me, was the uncanny rhythm of the bongo drums. I couldn't help myself to start tapping with my foot to the rhythm of the drums.
Another singer that always gives me goosebumps is Jacintha. Moon River from her CD Autumn Leaves is a perfect example of her seductive voice. It is supposed to be a cappella singing. Only if you listen very closely you can hear a piano in the back of the hall during the first 2:20 minutes. The LessLoss DFPC Reference power cables with its quiet background have produced these details as no power cables before.
Jacintha's bonus track from the same CD Here's to Life is a brilliant performance by Jacintha and the famous jazz pianist Kei Akagi. By the sound of it I could swear it was a Steinway. Only the best power cables bring out the texture of the piano like this. I am not sure if I can describe this correctly, but the note from the hammer strike on the piano string takes much longer to decay than with previous power cables giving the music a much more powerful presentation. There is some theory involved with this - you can google it under "Modelling the Decay of Piano Sounds". I am more and more amazed how many more details I get out of the same recordings that I have thought I knew so well.
Now for my final impressions after two weeks of burn-in. I have a sampler CD Ballads in Blue from Enja Records where for testing purposes I usually listen to the first two songs by Melissa Walker (A Time for Love) for the piano and Dusko Goykovich (No Love Without Tears) for the trumpet. I usually jump over the next songs to the last song by Chet Baker (I Fall in Love Too Easily) for his unusual voice where I never know if it is really a man singing or is it a mezzo-soprano voice like Ella Fitzgerald. Also the trumpet and string instruments (orchestra) are very nicely recorded. As it is a live recording it starts with applause. You can always hear a cables time coherence by listening to hands clapping or fingers snapping. With lesser cables the image is very diffuse, it seems to come more from the loudspeakers as from a central audience. Here you can really feel like you are sitting in the audience
Now for the piece de resistance. Before that last song there is a piano recording by Abdullah Ibrahim (Eleventh Hour) which I usually jump over during testing as there has been nothing special to the recording until now. Now for the first time I could really appreciate why Enja Music have put this song on the sampler. There are some cymbals which until now were all seeming to come from the same space in the recording. Now for the first time I could hear that there were actually 3 distinct directions (very close but nevertheless in separate space). I have read something like that in one review but I always take such reviews with a grain of salt. Now I can really understand what the reviewer was trying to convey. There are some authors that swear they can identify a brand of cymbals like for example the Zildjians from other cymbals. I am not nearly that far but the same as with piano notes I can distinctly hear the longer reverb/decay of the cymbal strike. Also in the piano you can hear the pedals being pressed, the very details that have been missing until now.
Also all the shrillness that I have heard on the first day has gone out of the recordings. The cymbals have now the right sound, the brushes don’t sound like sandpaper any more. The trumpet still has the brassy sound that I love so much and the piano has a very lifelike appearance.
Let me say at the end that I am very thrilled by the improvement the power cables have made to my system. I have spent a lot of money on my system already but this was one of the best investments I have made until now.
CloseRead the reviewProduct details While I could never dream to own such an expensive power cable as the DFPC Reference at an original price of 1.824 USD, since my whole system consists of components in the 2.500 EUR range (Marantz SA14S1 SE and PM14S1 SE by the late famous audio guru Ken Ishiwata and B&W 805S speakers connected by Siltech Classic Anniversary 330L loudspeaker cables), I am very pleased that by the price reduction I could upgrade from the Original to the Reference range.
Since I listen mostly to female vocal jazz like Patricia Barber, Jacintha and Melody Gardot, I prefer a certain sound – let's call it a seductive midrange. I abhor shrill highs and don’t really need an extra deep bass, since the B&W 805S don’t go below 46 Hz. I prefer stand mounted loudspeakers like the 805S over floor standers since they “disappear” better in the room. A precise stereo image is also very important to me.
So much for the introduction. Now to the first impressions. Thank God I have been informed of the long burn-in time by Mr. Motek as the first sound was one of very shrill highs. I usually use Patricia Barber's song The Thrill is Gone from Cafe Blue for checking cymbals and the double bass. The cymbals were very zingy or should I say glassy. While listening to the double bass I had the impression of listening to a bass guitar like Santana’s. The imaging that before was very directional, came out from just the speakers. I said: “OMG, what have I done. Buying something without prior auditioning.” The fact about getting 70% of the final sound during initial listening referred to by an article about burn-in by Mr. Motek seemed very far-fetched. Thankfully that is why a 30-day money-back guarantee exists.
But I knew I had to persist. I let it run through the whole night and another day and on the third day the image nicely opened up. The same song with the title The Thrill is gone should be renamed to The Thrill has returned since Patricia Barber's voice now gave me goosebumps. The instruments were settling down nicely an octave or two, my wife even commented that maybe the piano sound was even a little bit too dark. But for me the sound was just perfect and I was in seventh heaven.
A perfect example was A Taste of Honey from the same CD. It starts with the guitar. I have never heard the fingering of the strings as clearly as that evening. When Patricia started to sing, it was really a taste of honey. After that the drums joined the guitar and as I have already said I really don't need a super deep bass. What has gotten to me, was the uncanny rhythm of the bongo drums. I couldn't help myself to start tapping with my foot to the rhythm of the drums.
Another singer that always gives me goosebumps is Jacintha. Moon River from her CD Autumn Leaves is a perfect example of her seductive voice. It is supposed to be a cappella singing. Only if you listen very closely you can hear a piano in the back of the hall during the first 2:20 minutes. The LessLoss DFPC Reference power cables with its quiet background have produced these details as no power cables before.
Jacintha's bonus track from the same CD Here's to Life is a brilliant performance by Jacintha and the famous jazz pianist Kei Akagi. By the sound of it I could swear it was a Steinway. Only the best power cables bring out the texture of the piano like this. I am not sure if I can describe this correctly, but the note from the hammer strike on the piano string takes much longer to decay than with previous power cables giving the music a much more powerful presentation. There is some theory involved with this - you can google it under "Modelling the Decay of Piano Sounds". I am more and more amazed how many more details I get out of the same recordings that I have thought I knew so well.
Now for my final impressions after two weeks of burn-in. I have a sampler CD Ballads in Blue from Enja Records where for testing purposes I usually listen to the first two songs by Melissa Walker (A Time for Love) for the piano and Dusko Goykovich (No Love Without Tears) for the trumpet. I usually jump over the next songs to the last song by Chet Baker (I Fall in Love Too Easily) for his unusual voice where I never know if it is really a man singing or is it a mezzo-soprano voice like Ella Fitzgerald. Also the trumpet and string instruments (orchestra) are very nicely recorded. As it is a live recording it starts with applause. You can always hear a cables time coherence by listening to hands clapping or fingers snapping. With lesser cables the image is very diffuse, it seems to come more from the loudspeakers as from a central audience. Here you can really feel like you are sitting in the audience
Now for the piece de resistance. Before that last song there is a piano recording by Abdullah Ibrahim (Eleventh Hour) which I usually jump over during testing as there has been nothing special to the recording until now. Now for the first time I could really appreciate why Enja Music have put this song on the sampler. There are some cymbals which until now were all seeming to come from the same space in the recording. Now for the first time I could hear that there were actually 3 distinct directions (very close but nevertheless in separate space). I have read something like that in one review but I always take such reviews with a grain of salt. Now I can really understand what the reviewer was trying to convey. There are some authors that swear they can identify a brand of cymbals like for example the Zildjians from other cymbals. I am not nearly that far but the same as with piano notes I can distinctly hear the longer reverb/decay of the cymbal strike. Also in the piano you can hear the pedals being pressed, the very details that have been missing until now.
Also all the shrillness that I have heard on the first day has gone out of the recordings. The cymbals have now the right sound, the brushes don’t sound like sandpaper any more. The trumpet still has the brassy sound that I love so much and the piano has a very lifelike appearance.
Let me say at the end that I am very thrilled by the improvement the power cables have made to my system. I have spent a lot of money on my system already but this was one of the best investments I have made until now.
DFPC Series [Original] [Signature]
Date Added: 07/01/2018 by Vladimir Markovic
I first replaced the AnsuzsX power cord (600 Euro) with the DFPC Original just on Lindemann Musicbook 15 and every aspect of sound instantly became better. Missing frequencies of sound powered by the Ansuz become alive at once. That was just one thing, everything else sounded more natural, balanced and organic (without a single exception). Immediately after that I purchased a DFPC Signature which arrived in just 3 days....while I was waiting for Signature to arrive I could comfirm that the DFPC Original sounded better than the full range of any WireWorld power cables, significantly better (some of them are even 3 times the price). Then I had a chance to compare it with an Ansuz P. There was no point at all, the DFPC Original was significantly superior to that one, too.
When the DFPC Signature arrived all these differences became even more obvious, the Signature sounds like a dream compared to the WireWorld Platinum Electra 7 (around 1600 Euro). The difference was very great in favor of the Signature in terms of resolution and naturalness, and the image space was both deeper and wider...amazing!
I have tried the Signature in my friends' systems and it improved all of them by miles (except one where the DFPC Original was for some reason a better fit).
CloseRead the reviewProduct details When the DFPC Signature arrived all these differences became even more obvious, the Signature sounds like a dream compared to the WireWorld Platinum Electra 7 (around 1600 Euro). The difference was very great in favor of the Signature in terms of resolution and naturalness, and the image space was both deeper and wider...amazing!
I have tried the Signature in my friends' systems and it improved all of them by miles (except one where the DFPC Original was for some reason a better fit).
DFPC Series [Signature]
Date Added: 05/28/2018 by Kenny Cournoyer
I purchased the DFPC Signature Power Cable for my Mytek Brooklyn Amp.
Transformative!!!
I’m running a REL 7Ti Sub with the Brooklyn Amp in a Linear fashion. The REL is like a sleeping giant that emerges once beckoned. The bass response through this setup is supple yet full and well-rounded. Thunderous.
Dialogue during theatre is very detailed and nuanced hearing every inflection.
Richard Wagner has entered my listening room!
The noise floor has dropped substantially.
The physical handling of the cable is effortless. Very easy to manage in a confined space.
CloseRead the reviewProduct details Transformative!!!
I’m running a REL 7Ti Sub with the Brooklyn Amp in a Linear fashion. The REL is like a sleeping giant that emerges once beckoned. The bass response through this setup is supple yet full and well-rounded. Thunderous.
Dialogue during theatre is very detailed and nuanced hearing every inflection.
Richard Wagner has entered my listening room!
The noise floor has dropped substantially.
The physical handling of the cable is effortless. Very easy to manage in a confined space.
Firewall Module; DFPC Series; Echo's End
Date Added: 09/13/2016 by Arthur Ross, Orlando Evans, Bob Grossman, Ken Sternberg, Bill Me
We visited several audiophiles in the Philadelphia and New England area. Here they are expressing their impressions using LessLoss products.
https://vimeo.com/183414902
DFPC Series [Signature]
Date Added: 08/06/2016 by Shinichiro Hara
I'm extremely happy with the DFPC Signature cable. I installed DFPC on my preamp/DAC and amp. The cable transformed my system. It made the sound seamless and clear. I have good components for my system but I wasn't very happy with the performance until I got this DFPC. I didn't play many music I own because it just didn't sound good to me and I thought it was source/recording issue. I was wrong there...with DFPC, it sounds amazing no matter what format I'm playing, 192K flac, CD, MP3, Youtube and whatever! Symphony sounds amazing and clarity really contributes to separate the different instruments and in choir section you can really feel each individual's voice singing to create the experience. Also, after installing DFPC, I am playing many of the music I own about half the volume as it's super clear and I can hear really good now so no need to play loud any more. Now I realized that it's almost pointless to have high end system without power cable like this as it just doesn't provide the experience you would expect from it. I am extremely happy with my system now and I really feel the system is complete and I don't need to upgrade anything to improve the sound, maybe for the esthetic reason only ^ ^ Oh, DFPC cable is also amazing looking too!! And the last thing, I recommend adding DFPC to your preamp/DAC first, it made the bigger difference. I thought it will make more of a difference on the amp but preamp/DAC performance improved more significantly. You really need DFPC for both preamp/DAC and amp, I just thought I just need for the amp but actually preamp/DAC is more important.
Source: PC with optical out
DAC/Preamp: Mcintosh D150
Amp: Mcintosh MC452
Loudspeakers: B&W 804 D3
CloseRead the reviewProduct details Source: PC with optical out
DAC/Preamp: Mcintosh D150
Amp: Mcintosh MC452
Loudspeakers: B&W 804 D3
DFPC Series [Reference]
Date Added: 03/08/2016 by Private Hell Recording
Another DFPC Reference, this time feeding a Synergistic Research QLS-6 and ATC SCM25A Pro studio monitors. This replaces a JPS Labs Aluminata. Most interesting results were:
1. Better transient definition,especially in the bass.
2. I was able to actually angle my monitors out to get a wider field without sacrificing center image.
3. Natural frequency response.
- Private Hell Recording
CloseRead the reviewProduct details 1. Better transient definition,especially in the bass.
2. I was able to actually angle my monitors out to get a wider field without sacrificing center image.
3. Natural frequency response.
- Private Hell Recording
DFPC Series [Reference]
Date Added: 01/02/2016 by Casper
I have owned the Shunyata Zitron Anaconda & LessLoss Reference DFPC power cable at the same time. After comparing them on my Devialet D200 system, I observed that the LessLoss power cable was much better than the Shunyata power cable. The sound is more solid, more dynamic, more clear, there are more details & it is more musical. Higher C/P ratio compared with Shunyata cables (2/3 price only).
Highly recommend for all Devialet users.
CloseRead the reviewProduct details Highly recommend for all Devialet users.
DFPC Series [Signature]
Date Added: 12/17/2015 by Emanuele
I was searching for a power cord for my great Luxman 509u integrated, a dynamic, natural and really neutral (not that cold, lean, shouting and bright sound like Nordost Valhalla that many false audiophiles call "neutrality") sounding power cord which was able to put together the strengths of other power cords I have (or I had in the past), without their weak points (*):
- Furutech Powerflux: one of the best p.c.'s I have ever listened to, fast, airy and sweet, but their rhodium FI50 connectors call a bit attention to themselves with that typical brightness of ALL non-gold plated power plugs; the Oyaide 079 is absolutely my favourite.
- MIT Oracle AC1: another great power cord but I could only use it on my Accuphase DP700, because of its limited dynamics on the integrated. It has a full but a bit slow bass, detail and image are strong but a bit stressed for my taste (are copper/silver conductors and rhodium plated plugs really used in the european version?)
- Kubala-Sosna Emotion: very open, natural and smooth in the highs (gold plated plugs!), fast and dynamic, but in my previous listening room I felt it "compensated" the very strong midbass of the Emotion XLR interconnects with a bit of a lean character; however, I would like to try it again in my new room
- Cardas Golden Reference: in my previous listening room they sounded really "forward" with great emphasis on the highs (again, Furutech rhodium power plugs, the FI15) but with an overall warm sound; in my actual room it has a nice, warm and refined sound but bass stops in the mid-bass range, without going deep like my B&W 803D+Luxman 509u can go
- Acrolink 6n 4030pc: a champion in its price range but a bit muddy, confused in the bass; it was my favourite on the 509u until the DFPC Signature completed its burn in; the Oyaide O46 gold/palladium plugs work well wuth this cable, even If I prefer the 079's.
- Oyaide Tunami GPX:
- Purist Audio Design Aqueous 20th Anniversary: sweet and natural highs (in fact it has Oyaide gold plated 079 plugs!) but its overall sound is very coloured, with some emphasis on the voices.
(*) Is the DFPC Signature able do that?
Absolutely YES, and it goes further with better speed, dynamics, real neutrality, transparency and clarity, which does not mean "brightness" but, again, "REAL neutrality, transparency and clarity"!
I think I will buy other two Signatures for my Purepower 3000 AC regenerator (with the 20A Oyaide C279) feeding the whole system) and the Goldnote Dumbo AC filter (added for DP700 only; power matters!!!) and a Reference from the Dumbo AC to the DP700.
No other words are needed!
P.S. #1: Be patient during the burn in process, it sounds awful at the beginning, changing in a crazy way every day! The 30 day trial option is useless: you won't ever send a DFPC back after burn-in!!!
P.S. #2: Do take care of the line phase of your gear! If it is inverted, you have to correct it inverting the L and N contacts in the equipment IEC inlet, or ask Louis to make an "inverted" Signature you can use ONLY on such "line phase inverting" gear!
CloseRead the reviewProduct details - Furutech Powerflux: one of the best p.c.'s I have ever listened to, fast, airy and sweet, but their rhodium FI50 connectors call a bit attention to themselves with that typical brightness of ALL non-gold plated power plugs; the Oyaide 079 is absolutely my favourite.
- MIT Oracle AC1: another great power cord but I could only use it on my Accuphase DP700, because of its limited dynamics on the integrated. It has a full but a bit slow bass, detail and image are strong but a bit stressed for my taste (are copper/silver conductors and rhodium plated plugs really used in the european version?)
- Kubala-Sosna Emotion: very open, natural and smooth in the highs (gold plated plugs!), fast and dynamic, but in my previous listening room I felt it "compensated" the very strong midbass of the Emotion XLR interconnects with a bit of a lean character; however, I would like to try it again in my new room
- Cardas Golden Reference: in my previous listening room they sounded really "forward" with great emphasis on the highs (again, Furutech rhodium power plugs, the FI15) but with an overall warm sound; in my actual room it has a nice, warm and refined sound but bass stops in the mid-bass range, without going deep like my B&W 803D+Luxman 509u can go
- Acrolink 6n 4030pc: a champion in its price range but a bit muddy, confused in the bass; it was my favourite on the 509u until the DFPC Signature completed its burn in; the Oyaide O46 gold/palladium plugs work well wuth this cable, even If I prefer the 079's.
- Oyaide Tunami GPX:
- Purist Audio Design Aqueous 20th Anniversary: sweet and natural highs (in fact it has Oyaide gold plated 079 plugs!) but its overall sound is very coloured, with some emphasis on the voices.
(*) Is the DFPC Signature able do that?
Absolutely YES, and it goes further with better speed, dynamics, real neutrality, transparency and clarity, which does not mean "brightness" but, again, "REAL neutrality, transparency and clarity"!
I think I will buy other two Signatures for my Purepower 3000 AC regenerator (with the 20A Oyaide C279) feeding the whole system) and the Goldnote Dumbo AC filter (added for DP700 only; power matters!!!) and a Reference from the Dumbo AC to the DP700.
No other words are needed!
P.S. #1: Be patient during the burn in process, it sounds awful at the beginning, changing in a crazy way every day! The 30 day trial option is useless: you won't ever send a DFPC back after burn-in!!!
P.S. #2: Do take care of the line phase of your gear! If it is inverted, you have to correct it inverting the L and N contacts in the equipment IEC inlet, or ask Louis to make an "inverted" Signature you can use ONLY on such "line phase inverting" gear!
DFPC Series [Original]
Date Added: 10/17/2015 by Einar Magnussen
Looking on all the cables coming out from my power filter some months ago, I decided to start replacing my power cables before anything else. I had been to a two hours demo at the main Hi-Fi shop in Norway testing different power cables in to and out from Isotek power filters. The impact of different power cables on the sound was obvious. Despite the impact of a sound power cable, I left the shop with headache and a feeling that something was wrong with the sound and timbre when the sales man connected the most expensive Nordost power cables my budget could afford and a little more. The timbre was hard and lean. Instruments did not sound natural. I didn´t think more about it until I came across an incredible recording with Vytautas Sriubikis playing the Sarabande from Bach's Partita for Flute in the Baroque Church of St. Catherine on the Lessloss Web site a month later. The Flute Timbre took me straight into Lessloss sound philosophy and the dynamics of skin filtering.
THE LESSLOSS DFPC ORIGINAL AND A NICE FAREWELL
Tonight I´m sitting here removing the last Nordost cable from my power filter. The last Nordost is sold. So I want to do a last test. What if if you have only one audio power cable connected to your source? After listening with only the Nordost Brahma which I thought was my best power cable, I replaced it with the Lessloss Original. I was a bit surprised. Only one Lessloss Original to my Dac gives better sound than the Nordost Brahma, even better than connecting the Lessloss Original to my Auralic Aries streamer and the Nordost Brahma to my Vega Dac. How can the cheapest Lessloss Power Cable do this magic alone? Instrument seperation is better, sound and soundstage is more focused and dissolved and the timbre is more organic.
So tonight I´m listening to the Bach Sarabande with my only Lessloss cable waiting for more to come. The headache is gone. Thanks to Louis Motek for making real stuff, not the type dreams are made on. And thanks for your incredible service, answering all my questions any time. I´m a happy customer.
All the best,
Einar Magnussen
Bergen, Norway
CloseRead the reviewProduct details THE LESSLOSS DFPC ORIGINAL AND A NICE FAREWELL
Tonight I´m sitting here removing the last Nordost cable from my power filter. The last Nordost is sold. So I want to do a last test. What if if you have only one audio power cable connected to your source? After listening with only the Nordost Brahma which I thought was my best power cable, I replaced it with the Lessloss Original. I was a bit surprised. Only one Lessloss Original to my Dac gives better sound than the Nordost Brahma, even better than connecting the Lessloss Original to my Auralic Aries streamer and the Nordost Brahma to my Vega Dac. How can the cheapest Lessloss Power Cable do this magic alone? Instrument seperation is better, sound and soundstage is more focused and dissolved and the timbre is more organic.
So tonight I´m listening to the Bach Sarabande with my only Lessloss cable waiting for more to come. The headache is gone. Thanks to Louis Motek for making real stuff, not the type dreams are made on. And thanks for your incredible service, answering all my questions any time. I´m a happy customer.
All the best,
Einar Magnussen
Bergen, Norway
LessLoss History From the Very Beginnings
LessLoss started its business on Audiogon in late 2007. Within the first couple of month, word about LessLoss spread like wildfire among Audiogon members. Here is the feedback received from our clients during our first year of operation. This is from even before we had our own website.
Louis is one of the best in the business, truly professional and very fast production and delivery. I am very satisfied by your superb service. Many thanks.
Positive by Buyer Sebastian (135) on 07-29-2008
Excellent transaction with Lessloss on dynamic filtering power cord. Good communications & fast shipping. A+++++
Positive by Buyer Sennett (45) on 07-03-08
Bought 3 pc's from Liudas in Jan/08. Outstanding product as advertised. Performance is everything and more than I expected. Kudos to Lessloss cable for a great product. Very highly recommended...A+++
Positive by Buyer Phillykid (33) on 06-19-08