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Published LessLoss Reviews Now Number Over 697
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Because of the sheer number of reviews, you can sort them above to quickly find LessLoss products of interest.
DFPC Series [Reference]
Date Added: 01/22/2020 by Matjaz Kaltnekar, Slovenia
I admit being a little late to the party. The DFPC Series power cables have been in the meantime replaced by the C-MARC power cables. But better late than never.
While I could never dream to own such an expensive power cable as the DFPC Reference at an original price of 1.824 USD, since my whole system consists of components in the 2.500 EUR range (Marantz SA14S1 SE and PM14S1 SE by the late famous audio guru Ken Ishiwata and B&W 805S speakers connected by Siltech Classic Anniversary 330L loudspeaker cables), I am very pleased that by the price reduction I could upgrade from the Original to the Reference range.
Since I listen mostly to female vocal jazz like Patricia Barber, Jacintha and Melody Gardot, I prefer a certain sound – let's call it a seductive midrange. I abhor shrill highs and don’t really need an extra deep bass, since the B&W 805S don’t go below 46 Hz. I prefer stand mounted loudspeakers like the 805S over floor standers since they “disappear” better in the room. A precise stereo image is also very important to me.
So much for the introduction. Now to the first impressions. Thank God I have been informed of the long burn-in time by Mr. Motek as the first sound was one of very shrill highs. I usually use Patricia Barber's song The Thrill is Gone from Cafe Blue for checking cymbals and the double bass. The cymbals were very zingy or should I say glassy. While listening to the double bass I had the impression of listening to a bass guitar like Santana’s. The imaging that before was very directional, came out from just the speakers. I said: “OMG, what have I done. Buying something without prior auditioning.” The fact about getting 70% of the final sound during initial listening referred to by an article about burn-in by Mr. Motek seemed very far-fetched. Thankfully that is why a 30-day money-back guarantee exists.
But I knew I had to persist. I let it run through the whole night and another day and on the third day the image nicely opened up. The same song with the title The Thrill is gone should be renamed to The Thrill has returned since Patricia Barber's voice now gave me goosebumps. The instruments were settling down nicely an octave or two, my wife even commented that maybe the piano sound was even a little bit too dark. But for me the sound was just perfect and I was in seventh heaven.
A perfect example was A Taste of Honey from the same CD. It starts with the guitar. I have never heard the fingering of the strings as clearly as that evening. When Patricia started to sing, it was really a taste of honey. After that the drums joined the guitar and as I have already said I really don't need a super deep bass. What has gotten to me, was the uncanny rhythm of the bongo drums. I couldn't help myself to start tapping with my foot to the rhythm of the drums.
Another singer that always gives me goosebumps is Jacintha. Moon River from her CD Autumn Leaves is a perfect example of her seductive voice. It is supposed to be a cappella singing. Only if you listen very closely you can hear a piano in the back of the hall during the first 2:20 minutes. The LessLoss DFPC Reference power cables with its quiet background have produced these details as no power cables before.
Jacintha's bonus track from the same CD Here's to Life is a brilliant performance by Jacintha and the famous jazz pianist Kei Akagi. By the sound of it I could swear it was a Steinway. Only the best power cables bring out the texture of the piano like this. I am not sure if I can describe this correctly, but the note from the hammer strike on the piano string takes much longer to decay than with previous power cables giving the music a much more powerful presentation. There is some theory involved with this - you can google it under "Modelling the Decay of Piano Sounds". I am more and more amazed how many more details I get out of the same recordings that I have thought I knew so well.
Now for my final impressions after two weeks of burn-in. I have a sampler CD Ballads in Blue from Enja Records where for testing purposes I usually listen to the first two songs by Melissa Walker (A Time for Love) for the piano and Dusko Goykovich (No Love Without Tears) for the trumpet. I usually jump over the next songs to the last song by Chet Baker (I Fall in Love Too Easily) for his unusual voice where I never know if it is really a man singing or is it a mezzo-soprano voice like Ella Fitzgerald. Also the trumpet and string instruments (orchestra) are very nicely recorded. As it is a live recording it starts with applause. You can always hear a cables time coherence by listening to hands clapping or fingers snapping. With lesser cables the image is very diffuse, it seems to come more from the loudspeakers as from a central audience. Here you can really feel like you are sitting in the audience
Now for the piece de resistance. Before that last song there is a piano recording by Abdullah Ibrahim (Eleventh Hour) which I usually jump over during testing as there has been nothing special to the recording until now. Now for the first time I could really appreciate why Enja Music have put this song on the sampler. There are some cymbals which until now were all seeming to come from the same space in the recording. Now for the first time I could hear that there were actually 3 distinct directions (very close but nevertheless in separate space). I have read something like that in one review but I always take such reviews with a grain of salt. Now I can really understand what the reviewer was trying to convey. There are some authors that swear they can identify a brand of cymbals like for example the Zildjians from other cymbals. I am not nearly that far but the same as with piano notes I can distinctly hear the longer reverb/decay of the cymbal strike. Also in the piano you can hear the pedals being pressed, the very details that have been missing until now.
Also all the shrillness that I have heard on the first day has gone out of the recordings. The cymbals have now the right sound, the brushes don’t sound like sandpaper any more. The trumpet still has the brassy sound that I love so much and the piano has a very lifelike appearance.
Let me say at the end that I am very thrilled by the improvement the power cables have made to my system. I have spent a lot of money on my system already but this was one of the best investments I have made until now.
CloseRead the reviewProduct details While I could never dream to own such an expensive power cable as the DFPC Reference at an original price of 1.824 USD, since my whole system consists of components in the 2.500 EUR range (Marantz SA14S1 SE and PM14S1 SE by the late famous audio guru Ken Ishiwata and B&W 805S speakers connected by Siltech Classic Anniversary 330L loudspeaker cables), I am very pleased that by the price reduction I could upgrade from the Original to the Reference range.
Since I listen mostly to female vocal jazz like Patricia Barber, Jacintha and Melody Gardot, I prefer a certain sound – let's call it a seductive midrange. I abhor shrill highs and don’t really need an extra deep bass, since the B&W 805S don’t go below 46 Hz. I prefer stand mounted loudspeakers like the 805S over floor standers since they “disappear” better in the room. A precise stereo image is also very important to me.
So much for the introduction. Now to the first impressions. Thank God I have been informed of the long burn-in time by Mr. Motek as the first sound was one of very shrill highs. I usually use Patricia Barber's song The Thrill is Gone from Cafe Blue for checking cymbals and the double bass. The cymbals were very zingy or should I say glassy. While listening to the double bass I had the impression of listening to a bass guitar like Santana’s. The imaging that before was very directional, came out from just the speakers. I said: “OMG, what have I done. Buying something without prior auditioning.” The fact about getting 70% of the final sound during initial listening referred to by an article about burn-in by Mr. Motek seemed very far-fetched. Thankfully that is why a 30-day money-back guarantee exists.
But I knew I had to persist. I let it run through the whole night and another day and on the third day the image nicely opened up. The same song with the title The Thrill is gone should be renamed to The Thrill has returned since Patricia Barber's voice now gave me goosebumps. The instruments were settling down nicely an octave or two, my wife even commented that maybe the piano sound was even a little bit too dark. But for me the sound was just perfect and I was in seventh heaven.
A perfect example was A Taste of Honey from the same CD. It starts with the guitar. I have never heard the fingering of the strings as clearly as that evening. When Patricia started to sing, it was really a taste of honey. After that the drums joined the guitar and as I have already said I really don't need a super deep bass. What has gotten to me, was the uncanny rhythm of the bongo drums. I couldn't help myself to start tapping with my foot to the rhythm of the drums.
Another singer that always gives me goosebumps is Jacintha. Moon River from her CD Autumn Leaves is a perfect example of her seductive voice. It is supposed to be a cappella singing. Only if you listen very closely you can hear a piano in the back of the hall during the first 2:20 minutes. The LessLoss DFPC Reference power cables with its quiet background have produced these details as no power cables before.
Jacintha's bonus track from the same CD Here's to Life is a brilliant performance by Jacintha and the famous jazz pianist Kei Akagi. By the sound of it I could swear it was a Steinway. Only the best power cables bring out the texture of the piano like this. I am not sure if I can describe this correctly, but the note from the hammer strike on the piano string takes much longer to decay than with previous power cables giving the music a much more powerful presentation. There is some theory involved with this - you can google it under "Modelling the Decay of Piano Sounds". I am more and more amazed how many more details I get out of the same recordings that I have thought I knew so well.
Now for my final impressions after two weeks of burn-in. I have a sampler CD Ballads in Blue from Enja Records where for testing purposes I usually listen to the first two songs by Melissa Walker (A Time for Love) for the piano and Dusko Goykovich (No Love Without Tears) for the trumpet. I usually jump over the next songs to the last song by Chet Baker (I Fall in Love Too Easily) for his unusual voice where I never know if it is really a man singing or is it a mezzo-soprano voice like Ella Fitzgerald. Also the trumpet and string instruments (orchestra) are very nicely recorded. As it is a live recording it starts with applause. You can always hear a cables time coherence by listening to hands clapping or fingers snapping. With lesser cables the image is very diffuse, it seems to come more from the loudspeakers as from a central audience. Here you can really feel like you are sitting in the audience
Now for the piece de resistance. Before that last song there is a piano recording by Abdullah Ibrahim (Eleventh Hour) which I usually jump over during testing as there has been nothing special to the recording until now. Now for the first time I could really appreciate why Enja Music have put this song on the sampler. There are some cymbals which until now were all seeming to come from the same space in the recording. Now for the first time I could hear that there were actually 3 distinct directions (very close but nevertheless in separate space). I have read something like that in one review but I always take such reviews with a grain of salt. Now I can really understand what the reviewer was trying to convey. There are some authors that swear they can identify a brand of cymbals like for example the Zildjians from other cymbals. I am not nearly that far but the same as with piano notes I can distinctly hear the longer reverb/decay of the cymbal strike. Also in the piano you can hear the pedals being pressed, the very details that have been missing until now.
Also all the shrillness that I have heard on the first day has gone out of the recordings. The cymbals have now the right sound, the brushes don’t sound like sandpaper any more. The trumpet still has the brassy sound that I love so much and the piano has a very lifelike appearance.
Let me say at the end that I am very thrilled by the improvement the power cables have made to my system. I have spent a lot of money on my system already but this was one of the best investments I have made until now.
DFPC Series [Reference]
Date Added: 03/08/2016 by Private Hell Recording
Another DFPC Reference, this time feeding a Synergistic Research QLS-6 and ATC SCM25A Pro studio monitors. This replaces a JPS Labs Aluminata. Most interesting results were:
1. Better transient definition,especially in the bass.
2. I was able to actually angle my monitors out to get a wider field without sacrificing center image.
3. Natural frequency response.
- Private Hell Recording
CloseRead the reviewProduct details 1. Better transient definition,especially in the bass.
2. I was able to actually angle my monitors out to get a wider field without sacrificing center image.
3. Natural frequency response.
- Private Hell Recording
DFPC Series [Reference]
Date Added: 01/02/2016 by Casper
I have owned the Shunyata Zitron Anaconda & LessLoss Reference DFPC power cable at the same time. After comparing them on my Devialet D200 system, I observed that the LessLoss power cable was much better than the Shunyata power cable. The sound is more solid, more dynamic, more clear, there are more details & it is more musical. Higher C/P ratio compared with Shunyata cables (2/3 price only).
Highly recommend for all Devialet users.
CloseRead the reviewProduct details Highly recommend for all Devialet users.
DFPC Series [Reference]
Date Added: 06/15/2015 by derekw14
I own this power cord since a few years, after having been given the opportunity to audition it alongside the other LL power cords models, in my own system, thanks to Louis Motek friendlly, professional and patient customer service. The DFPC Reference has been a pillar of my stereo system since then.
If you can afford it, it is by far the best sounding model in LL range, not just a slight improvement for many more $$$ like with a lot of other manufacturers.
Actually, as Louis advised me, when coupled to a high quality (but not that expensive) power strip like BPT products, you get a high quality and great value power distributor for your whole system, that beats a lot of far more expensive power conditioners (that often thicken or slow the sound IMHO).
Naturally, it works wonders to power directly a particular component, I use it on my Dartzeel amplifier to great results. I compared it to other very well known - and sometimes more expensive, power cords and the DFPC reference was the clear winner, much more open sounding, airy and "atmospheric".
In my experience the DFPC Reference is one of the bona fide best quality power cords in the market, and offers remarkable value for money. It does not hurt that the build quality is superb.
CloseRead the reviewProduct details If you can afford it, it is by far the best sounding model in LL range, not just a slight improvement for many more $$$ like with a lot of other manufacturers.
Actually, as Louis advised me, when coupled to a high quality (but not that expensive) power strip like BPT products, you get a high quality and great value power distributor for your whole system, that beats a lot of far more expensive power conditioners (that often thicken or slow the sound IMHO).
Naturally, it works wonders to power directly a particular component, I use it on my Dartzeel amplifier to great results. I compared it to other very well known - and sometimes more expensive, power cords and the DFPC reference was the clear winner, much more open sounding, airy and "atmospheric".
In my experience the DFPC Reference is one of the bona fide best quality power cords in the market, and offers remarkable value for money. It does not hurt that the build quality is superb.
DFPC Series [Reference]
Date Added: 03/15/2015 by Private Hell Recording
This is top of my list for power cables and I have tested or owned everything, Audience, Shunyata, JPS Aluminata, etc. I use this cable in my dedicated room reference system on a Devialet 200. Just perfect. Power, space, impact, but most importantly, neutrality. No hype, no sheen, no bloated bass, just the music.
CloseRead the reviewProduct details DFPC Series [Reference]
Date Added: 02/18/2015 by Martin Ölmedal, Stockholm/Sweden
When I first got in touch with Louis and the DFPC cables some years ago I had tried out numerous power cables. I was also a bit of a septic regarding the impact of power cables on sound quality. This attitude was however about to change...
Yes, I had heard definite changes in sound character when switching between power cables, but was the sound just different or was the sound quality actually better? I believe a lot of people tend to think of these two aspects as one when listening to changes in sound character. A change in sound character is by many easily confused with "something got better", i.e. sound quality. This is due to how our hearing works.
Our hearing, for evolutionary reasons, is best at for example picking up changes in sound and a identifying a specific sound (like speech) in a otherwise noisy environment. Using your hearing to point out what sound sounds better than other sounds takes practice. It's a bit like knowing how to find a good wine - all wines are different but you need to know what you are looking for when deciding what's good and what's not.
The same thing can be said about changes in sound quality when using different power cables and power filtering devices. You have to be able to discern and separate the numerous nuances and characteristics that makes up music to tell if a sound or a whole pice of music sounds more lifelike or not. This usually takes some practice and is also one of the reasons why many audiophiles use high quality recordings of the human voice when reviewing hifi gear. We all have a similar reference of how a voice should sound in order to sound convincingly natural and lifelike.
However, the impact on sound quality made by the DFPC Reference is so apparent and unquestionable that even a person completely unfamiliar with the intricacies of high end audio immediately can hear the sonic benefits of the DFPC Reference in any given hifi system. The DFPC Reference achieves a very dynamic, highly defined, coherent and - most importantly - extremely lifelike sound.
With first the DFPC Original and now the DFPC Reference in my system I know for sure that power cables not only affect sound quality, but have a substantial impact on your system's ability to produce a high quality sound. The proof is there for anyone to find with the DFPC Reference. Just give it a listen. Highly recommended!
CloseRead the reviewProduct details Yes, I had heard definite changes in sound character when switching between power cables, but was the sound just different or was the sound quality actually better? I believe a lot of people tend to think of these two aspects as one when listening to changes in sound character. A change in sound character is by many easily confused with "something got better", i.e. sound quality. This is due to how our hearing works.
Our hearing, for evolutionary reasons, is best at for example picking up changes in sound and a identifying a specific sound (like speech) in a otherwise noisy environment. Using your hearing to point out what sound sounds better than other sounds takes practice. It's a bit like knowing how to find a good wine - all wines are different but you need to know what you are looking for when deciding what's good and what's not.
The same thing can be said about changes in sound quality when using different power cables and power filtering devices. You have to be able to discern and separate the numerous nuances and characteristics that makes up music to tell if a sound or a whole pice of music sounds more lifelike or not. This usually takes some practice and is also one of the reasons why many audiophiles use high quality recordings of the human voice when reviewing hifi gear. We all have a similar reference of how a voice should sound in order to sound convincingly natural and lifelike.
However, the impact on sound quality made by the DFPC Reference is so apparent and unquestionable that even a person completely unfamiliar with the intricacies of high end audio immediately can hear the sonic benefits of the DFPC Reference in any given hifi system. The DFPC Reference achieves a very dynamic, highly defined, coherent and - most importantly - extremely lifelike sound.
With first the DFPC Original and now the DFPC Reference in my system I know for sure that power cables not only affect sound quality, but have a substantial impact on your system's ability to produce a high quality sound. The proof is there for anyone to find with the DFPC Reference. Just give it a listen. Highly recommended!
DFPC Series [Signature] [Reference]
Date Added: 10/17/2014 by Algis and friends
Over several days and at different times during burn in, I hosted an intensive power cord shootout in my prime listening room. My room was custom built according to plans drawn up by our best local acousticians. The dimensions of the room are acoustically generous. After acoustical modeling with specialized software, repeated measurements were made during different phases of the building and installation process, to ensure that real-world results indeed follow.
This space is some 6.5m wide, 10m long, and 5m high (21 ft. wide, 33 ft. long, 16.5 ft. high) in size. The side walls are not parallel, nor the front and back walls. The structural ceiling is actually some 1.5m above the acoustical ceiling one sees in the picture. The walls, too, are acoustically purpose-built structures built some 1m in from the actual carrying walls. It's really a venue for the top possible reproduction of comprehensible, intelligible and controlled sound.
I'm a life-long audiophile. I've gone through myriad changes to my systems throughout the years. In this one, I spent the past 10 years fine tuning the interplay between the various components. Special attention was given to the equipment stands/feet as well as to cabling.
We compared six fine power cords:
#1: Atlas Eos from Scotland
#2: Nordost Valhalla upgraded with Oyaide 004 connectors.
#3: LessLoss DFPC Signature
#4: Siltech Ruby Double Crown
#5: LessLoss DFPC Reference
#6: Nordost Odin
In terms of price (least to most expensive):
#1: Atlas Eos (246 USD)
#3: DFPC Signature (1149 USD)
#5: DFPC Reference (1824 USD)
#2: Nordost Valhalla (5800 USD)
#4: Siltech Ruby Double Crown (13,500 USD)
#6: Nordost Odin (19,600 USD)
Upon first listen of the DFPC Reference, without any burn in, our first impression was promising. We decided to connect it somewhere to burn in for about four days without further listening for the time being.
In the meantime, the Nordost Odin and Valhalla, the Siltech Ruby Double Crown, the Atlas Eos, and the DFPC Signature were already all burned in long before and had been part and parcel of my system for years. Their sonic characters were intimately known to my group of friends, and recognizable on different pieces of gear throughout the system. We've been listening here together for years.
After four days of burn-in, now in direct comparison with the DFPC Signature, we found the DFPC Reference obviously superior. So superior, that it only took the first couple of notes in the music to clearly tell. This opinion did not waver throughout the evening.
After the next few days, what became apparent was that the DFPC Reference burns in differently than any other cable we tried previously. It seems that even after 8-10 days, an unmistakable evolution in the sound quality was still being perceived. Presumably this has to do with its very low noise floor, which is immediately evident.
After this second, longer interval of burn-in, our comparisons began in earnest. First, special attention was given to draw comparisons between the DFPC Signature and the new DFPC Reference. It (the Ref) gave a huge leap forward in terms of dynamics, lowered noise floor, and the fact that individual instruments seem to free themselves more than ever from one another. At first with the DFPC Reference, it seemed that the sound was somewhat lighter in character, but it also revealed during the course of the evening to be still morphing into more colorful tonalities, even after the 2 weeks of burn-in before. We decided to keep burning it in for another few days before comparing to all the others. Also, this would give our local group time to organize the arrival of more listeners from Berlin, Riga, and Kiev.
21 Days In
Finally, after three weeks of burn in, everyone felt that the performance of the DFPC Reference had settled. It was now time to compare to all the others. It was an unambiguous result: the DFPC Reference topped all our other cables.
When the Odin was introduced, it seemed at first that its dynamic characteristics were better than those of the DFPC Reference, but through a constant coloration of those dynamics, we found ultimately to be less organically musical and more harsh and irritating in sound. We decided to keep the Odin in the system and give it a longer listen. Fatigue set in. Switching back to the DFPC Reference, the music now sounded more organically musical, had more color and emotional content. So we decided unambiguously that the DFPC Reference topped the list! And we lost no detail.
On subsequent days, we tried the DFPC Reference on various pieces of equipment (DAC, CDP, amps), and it proved its excellence regardless of what gear it was powering.
If anybody would like to hear how the DFPC Reference sounds, they are welcome to come over for a comparison with the Odin, and you'll find it sounds better than the Odin. And we are talking about a 1:12 difference in price.
In my main system I also use the LessLoss Tunnelbridge.
Algis
CloseRead the reviewProduct details This space is some 6.5m wide, 10m long, and 5m high (21 ft. wide, 33 ft. long, 16.5 ft. high) in size. The side walls are not parallel, nor the front and back walls. The structural ceiling is actually some 1.5m above the acoustical ceiling one sees in the picture. The walls, too, are acoustically purpose-built structures built some 1m in from the actual carrying walls. It's really a venue for the top possible reproduction of comprehensible, intelligible and controlled sound.
I'm a life-long audiophile. I've gone through myriad changes to my systems throughout the years. In this one, I spent the past 10 years fine tuning the interplay between the various components. Special attention was given to the equipment stands/feet as well as to cabling.
We compared six fine power cords:
#1: Atlas Eos from Scotland
#2: Nordost Valhalla upgraded with Oyaide 004 connectors.
#3: LessLoss DFPC Signature
#4: Siltech Ruby Double Crown
#5: LessLoss DFPC Reference
#6: Nordost Odin
In terms of price (least to most expensive):
#1: Atlas Eos (246 USD)
#3: DFPC Signature (1149 USD)
#5: DFPC Reference (1824 USD)
#2: Nordost Valhalla (5800 USD)
#4: Siltech Ruby Double Crown (13,500 USD)
#6: Nordost Odin (19,600 USD)
Upon first listen of the DFPC Reference, without any burn in, our first impression was promising. We decided to connect it somewhere to burn in for about four days without further listening for the time being.
In the meantime, the Nordost Odin and Valhalla, the Siltech Ruby Double Crown, the Atlas Eos, and the DFPC Signature were already all burned in long before and had been part and parcel of my system for years. Their sonic characters were intimately known to my group of friends, and recognizable on different pieces of gear throughout the system. We've been listening here together for years.
After four days of burn-in, now in direct comparison with the DFPC Signature, we found the DFPC Reference obviously superior. So superior, that it only took the first couple of notes in the music to clearly tell. This opinion did not waver throughout the evening.
After the next few days, what became apparent was that the DFPC Reference burns in differently than any other cable we tried previously. It seems that even after 8-10 days, an unmistakable evolution in the sound quality was still being perceived. Presumably this has to do with its very low noise floor, which is immediately evident.
After this second, longer interval of burn-in, our comparisons began in earnest. First, special attention was given to draw comparisons between the DFPC Signature and the new DFPC Reference. It (the Ref) gave a huge leap forward in terms of dynamics, lowered noise floor, and the fact that individual instruments seem to free themselves more than ever from one another. At first with the DFPC Reference, it seemed that the sound was somewhat lighter in character, but it also revealed during the course of the evening to be still morphing into more colorful tonalities, even after the 2 weeks of burn-in before. We decided to keep burning it in for another few days before comparing to all the others. Also, this would give our local group time to organize the arrival of more listeners from Berlin, Riga, and Kiev.
21 Days In
Finally, after three weeks of burn in, everyone felt that the performance of the DFPC Reference had settled. It was now time to compare to all the others. It was an unambiguous result: the DFPC Reference topped all our other cables.
When the Odin was introduced, it seemed at first that its dynamic characteristics were better than those of the DFPC Reference, but through a constant coloration of those dynamics, we found ultimately to be less organically musical and more harsh and irritating in sound. We decided to keep the Odin in the system and give it a longer listen. Fatigue set in. Switching back to the DFPC Reference, the music now sounded more organically musical, had more color and emotional content. So we decided unambiguously that the DFPC Reference topped the list! And we lost no detail.
On subsequent days, we tried the DFPC Reference on various pieces of equipment (DAC, CDP, amps), and it proved its excellence regardless of what gear it was powering.
If anybody would like to hear how the DFPC Reference sounds, they are welcome to come over for a comparison with the Odin, and you'll find it sounds better than the Odin. And we are talking about a 1:12 difference in price.
In my main system I also use the LessLoss Tunnelbridge.
Algis
DFPC Series [Reference]
Date Added: 10/17/2014
Today I use the LessLoss Reference power cord, and to be quite honest, I do not think this product has serious competition. I'm using it with Devialet. It is so much better than anything else I've tried!
CloseRead the reviewProduct details DFPC Series [Reference]
Date Added: 07/06/2014 by Anthony C
As a user of the Devialet D Premier dac/amp, I am pleased I purchased the DFPC reference cable.
It wasn't that I set out to make a general system upgrade - but that's what I got, I'm glad to report.
I had originally sought to cure certain treble distortions and thinness of sound by introducing some tone control for added warmth through cabling changes. I had a headache about what to do for the best.
Happily Mr Motek stepped in with some gentle 're-education' on the difficulties of putting our perceptions into words in any meaningful way - and the absurdity of tone controls. So I flashed the plastic.
Ever-sceptical, I confess it was more in trepidation than excitement [oh what fun we have] that I hooked up the Reference PC. I needn't have worried. The result was wonderfully portrayed music - just so much better in every aspect than I heard [even] on the £500 cable I had in my system.
As to the aforementioned treble issues, it didn't disappear, but at least I know where to look for the cure.
I am taking a long, hard look at the source, [MacBook Pro SSD] and the good news is the Mr Motek with his vast experience has offered to assist. Can't say any fairer than that! Anthony C.
CloseRead the reviewProduct details It wasn't that I set out to make a general system upgrade - but that's what I got, I'm glad to report.
I had originally sought to cure certain treble distortions and thinness of sound by introducing some tone control for added warmth through cabling changes. I had a headache about what to do for the best.
Happily Mr Motek stepped in with some gentle 're-education' on the difficulties of putting our perceptions into words in any meaningful way - and the absurdity of tone controls. So I flashed the plastic.
Ever-sceptical, I confess it was more in trepidation than excitement [oh what fun we have] that I hooked up the Reference PC. I needn't have worried. The result was wonderfully portrayed music - just so much better in every aspect than I heard [even] on the £500 cable I had in my system.
As to the aforementioned treble issues, it didn't disappear, but at least I know where to look for the cure.
I am taking a long, hard look at the source, [MacBook Pro SSD] and the good news is the Mr Motek with his vast experience has offered to assist. Can't say any fairer than that! Anthony C.
DFPC Series [Reference]
Date Added: 05/10/2014 by Rainer Weber
I am totally stunned how unbelievably good the DFPC Reference power cord is.
I installed a 2m sample to connect my Thrax Dionysos preamp and could not believe it. Everything sounds as if it had more power, more dynamics and especially more speed and pace. On the other hand, also the tone colours are massively improved - it sounds so right!
I did not expect so much improvement on the tone colours but it must be due to less power line interference and modulation with the music.
The staging is deeper and more 3D and the clarity on the stage extremes (back and sides) is hugely better. Now you can easily identify what is going on on the very far end (side and back).
I can not higher recommend a cable like this one and will try to swap more cables into my system.
PS:
My old cable (which was outperformed by the DPFC Reference) is in the price range of 7000 Euro. DPFC Reference is a real deal.
All the best,
Rainer Weber
Technical Director Kaiser Acoustics
CloseRead the reviewProduct details I installed a 2m sample to connect my Thrax Dionysos preamp and could not believe it. Everything sounds as if it had more power, more dynamics and especially more speed and pace. On the other hand, also the tone colours are massively improved - it sounds so right!
I did not expect so much improvement on the tone colours but it must be due to less power line interference and modulation with the music.
The staging is deeper and more 3D and the clarity on the stage extremes (back and sides) is hugely better. Now you can easily identify what is going on on the very far end (side and back).
I can not higher recommend a cable like this one and will try to swap more cables into my system.
PS:
My old cable (which was outperformed by the DPFC Reference) is in the price range of 7000 Euro. DPFC Reference is a real deal.
All the best,
Rainer Weber
Technical Director Kaiser Acoustics
LessLoss History From the Very Beginnings
LessLoss started its business on Audiogon in late 2007. Within the first couple of month, word about LessLoss spread like wildfire among Audiogon members. Here is the feedback received from our clients during our first year of operation. This is from even before we had our own website.
Louis is one of the best in the business, truly professional and very fast production and delivery. I am very satisfied by your superb service. Many thanks.
Positive by Buyer Sebastian (135) on 07-29-2008
Excellent transaction with Lessloss on dynamic filtering power cord. Good communications & fast shipping. A+++++
Positive by Buyer Sennett (45) on 07-03-08
Bought 3 pc's from Liudas in Jan/08. Outstanding product as advertised. Performance is everything and more than I expected. Kudos to Lessloss cable for a great product. Very highly recommended...A+++
Positive by Buyer Phillykid (33) on 06-19-08