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The LessLoss DFPC Signature comes out on top in a 6 power cord test run over the course of one year. Bound for Sound issue #205.

January, 2011, author: Marty de Wulf
"The Signature allows the components it's used with sound their best. Most power cords have a "sound" or character that they seem to impose on every component they are used with. The Signature simply doesn't do that."
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Stereo Times grants 2010 Publisher's Choice Award

January, 2011, author: Clement Perry
The LessLoss Blackbody is granted the 2010 Most Wanted Component Award from Stereo Times (Russell Lichter, Clement Perry, Moreno Mitchell).
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Stereo Times reviews the LessLoss Digital Cable

December 2010, author: Russell Lichter
"...felt more like actually "being at the performance," presenting greater image clarity and specificity."

"...able to easily picture the space in which the musicians played, that is, there was greater ambient retrieval."

"...a sense of actually "being there.""

"Nor did she have to struggle with the comparison by having me swap cables repeatedly back and forth: the differences were immediately obvious. Nothing subtle about it!"
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6moons second review of LessLoss Blackbody

November, 2010, author: Marja & Henk
"In hindsight it is quite shocking to fully appreciate how most if not all of our audio gear can be enhanced by addressing (minimizing or eliminating) its EMI radiation."
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Stereotimes on the LessLoss Blackbody

November, 2010, author: Clement Perry
"The results are a surprisingly lower noise floor. Increased resolution and three-dimensionality while overtones appear more authentic and natural."

"Highly recommended."
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Puresound reviews the LessLoss DFPC Original

September, 2010, author: Roeland Vereecken
"The extended dynamics, the lowered noisefloor, the musicality and the ability to bring the musicians into the room."

"LessLoss cables lifted the musical interpretation for me made me better get into the music and I dare to say Bach's Mattheus Passion never brought me to tears in such a way as on that evening with La Petite Bande and the LessLoss DFPC."

"In a good high res system, this is definitely the cable to go for. It will almost literally blow your mind."

The original Dutch version is here.
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Hjemmekino reviews the LessLoss DFPC Signature

September 2010, author: Roy Ervin Solstad
"The DFPC Signature added more fullness and a level of resolution and detail the two others couldn't match."

"We believe that LessLoss DFPC Signature power cable can provide an enhancement just like a component change in your hifi system."

The article (in Norwegian) is here.
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Puresound reviews the LessLoss DFPC Signature

September, 2010, author: Roeland Vereecken
"The extended dynamics, the lowered noisefloor, the musicality and the ability to bring the musicians into the room."

"LessLoss cables lifted the musical interpretation for me made me better get into the music and I dare to say Bach's Mattheus Passion never brought me to tears in such a way as on that evening with La Petite Bande and the LessLoss DFPC."

"In a good high res system, this is definitely the cable to go for. It will almost literally blow your mind."

Original Dutch version here.
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6moons reviews the LessLoss DFPC Signature

August 2010, author: Marja & Henk
"LessLoss attacks environmental noise riding on power cables in a very special way."

"Bass was sumptuous, the midrange delicate and the treble airy and fast. There was absolutely nothing wrong with their performance in our system."

"...pulls you deeper into the performance and only lets go when the CD is stopped or the needle hits the final groove."
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Dagogo Reviews the LessLoss Blackbody

August, 2010, author: Ed Momkus
"Soundstage depth improved and performers became more palpable, creating a greater sense of realism. A very natural sense of weight and body appeared where none previously existed."

"After a lot of listening and thought, there are three things that the Blackbody does. First, it adds a significant amount of spatial cues. Second, it somehow allows you to clearly hear every instrument in detail without sounding analytical and ruining the "wholeness" of the overall performance or changing the balance of the musical presentation. Third, it adds a natural sense of body and weight to instruments without affecting pace or timing. These things may not sound like much, but once I dialed in the best positioning of the Blackbodies the effect was quite pronounced, and repeatedly confirmed by several different listeners in my main listening room."

"I heard: (a) more nuance from the instruments, (b) more clarification of the performance venue, and (c) clearer performer placement on the soundstage."

"I will tell you right now that LessLoss's claims about the audible effects of the Blackbody are absolutely true."
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